Wu Ziran, male, Han nationality, born in Penglai, Shandong Province in September 1934. I loved film art at an early age, and later I was admitted to Northeast Film Studio to engage in the research and creation of film subtitle art. The calligrapher Fa Huanggu combines the strengths of Su Shi, Mi Fei and Cai Jing, and traces back to the rhyme of Wei and Jin Dynasties. His running script is broad and rich, and he feels strong, dangerous and smooth. His works were selected for the first and second national calligraphy seal cutting exhibitions and the "China-Japan Calligraphy Art Exchange Exhibition" held in Japan in 1983. His works are collected by museums, memorial halls, places of interest or inscribed on tablets, and published in Calligraphy magazine. He is now a member of China Calligraphers Association and a director of Jilin Branch of China Calligraphers Association.
Lin Zhongyang's calligraphy originated from tradition, with profound skill, magnificent atmosphere and shocking people's hearts. He grasped the grandeur of the northern part of the Saibei, took the grace of the south of the Yangtze River, found calmness in chic, and was strong in fluency. His works have participated in many national exhibitions and won awards. The representative works, such as the 1-meter scroll, were hung and collected by Zhongnanhai, the Great Hall of the People, the Chairman Mao Memorial Hall, the Chinese History Museum, the National School of Administration, the General Staff and other party, government and military organs. The famous work "Dragon" was once given to foreign senior leaders by the central leadership as a national gift. He was invited to write inscriptions and carve stones for Mount Taishan in Dongyue, Mount Huashan in Xiyue, Qingyuan Mountain in Fujian, Baiyun Mountain in Shaanxi, Lingyan Temple in Lueyang, ditan park in Beijing and Xianyang International Airport. The People's Fine Arts Publishing House published Selected Works of Lin Zhongyang's Calligraphy, and the China People's Association for Friendship with Foreign Countries and other units held the Lin Zhongyang Calligraphy Exhibition in the China Council Museum. In 22, the Lin Zhongyang Calligraphy Exhibition was held as a national tour. He has donated calligraphy works worth 3, yuan to china charity federation, 1, yuan to Ningxia Hope Project, and huge works to China Foundation for Poverty Alleviation and CCTV's live auction program focusing on environmental protection. CCTV has made special reports on News Network, Variety Channel, International Channel, Military Channel, Art Starry Sky, Western News and Art Investment. China national radio, People's Daily, Guangming Daily, Liberation Army Daily, China Youth Daily, China Literature and Art Newspaper, Man of the Hour, Hot Land of China, Chinese and Foreign Famous Brands, Collectors, Oriental Calligraphy and Hong Kong Ta Kung Pao also made special reports.
Tan Yiwen, whose name is Yingwen, was born in Tengzhou City, Shandong Province in 1956. Young students received court training, studied books with their father, and later studied under Mr. Fei Xinwo. In 1982, he was a member of China Calligraphers Association. In 1986, he was elected as the chairman of Jiangsu Young Calligraphers Association. In 1995, he was elected as the vice chairman of Suzhou Calligraphers Association. Now he is a national first-class artist of Suzhou Traditional Chinese Painting Academy and a special painter of Nanjing Museum.
Wang Xizhi (33-361, 321-379), a calligrapher in the Eastern Jin Dynasty, has few words. Originally from Langya (now Linyi, Shandong), he lives in Shanyin, Huiji (Shaoxing, Zhejiang). The officer to the general of the right army will review the internal history and be called "Wang Youjun". He came from a noble family in the Jin Dynasty. When Wang Xizhi was twelve years old, he was taught the theory of brushwork by his father. "If you use an outline, you will realize something." When he was a child, he studied calligraphy from the famous female calligrapher, Mrs. Wei. Later, he traveled across the river to visit famous mountains, learned from others, learned from others, and learned from Zhong You. Observing and learning "how to combine many laws and prepare a family" has reached the height of "being more expensive than others, being the best in ancient and modern times".
Yan Zhenqing, (79-785), born in Wanzhao, Jingzhao, was born in Linyi, Tang Dynasty (now Linyi, Shandong Province). Jinshi in kaiyuan. An Shi Rebellion, meritorious in resisting thieves, entered Beijing as an official minister, a prince and a founder of Fenglu County, so he was also known as Yan Lugong. When Li Xilie rebelled in Dezong, he put his country first, went to the enemy camp, knew what was right, and was eventually killed by Li Xilie at the age of 77.
In the history of calligraphy, he is the most accomplished and influential calligrapher after the two kings. His book was a beginner in Zhang Xu, with four schools in the early Tang Dynasty. After that, it was widely collected and learned, and it changed into an ancient method, forming a kind of "Yan Ti" with solemn square, simple and vigorous atmosphere.
Liu Gongquan (778 -865), whose real name is Cheng Xuan, was a native of Jingzhaohua in the Tang Dynasty, and he was a Taizi's official, and was known as "Liu Shaoshi" in the world. Because he was also named Duke of Hedong by the emperor, later generations also called him "Liu Hedong". He was the successor of Yan Zhenqing, and later generations called them "Yan Liu", which became a model of calligraphy in previous dynasties.
Features of the works
Liu Gongquan's calligraphy was famous at that time in the Tang Dynasty, and there was a saying among the people that "the word Liu is worth a thousand dollars". His calligraphy is vigorous and vigorous, and every word is rigorous and meticulous. In terms of the characteristics of Chinese characters, it is famous for its thinness and strength. The regular script written is attractive in body and strong in bone, and the running script and regular script are the most exquisite. Because of the unique features of his works, Liu Gongquan's calligraphy is called "Liu Ti".
Ou Yangxun (557-641) was born in Linxiang, Tanzhou (now Changsha, Hunan). His calligraphy achievements are based on regular script, with bold brushwork and unique structure, which is called "European style" by later generations. Originated from han li, he is vigorous, rigorous in statutes, sees danger in the middle of the flat, elegant in the rules, interspersed with strokes, and properly arranged. The regular script is Ming of Liquan in Jiucheng Palace, and the most famous running scripts are Meng Diantie and Hans Zhang Tie.
Su Shi (137 ~ 111), a famous writer, painter and calligrapher in Song Dynasty, was born in Meishan, Meizhou, Sichuan. He, his father, Su Xun, and his younger brother, Su Zhe, are both famous literary figures, and they are called "Three Sus" in the world. It is the same as the "Three Cao Fathers and Sons" (Cao Cao, Cao Pi, Cao Zhi) in the late Han Dynasty.
Su Shi is also good at calligraphy and regular script, and he is also called "Song Sijia" with Huang Tingjian, Mi Fei and Cai Xiang. He had studied famous artists in Jin, Tang and Five Dynasties, and he became his own family thanks to Wang Sengqian, Li Yong, Xu Hao, Yan Zhenqing and Yang Ningshi. Ziyun: "I couldn't have made a book"; There is another cloud: "Be innovative and not practice the ancients." Huang Tingjian said that he: "In his early years, his pen was refined, and he was not as natural as the boss"; Another cloud said, "When we get to Huangzhou, the pen is very powerful." In his later years, he was influenced by overseas winds and waves. In addition, his knowledge, mind and knowledge were outstanding everywhere, and his life was full of ups and downs. His calligraphy style was rich and innocent, and you can imagine him as a person by looking at his calligraphy. People and books respected each other. At that time, his brothers, sons and nephews were taught by you, Mai and Guo, and friends Wang Dingguo and Zhao Lingzhi all learned from him. Later, historical celebrities such as Li Gang, Han Shizhong, Lu You, Wu Kuan and Zhang Zhidong in Qing Dynasty also learned from him, which shows the great influence. Huang Tingjian said in "Valley Collection": "Those who are good at books in this dynasty should put (Su) first."
Huang tingjian (145-115), whose name was Lu Zhi, was a Taoist in the valley, and his name was Fu Weng in the evening. Hongzhou fenning (now Xiushui, Jiangxi) people. Poet and calligrapher of the Northern Song Dynasty, he was a scholar in the fourth year of Song Yingzong Zhiping (167). He was an official of Ye Xianwei, a professor of Beijing imperial academy, a proofreader, a writer of Zuo Lang, a secretary of Cheng, a driver in Fuzhou, and a resettlement in Guizhou. Shao Shengchu was demoted because of the inaccuracy of the book A Record of the Gods, and later the new party came to power and was demoted repeatedly. He died and was demoted to Yizhou.
Huang tingjian is one of the "Four Scholars of Su Men". His poems are as famous as Su Shi, and he is called "Su Huang". He is good at writing, poetry and calligraphy. The poetic style is strange, thin and hard, and the habit of ignoring vulgarity is strongly rejected. Initiate a generation of ethos, and be the originator of Jiangxi Poetry School. Exquisite calligraphy, and Su, Mi and Cai are also called "Song Sijia". Ci is as famous as Qin Guan, but its artistic achievements are not as good as Qin Guan. In his later years, he was close to Su Shi, and his ci style was sparse, deep in emotion, bold and elegant, and sometimes brilliant. There is "Valley Ci", also known as "Interesting Chapters of Valley Qin". The main ink marks are Song Fengge Poem, Hua Yan Shu, Jingfubo Shrine, All Seats, Li Bai's Poems of Reminiscing the Past, and Kuzhun Fu. The book theory includes "On Jin Jin Shu" and "On Shu". Poems of Jingfubo Shrine, running script ink, paper, 46 lines, each line has different words, ***477 words. Description of Qing He Shu Hua Fang and A Survey of Painting and Calligraphy in Style Ancient Hall. The original trace is now in Japan. This poem post, with dozens of lines, is easy to write, exquisite in brushwork, imposing and stretching. Fan Chengda commented that "the calligraphy of the valley in his later years is great, so the post has no resentment, the heart and hand are in harmony, and the pen and ink are as good as people's wishes." This post is a thoughtful work in a calm situation, which has the characteristics of Huang Tingjian's calligraphy art and is Huang Tingjian's masterpiece in his later years.