? From all the villains at the beginning of the film to the last chapter released last year, the three films always revolve around the eternal theme of gangster movies, namely, the following crimes, the change of rights and the success of superiors. However, no one has ever been disappointed with the film shortage of this comic dialogue actor who looks like a gangster.
? "I also want to be a knife holder."
? Sima Yi launched "The Change of Gaoping Mausoleum" and shouted that I also want to be a man with a knife. In the film, Kitano Takeshi plays a big friend who has the consciousness of wielding a knife from beginning to end, but his knife-wielding person is moral, which is also one of the indispensable elements of gangster movies, especially Asian gangster movies. Unfortunately, morality is always a stepping stone to the gangster world, but it cannot be a pillar. Of course, we have to get rid of "young and dangerous people" here. As such an ethical gang member, the only promotion capital is to do a good job. Work? Is murder, Kitano Takeshi has always been a master of violent aesthetics, flat and agile with ferocity. Compared with Quentin's "bloody romance", Kitano Takeshi's is invisible repression and cruelty. For example, when killing Chi Yuan, it was full of tension, and the unexpected palm force made him bite his tongue. The high-speed car crane used to kill Shui Ye is chilling. The game of thrones is never the home of hard-working people. The film ends with Judas' imprisonment and the death of his brothers and sisters who share Judas' beliefs. Ishihara, the accountant of Judas Group, because he knows English, futures and finance, with his excellent ability to make money, he successfully betrayed Judas and became the second master of Shanwang Association.
? League of the Disappointed.
? The second part is all villains? After all, this is the most authentic of the three. Kitano Takeshi has put away his usual idealism, so it is difficult to define whether this film is Revenge or Hide and Seek. The strong intervention of the police became the only driving force of this film. On the contrary, Judas, who was released from prison, had given up his plan at this time. In the wrestling with the police, Kimura, a small character in the first film, became the focus. At this moment, Judas no longer appeared as a gangster, but more like Ren Xia or a ronin. Kimura is also a frustrated doer, using the way of Susumu Terajima in Big Brother to bring free Judah back to the right track. So what seems to be revenge is more of an old-school gangster's insistence on his beliefs. As Judas said to traffic policeman Kataoka, "even hooligans have their own principles."
At the end of the film, the Avengers, led by Judas, successfully destroyed the Mountain King Society because they boarded the Hualing Society of the big gang. As a follower of Judas, Kimura became the bait for Kataoka to trap Judas. He can only be a confused ghost. In addition, the Kansai accent of Hualing Club members in this film is really enjoyable.
? Warriors walking with the despicable
? The third film, Kitano Takeshi, seems to be a mix of gangster movies he shot before. From fishing in Jeju Island, which opened the mirror, to killing members of Hualing Society with Ishikawa, all of them have more or less the meaning of "big Boss" and "Mingqu". After the first two films, the plot of this film is not complicated, but some details are really worth pondering. Nomura is a member of Hualing Society, and he hates Kansai dialect. Hua Tian apologized to Mr. Zhang and emphasized to keep his fingers. Brahma was bent on cracking down on mafia forces and eventually resigned. Two failed triads, Wuwei Baishan, turned against each other. Moreover, the expression of violence in this film is different from that in the previous two films. It is no longer the key to the death of a sword, but it is more humorous and still cruel and horrible. For example, the head was shot with a tire in the countryside, Huatian was blocked, and the ball exploded. When Judas and Ishikawa shot members of the Hualing Club with submachine guns, people felt that this was not a traditional Japanese gangster movie, but more like a drug dealer in Scarface or Medellin in Europe and America. Until the last shot of Judas, the traditional Ren Xia put the ticket stub in your hand, and it was over.
? Throughout the three films, the despicable man shamelessly climbed to the top and eventually returned to heaven, the greedy man could not give up and eventually died, the traitor's morality was not the blade of the ultimate just man, and the just man did not distinguish between the peeled wheat and his life.
? Extremely evil.