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Life is one of the main types of opera performances, and the male role other than pure ugliness is called life. According to the age, identity, personality and performance characteristics of the characters, they can be roughly divided into old pedants, young pedants, international students, late students, martial arts students and infants.
The old student plays an upright and resolute active role over middle age. Because of wearing a mouth, also known as beard, commonly known as beard. Generally speaking, singing is emphasized, and the true voice is white rhyme; The action is solemn and square. For example, Zhuge Liang in Beijing Opera "Empty City Plan" and Tian Yunshan in Bangzi "Butterfly Cup".
Xiao Sheng, play the young man. Xiao Sheng's performances in different operas have their own characteristics, but there are also similarities. There are two ways to use timbre: one is to use real voice, high-pitched tune and local drama system, and use one thing for multiple purposes; One is mainly falsetto, which combines true and false sounds, and commonly uses Kunqu opera and leather spring system. The keynote of action modeling is elegant, charming and beautiful. According to the identity, personality and technical characteristics of the characters, there are three kinds of characters: scarf, crown, poor, pheasant and Wu.
The towel boy, also known as the fan boy, is named after Dai Wensheng's towel or folding fan. He plays mostly elegant and handsome young scholars, and pays equal attention to singing and reading in all walks of life. For example, Liang Shanbo in Kunqu Opera Liu Yin Ji.
Guan Sheng is a unique business of Kunqu Opera, which is divided into Daguansheng and Little Guan Sheng. In fact, a big official student is a pupil with a mouth. He often plays a romantic emperor or a wild and uninhibited wit, such as Tang in the Palace of Eternal Life and Li Bai in The Drunken Man's sake. Xiao, also known as shamao, often plays a young upstart, such as Wang He and Xu Jizu in Bai Luo shirt.
Poor students, that is, poor and down-and-out scholars, such as Lv Mengzheng in Sichuan Opera "The Story of Colorful Buildings" and Zheng Yuanhe in Kunqu Opera "The Story of Embroidered Buildings".
Pheasant, also called Ling Zisheng, is named after two pheasant tails often inserted in the helmet. Singing, reading, doing and playing all kinds of merits are equally important. Such as Zhou Yu in Hero and Lu Bu in Strange Tales from a Lonely Studio.
Wu, a young boy. For example, Lu Wenlong in Eight Hammer Gang, Yue Yun in Yue Jiazhuang and Yang Zaixing in Nine Dragons Mountain.
Wusheng, a figure who is good at martial arts, can be divided into two categories: long wusheng and short wusheng. Long and strong, wearing thick-soled boots, playing the role of a general. For example, Gao Chong in Peking Opera Pulling Pulley and Zhao Yun in Changbanpo are all cadets. Martial students who bunt often wear robes, trousers and thin-soled boots, and are famous for their agility and bravery in somersaults. For example, Ren at the fork of the Beijing Opera, the Monkey King at the Cross Slope and in the Noisy Palace all studied martial arts.
dawn
Dan is the general name of female roles in China traditional opera performances. According to the age, identity, personality and performance characteristics of the characters, they can be roughly divided into seven categories: Zheng Dan, Hua Dan, Tiedan, Guimendan, Udan, Lao Dan and Cai Dan.
Zheng Dan mainly plays middle-aged or young women with strong personality and dignified manners. Because they often wear green pleats, they are also called tsing yi or blue. Singing, reading and doing have their own advantages, but the focus is on singing. Such as Qin Xianglian in Qin Xianglian and Zhao in Cosmic Front.
As a lively and cheerful young woman, Hua Dan is in sharp contrast with Zheng Dan. Modeling requires charm, beauty, simplicity, liveliness, more attention to white, work, good-looking, no singing, and beautiful and dexterous singing. The operas of Bangzi are called Xiao Dan, such as Yan Xijiao in Sitting on a Building to Kill Cherish, Yin in Shaohua Mountain and Van Gogh Palace.
Iron Egg, Southern Opera and Northern Zaju all have this name, which is Zhong Dan's auxiliary role, meaning that once it is posted outside Zhong Dan, it does not represent personality characteristics. For example, Chun Xiang in Peony Pavilion, Shen Qilv in Taking the Lead, and Zhao Cuier in Cuiyuan. Kunshan dialect plays both children and children. Both Han Opera and Cantonese Opera have stickers, which are different names of Hua Dan.
Girl Dan, play the girl. The northern zaju includes "Zaju in my heart forever". In Kunshan dialect in Qing Dynasty, boudoir Dan was differentiated from unisexuality. For example, Du Liniang in The Peony Pavilion, Chen Miaochang in The Story of Jade Products, and Tao Fo Nv in The Amber Spoon. Hu Fenglian and Lu in the Bangzi series Butterfly Cup, and Chen Xingyuan in the Pi Zichun series Er Du Mei, etc. , belong to the boudoir, but belong to Xiao Dan and Tiedan, without notice. In the early days of Peking Opera, boudoir played the role of a little jasper, such as Sun Yujiao in Picking up Jade Bracelet and Jin Yufu in Playing Lover. After absorbing Kunqu opera, there are educated types, such as Cheng Xuee of Feng Haichao.
Wu Dan plays a female image with high martial arts. Divided into two categories: Beijing Opera Blues and Wudan. Beijing opera blues attaches great importance to his works, such as Hu Sanniang and Mu in woodcut studio. Udan had a bad fall, like Sun Erniang crossing the slope.
Lao Dan, play the old woman. For example, She Taijun in the Peking Opera "Men Yang Woman" and the mother-in-law in "Mother-in-law Tattoo" have multiple singing skills; Wang in Kunqu Opera "The Story of Chai Jing" is a matriarch, and she also pays great attention to her work. Chinese, Cantonese and Hunan operas are called husbands or women.
Cai Dan, who plays the role of comedy or farce among women, is actually an ugly woman, an ugly woman and an ugly woman. He often wears heavy make-up, behaves strangely and plays funny or fierce roles, such as the tea girl in Iron Bow and the aunt in Zhu Hate. Known as Yao Dan, Sichuan Opera is famous for its humor and unique style, such as the salesgirl in Yingxian Store and the mother-in-law in Yu He Bridge.
clean
Online drama is a type of traditional opera performance in China, commonly known as painted face. Faces are sketched on the face, with bright timbre, showing heroic or rough characters, such as Bao Zheng and Zhang Fei.
They all show positive characters, but sometimes they also show negative characters. For example, Xiang Yu in Qian Jinji and Tie Yuenv in Luminous Sword are all positive figures, while Yan Song in Feng Mingji, Qin Gui in Zhongjing Ji and Jia Sidao in Hongmeiji are all treacherous and cruel figures. According to the role played, painted faces can be divided into two categories: big painted faces and two painted faces.
Big painted face, mainly used for singing, is called bronze hammer or blackhead in Beijing Opera, named after Bao Zheng's black face. Most of the roles they played were important officials of the imperial court, such as Yao Qi in Caoqiaoguan, Weichi Gong in Imperial Garden and Lian Po in Jiang Xiangru.
Erhualian, who focuses on doing things, attaches great importance to posture and work. It's also called "putting on airs" in Beijing Opera, and "miscellaneous" in Han Opera, Cantonese Opera and xiang opera. Generally, they are brave and generous positive figures, such as Dou Erdun in Stealing Horses and Ma Wu in Taking Luoyang. Cao Cao in Beijing Opera is a pretentious figure. There is a kind of straw sandals in Sichuan Opera and xiang opera, such as Zhang Fei in Luhuadang and Pound in the flooded Seventh Army, all of which are named after wearing straw sandals.
Wu Hualian, a Erhualian member, focuses on martial arts. In Beijing opera, it's called Wuhua Er. Wu Hualian can be divided into two categories: heavy handlebars and heavy falls.
Oil painting face, commonly known as Mao Jing, also belongs to Erhualian. Zhong Kui in Kunqu Opera "Getting Married" is the representative image of You Hualien. It is often dressed up with face pads and artificial arms, with weird and heavy images and rough and colorful dance bodies.
ugly
Ugliness is one of the types of traditional opera performances in China, and the comic role, commonly known as little face. Draw a face on the bridge of nose and eye socket with white powder.
Ugly performances generally don't pay attention to singing skills, but mainly speak clearly, clearly and fluently, and use white rhyme. If it is to express characters, use white rhyme. Clown shows are not as rigorous as other professions, but they have their own styles and norms, such as kneeling, squatting, tiptoeing, shrugging and so on. Kunqu Opera, Sichuan Opera, Han Opera and other operas with a long history require strict performance procedures, while folk operas are more flexible and free. Generally speaking, this kind of performance can show humorous positive characters, and also can show negative characters with ugly souls, corruption or serious quality defects. Divided into two categories: Wen Chou and Wu Chou. There are ugly robes, ugly square towels, ugly pleats, ugly tea clothes and old ugliness in Wen Chou.
Ugly robes are named after wearing embroidered robes and wearing jade belts around their waists. Play comedy characters among emperors, generals and ministers, such as Xiangjiang Society's and Jiuxi Palace's success. The Ugly Official Dress plays a comedy role in ordinary civil servants, such as Su Jia in The Gift of Robes.
The ugly square towel is named because it is often worn. Play an ugly comedian, a counselor or a bookkeeper, such as Jiang Gan in Hero.
Wrinkled ugliness is one of the ugliness in Sichuan Opera, and it often plays playboy and dude, such as Xu Ziyuan in Make a Mountain out of a molehill and Hu Lian in Pepper Chicken Making Wood. Gaojia Opera is called "Ugly Childe", and Peking Opera has ugly shoes, such as Gao Yanei in "Wild Pig Forest" and "Stone Carving by the Iron Bow".
Ugliness in clothes and tea is a branch of ugliness in Beijing opera. It is named because it often wears tea clothes and goes for a ride. Most of the characters are ordinary working people, such as the bartender in Drunk Knocking on the Door, Song Wu beating a tiger, and the woodcutter in Begging for firewood to make trouble.
Old and ugly people often play the role of kind and humorous old people, such as Qi Jie who advocates justice in Su Sanzhong and Jin Songzhong who beat a fickle lover.
Wu Chou, commonly known as Tiaozui. Pay attention to clear articulation, fluent intonation, agile movements, and give priority to jumping. The characters played are smart and humorous, and have superb martial arts, such as Liu Lihua in Sanchakou, Jiao Guangpu in Stop the Horse, and Zhu Guangzu in Chain Stealing Hook.
There are strict branches in the performance of Chinese opera, and each life line, bold, clean and ugly, has its own characteristics in performance. There are rules for which actor should play a role in a play. Usually, the dramatic characters who play the actors' own lines are called "workers". For example, Zhuge Liang in "Empty City Plan" is an old actor's worker, and Gao Chong in "Pulling Blocks" is a veteran martial artist's worker. All walks of life have their own plays. Those who do not belong to the scope of this work, but must also play, are called "Yinggong", such as the iron egg actor who plays children and doors. The same role in the same play can be played by two different professions, which is called "Second Artillery". For example, some roles can be played by Hua Dan or clowns. In addition, when playing a dramatic role far from the performance characteristics of the actor's industry, it is called "cross-dressing". For example, in Blade of the Iron Bow, Chen Xiuying is a primary school student who disguised herself as a man and became a martial artist. Some actors have comprehensive skills, and many roles in Kunqu Opera, Luantan, Wenxi Opera and Wuxia Opera can be performed. Generally speaking, they are called "Wu Wen Kunqu Opera is unstoppable".