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How to compare the words of Vae and vincent fang?
First of all, Vincent Fong Vai is my favorite modern poet. I respect them very much, and I am glad that there are still people in China who love China's songs.

Let me start with my personal conclusion: Vincent Fang is taller than Vae, but for some reasons, the level difference is too big. After reaching a higher level, Vae can remain stable and play a relatively stable role. Of course, Vae not only writes well, but also composes, sings and writes by himself.

The reason is that Vincent Fang, after all, is relatively commercialized, so "rhyming fanatics" sometimes give up the artistic conception and aesthetic feeling of some words for rhyming, which will be far-fetched to read.

Vae is usually a free man, writing some ideas and thought-provoking things. Because he imitated many ancient poems, the early words did have rhetorical problems. Take archaic words as an example:

Outside the window, the clouds that pass through Rizhao West Bridge in Chu Xiao shake themselves.

I miss your skirt when the wind is swaying gently.

The last romantic ripple of wood carving was sealed seven years ago.

Because I've only lived for you all my life.

-"Rain on Qingming Festival"

This is an early word of Vae, with obvious personal style. As far as I know, it was probably written by those rich children in the early Northern Song Dynasty. Most of them are beautiful scenery and flowery rhetoric, but in fact the content is slightly less and the rhetorical devices are not advanced. There is no connection between images, no forced transition, and it is easy to "play". But by the way, this level is enough to kill most players in the ancient wind circle.

Let's look at another work:

How to sleep with fireworks in the wild shop outside Guanwai?

Who will add two pieces between the cold sleeves for me?

It snowed three or four times again, and the wind blew all night.

It's just that the poor thin horse didn't have a good rest

Dream for months, wake up for years.

The past is sad and affectionate.

The partridge can't hear you. Fly back to the front of the court.

Who will uncover the remnants of old couplets with faded red ink?

-"Thousands of Baidu"

Is this a mid-term word? At this time, rhetoric is gorgeous, intentions are still jumping more, and there is less contact with each other. At first glance, it feels awesome. In fact, it is also a pile of words, a scene and a feeling. Experts feel that they are not brilliant at first sight, that is, emotional sublimation, which is often said in Chinese classes, and their performance is average and not good enough. (There are changes here, and the original words are ambiguous)

But compared with the last song, it has improved a lot. And used a lot of ancient poems.

But it's completely different down there.

After the rain, the river dawned. How many new visitors know? Look at the bamboo forest in the distant mountains, the morning breeze caresses the green, the banana leaves cold and the plum blossoms fall, and the swallow who won the title of spring in winter will return to its nest-"Yan returns to its nest"

This is a work written in recent two years. In contrast, the time, place and scenery are vivid in front of a few words, and the morning breeze blows the banana green. This anthropomorphic technique also reveals the change and passage of time. In contrast, the first two capitals were killed in seconds, okay? More importantly, I broke away from the stage of using words and gradually developed my own high-level creation and understanding of words.

Let's talk about Vincent Fang again. Fang Zhouzi's ci gives me the feeling that the picture of the ci is very good, with smooth connection and active thinking. Influenced by modern poetry, it is easy to read, catchy and beautiful.

Koi fish, with white flowers and blue color, jumped to the bottom of the bowl.

I miss you when I copy my signature.

The secret you hid in the kiln for thousands of years.

Very delicate, like an embroidery needle landing.

Outside the fence, bananas cause showers and knockers cause patina.

I passed by that small town in the south of the Yangtze River and made you angry.

In splash-ink landscape painting

You are hidden in the depths of ink.

The sky is blue, I am waiting for you.

Smoke from kitchen chimneys spans thousands of miles across the river.

Carved calligraphy at the bottom of the bottle imitates the elegance of the previous dynasty.

Think of it as the foreshadowing of meeting you.

The sky is blue, I am waiting for you.

The moonlight was salvaged, dizzy.

For example, blue and white porcelain passed down from generation to generation.

There's a smile in your eyes

-"Blue and White Porcelain"

I don't want to say more about the beauty of this word. Many Chinese teachers praise them. Have you ever had such an experience? Anyway, I have