The first argument is that it was founded in Yan Yongchun, Fujian, hence the name Wing Chun Quan. Yan Yongchun Boxing was the daughter of Yan Si, a disciple of Shaolin laity in the middle of Qing Dynasty. She happened to see snakes and cranes fighting, and was inspired to learn primitive martial arts from her. Do you want to drink sauce? Hey?
The second argument is that Wing Chun Boxing originated from five teachers, not Yan Yongchun, and what he realized when he saw the snake and crane fighting. Teacher Wu Mei is a Shaolin disciple in the early Qing Dynasty and is said to be the master of Shaolin White Crane Boxing. Because South Shaolin in Fujian was burned by the Qing government, she lived in seclusion in Daliangshan, the border of Sichuan and Yunnan, and created Wing Chun Boxing because she saw snakes and cranes fighting, which was later spread in Yan Yongchun.
The third argument is that after the five pieces of Wing Chun Boxing were created, they were not directly passed on to Yan Yongchun, but passed on to Miao Shun, a Shaolin disciple, Yan Er, a Shaolin layman, and Yan Er passed on to the female Wing Chun and her husband Fu Liang. This strict second is the strict fourth.
The fourth argument is that Wing Chun Boxing has nothing to do with the Five Masters or Yan Yong Boxing, and there is no competition between snakes and cranes. The predecessor of Wing Chun Boxing should be Wing Chun Boxing, which is a martial art in the struggle of the anti-Qing organization "Heaven and Earth" in the early Qing Dynasty, and was created by Chen, a Shaolin disciple in Songshan, Henan Province. He (or "she") first passed it on to Zhang Wu, a martial arts student in the troupe (known as Tan Shouwu, who is known as a "one-step Wulin"). Later, Zhang Wu stayed in Guangdong, settled in Qionghua Hall in Dajiwei, Foshan Town, Nanhai County, and spread Wing Chun Boxing to his disciples in the form of Cantonese opera. After the Li Uprising in Xianfeng period, the disciples changed the word "Yong" to "Yong" and "Yong" to avoid disaster. Huang, Liang Erdi, Dahua Mianjin and others on the red boat learned this fist technique and passed it on to Liang Zan, who is practicing medicine in a Chinese medicine shop on Chopsticks Road in Foshan. Since then, Liang Zan has carried forward Wing Chun Boxing.
The fifth statement also says that Wing Chun Boxing should be Yongchun Boxing, named after Yongchun Hall of Shaolin Temple in Quanzhou, Fujian. It is a southern family boxing method that people who entered the temple in those years learned. The full name is Shaolin Yongchun, and the master is Shan Zhi, a disciple of Shaolin. Nan Shaolin was insatiable and fled to Foshan. He once hid in the red boat of Cantonese opera as a cook. Later, people in the troupe worshipped him as a teacher because they came into contact with the loose-packed in Dongguan. Among the disciples, Su Sanniang, a native of Huizhou, is Hua Dan in the troupe, and she is very good at learning, so she is called "Yongchun Sanniang". Finally, Sanniang spread the martial arts to Huang Huabao and Liang Erdi of Red Boat, and Huang and Liang also spread the martial arts to Liang Zan of Foshan, so that Yongchun Boxing could be carried forward in Foshan.