Reading Jin Yong's novels, such as boiling water in a small stove, is slow, and boiling water is boiling in a wonderful place, while Gu Long's novels, if brewed in a big workshop, will be full of fragrance, making people want to drink, and will not give up until the end.
The brilliant ideas in Gu Long's novels are like the ingenious samba dance of Brazilian football, while the overall coordination and perfect structure of Jin Yong's novels are consistent with German rational football. If Gu Long's novels are gorgeous, Cao Yanzi's soft wind and quick gun, Jin Yong's novels are like the imposing manner of the martial arts palace, the massiness and aestheticism of the big bamboo hero.
Gu long's novels are like guerrilla warfare and blitzkrieg in the war, full of aura and constant tension, while Jin Yong's novels are like positional warfare and barricade warfare, which rely on strength and real kung fu to advance and retreat; Gu Long's novels Sidu Chishui River, Seize Loushanguan and Fly to Luding Bridge take the road of strategy and adventure. Jin Yong's novels cite three major battles, storming Shanghai and reconciling Beijing, relying on an upright Lord; Gu Long's novels are like Sun Wuzi's, self-centered, and kit kat is like Cai Zhou on a snowy night. Jin Yong's novels are condescending if Qin takes six countries, and magnificent if the United States, Britain and World War II.
Gu Long's novel is autumn wind and winter snow, with a cold face, while Jin Yong's novel is spring flowers and xia yang, which is warm and pleasant; Gu Long's novels are flowing water, and there is no change in direction. I don't know where I come from or where I am going. Jin Yong's novels are quiet mountains, which stand tall, far and near, and orderly. Gu Long's novels are springs in water, without hidden hatred. Jin Yong's novels are a river in the water and have their own style. Gu Long's novel is Huashan, which is extremely dangerous, and Jin Yong's novel is Taishan, which is magnificent. Gu Long's novel is a waterfall of the Three Gorges, which is extremely dangerous in the world. Jin Yong's novels are famous at home and abroad if they cross the Great Wall. Gu Long's novels are rich and light like western novels, while Jin Yong's novels are the West Lake, which is raining wonderfully.
Gu Long's novels are poems of Tang and Song Dynasties, and the sentences are absolutely blank. Jin Yong's novels are philosophers in the Spring and Autumn Period, extensive and profound. Gu long's novel is Lao zi and Zhuang zi, which is absurd and inaction, while Jin Yong's novel is Confucius and Mencius, which is respectful and cautious. Gu Long's novels are Li Taibai in the Tang Dynasty, full of charm and spirit, while Jin Yong's novels are Du Gongbu in the Tang Dynasty, full of difficulties. Gu Long's novel is the expression that "the apes on both sides of the strait can't stop crying, and the canoe has passed Chung Shan Man", while Jin Yong's novel is a realistic and clear description of "the window of Xiling contains snow, and the door of Soochow berths at Wan Li". Gu Long's novels are "poetry expressing ambition", while Jin Yong's novels are "words expressing Tao". Gu Long's novels are ethereal, fresh, straightforward, smart and pure, which are in line with the "theory of spiritual nature" of the public security school and the "theory of childlike innocence" of Li Zhi. Jin Yong's novels are rigorous, thorough and well-organized, based on the "textual research" of Tongcheng school and the "connection and integration" of eight-part essay. Gu Long's novels are classics in martial arts, while Jin Yong's novels are history in martial arts. Gu Long's novels are songs and fu, while Jin Yong's novels are legends.
Gu Long's novel is a splash of ink on China's landscape, which is ethereal and freehand, while Jin Yong's novel is rich and true in western oil painting. Gu Long's novels are as clear as pipa, Jin Yong's novels are as heavy as symphonies, and Gu Long's novels are like serenades and andante. If Jin Yong's novels are hymns, it is overlapping majors. If Gu Long's novels are closed at the bottom of flowers, the ice spring will suffocate, and if Jin Yong's novels are lined with fighters, the bottle will break through the waves. Gu Long's novels are matched with two springs reflecting the moon, while Jin Yong's novels love flying daggers. If Gu Long's novels are cursive or cursive, they are round and casual; if Jin Yong's novels are written by Wei Bei, they are straight and square. If Gu Long's novels are The Journey to the West, most of them are empty and illusory, and the plot is bizarre and unpredictable. If Jin Yong's novels are the chronicles of the Three Kingdoms, they are basically detailed and true, with vivid characters. Gu Long's novel is Troy by a blind poet, and Jin Yong's novel is Dante's Divine Comedy. Gu Long's novel is the Goddess Chang'e flying to the moon, which embodies its beauty, and Jin Yong's novel is Houyi shooting at the sun, which expresses its masculinity. Gu Long's novel is a swordsman with a small bridge and flowing water, and we can savor its interest, while Jin Yong's novel is riding the ancient road of the west wind, and we can feel its momentum.
Gu Long's novel is wine, and Jin Yong's novel is tea. Gu Long's novel is burning a knife in wine, which is spicy and powerful, and makes people enjoy it, self-stimulation. Jin Yong's novel is that her daughter is red in wine, which is warm and mellow, making you nod and fresh in your memory. Gu Long's novel is a green bamboo in tea, cold and lonely, and Jin Yong's novel is a new Longjing in tea, with an intoxicating fragrance. Gu Long's novels are lonely in flowers, while Jin Yong's novels are long scrolls in paintings. Gu Long's novel is a plum in a flower, and its bones are strange and fragrant. Jin Yong's novel is a peony in a flower, which is magnificent. Gu Long's novel is a sketch in the painting, while Jin Yong's novel is a square in the painting. Gu Long's novels are meteors in the sky. When it crosses the sky, no one can hide the light. Jin Yong's novels are lanterns of the Lantern Festival, with thousands of trees blooming in the easterly night and BMW cars set off beautifully. If Gu Long's novel is a butterfly, its life is short, but it will always live in spring. If Jin Yong's novels are carved like gods, they will cover the sky and cover the sun in a day. If Gu Long's novel is a sword, it will be as noble and lonely as Ximen Chuixue, and no one can stop it. If Jin Yong's novels are knives, they are dark and precious and will never come out. Who will compete with them? If Xiao Li's flying knife is in Gu Long's novel, perhaps no one can tell clearly how it all happened, but no one can deny its magic. Jin Yong's novels are like the eighteen palms of the dragon, with clear moves and vigorous palm power, which is indeed the best in the world.
Gu Long's novels are like ancient temples, and Jin Yong's novels are like golden halls. Gu Long's novels are like castles in the west, and Jin Yong's novels are like palaces in the east. Gu Long's novels are like country houses and resorts, and Jin Yong's novels are like Beijing residential quadrangles. Gu Long's novel is a classic Hollywood blockbuster, and Jin Yong's novel is the Spring Festival Evening. Gu Long's novel is Crouching Tiger, Hidden Dragon in the movie, and Jin Yong's novel is founding ceremony in the movie. If Gu Long's novels solo Yang li Ping at the party, Jin Yong's novels are sung by the stars at the party. If Gu Long's novels are like the moon, Jin Yong's novels are like the sun. Gu Long's novels are cold in the north and Jin Yong's novels are warm in the south. Gu Long's novels are like northern legs, and Jin Yong's novels are like southern boxing. If Gu Long's novels are about scenery, Jin Yong's novels are about geography. Gu Long's novels are like beautiful women, and Jin Yong's novels are like great men. If Gu Long's novels are ugly, Jin Yong's novels are in the forefront. Gu Long's novels are like a BMW in a car, with personality, while Jin Yong's novels are like Mercedes-Benz in a car, with solemnity. Gu Long's novels are like airplanes, and Jin Yong's novels are like aircraft carriers. Gu Long's novels, such as sniper rifles, pay attention to points, and Jin Yong's novels, such as heavy machine guns, pay attention to faces. Gu Long's novels are futures, one word: change, Jin Yong's novels are funds, and one word: stability. Gu Long's novel is "It's not that I don't understand" by Cui Jian, and Jin Yong's novel is "Glory of Asia" by Liu Huan. Gu Long's novels are as penetrating and close to people's hearts as May's novels. Jin Yong's novels are filled with Li Guyi's mellow sweetness, which is pleasing to the eye. Gu Long's novels are as profound as camel bells, and Jin Yong's novels are as vigorous as my Chinese heart. Gu Long's novel is Diego Diego Maradona in the green leaves, and no amount of argument is great. Jin Yong's novels are the Jordan of NBA, and he deserves to be the king. Gu Long's novels are clogs, which can make feet indulge at will. Jin Yong's novels are leather shoes, which can be stepped on the marble shop. Gu Long's novel is compassion, and Jin Yong's novel is a suit. Gu Long's novels are modern, while Jin Yong's novels are traditional. Gu Long's novels are just a saying: I'm bored. Jin Yong's novels borrow a slogan: Please testify! Gu Long's novels are "gossip" and "take it for granted", while Jin Yong's novels are "born good" and "really so"; Gu Long's novels are nude photos of porn stars, and the sensory stimulation is direct and profound. Jin Yong's novels are classical poems with long and far-reaching artistic conception. Gu Long's novels are high-pitched, but they can only be shouted a few times at most. Jin Yong's novels, like storytelling, are leisurely and endless. Gu Long's novels are "nosebleeds" with eyes, which makes people want to fall. Jin Yong's novels are "gentleness of bowing his head", and the midnight dream is lingering. Gu Long's novels are dances, while Jin Yong's novels are songs. Gu Long's novel is the Mid-Autumn Festival, which brings me my shadow. Let the three of us and Jin Yong's novel be the New Year, full of spring breeze. Gu Long's novels are Feng Gong and Li Mei, and Jin Yong's novels are Zhao Zhongxiang and Ni Ping. Gu Long's novels are like lonely poets, and Jin Yong's novels are like vicissitudes of life. Gu Long's novel is a holiday farmhouse, and Jin Yong's novel is New Year's Eve. Gu Long's novel is a flavor snack, while Jin Yong's novel is a full banquet in Manchu and Chinese. Gu Long's novel is sweet potato porridge, and Jin Yong's novel is rice. Gu Long's novel is an apple, and Jin Yong's novel is a watermelon. Gu Long's novels are like people's lower body, and Jin Yong's novels are like people's upper body. Gu Long's novel is OICQ, which young people like best. Jin Yong's novels are Yi Meier and Xian Yi, young and old. Gu Long's novels are like the west wind and the afterglow, revealing the feelings of middle-aged people in the cold. Jin Yong's novels are like flowers in the morning and the rising sun, showing the enterprising spirit of young people in the upsurge. Gu Long wrote and Jin Yong wrote Zhang Wuji and Shi Jingtian. The rhythm of Gu Long's novels is compact and fast, like a punk sword, while the rhythm of Jin Yong's novels is very calm. Zhang Chi is like Wudang and Tai Ji Chuan. Gu Long specializes in writing about love and the great changes that hatred has brought to Zhao Wuji, which is very different from previous photos. Jin Yong's novels are good at writing stories, and Guo Jing is a story of "silly boy's Jianghu luck" from beginning to end, and it remains the same from beginning to end. Most of the characters in Gu Long's novels are temperamental people, who act differently and never control themselves. "If a person can't even laugh when he wants to, isn't it boring?" Jin Yong's novels are clever, so if Ling Huchong is in front of Yue Buqun, he always forces himself not to indulge himself too much.
If Jin Yong's novel Jinghua is in Long Hudou, Guo Jing, Xiao Feng and Yuan Chengzhi are heroes related to national destiny, while Gu Long's novel Seven Swords Down the Tianshan Mountains, Ximen Chuixue, Xie Xiaofeng and Teddy boy are similar to the swordsman who fell into the world by mistake. Jin Yong's novels are like a generation of heroes Tang Jingtian, and Gu Long's novels are like crazy beggars Jin Shiyi. Jin Yong's novel "Datang Shuanglong" is magnificent, while Gu Long's novel "Rain Over Clouds" is magical and strange. Jin Yong's novels are like Excalibur Villa in Xie Xiaofeng, and Gu Long's novels are like Hengshan Garden in Ling Huchong. Jin Yong's novels are vivid and domineering if they are Zhu Qiqi and Sun Yubo, while Gu Long's novels are free and easy if they are Huang Rong and Mr. Mo Da. Jin Yong's novels are full of flowers, while Gu Long's novels are full of Li Wenxiu's sadness. Jin Yong's novels have the combination of Fu Hongxue's wind chimes, while Gu Long's novels have the separation of Xiao Feng Arjun. Jin Yong's novels are like Li Chenzhou's fist, and the novels of A Chinese Odyssey and Gu Long are like the fingers of a fairy. Jin Yong's novel is "The Head of the Dragon" and Gu Long's novel is "The Sharpshooter".
Jin Yong's novels are eight thousand Li, Yun Yue and Gu Long's novels are thirty masterpieces. Jin Yong's novels are like biographies of Taishi Gong, and Gu Long's novels are like Qu Zi's Li Sao. Jin Yong's novels are like tigers, while Gu Long's novels are like eagles soaring in the sky. If Jin Yong's novel is a forest, Gu Long's novel is an arrow in the forest. Jin Yong's novels are magnificent seas, while Gu Long's novels are rugged rocks that break through the sea. Jin Yong's novels can be said to be "how charming I look at Qingshan", while Gu Long's novels take it for granted that "Qingshan should look at me like this". If Jin Yong's novels are dominated by Emperor Taizong of the Central Plains, Gu Long's novels are the kind of campus wanderers who fight alone in the east corner. Jin Yong's novels are a bit heavy, while Gu Long's novels are more lively. Jin Yong's novels are the dragon that breaks the wall, while Gu Long's novels are the finishing touch. Jin Yong's novels are unprecedented, and Gu Long's novels may not be imitated. Jin Yong's novels are right, Gu Long's novels are strange, and strangeness is right, so there is such a magical martial arts world.