Liu Tianzhen
Liu Tianzhen, male, born in Juye County, Shandong Province in 1968. Graduated from Nanjing University in 22 with a doctorate in literature. Now he is a professor and doctoral supervisor at the School of Humanities, Zhejiang Normal University. Main research interests: Song, Yuan, Ming and Qing literature, ancient novels and traditional culture. In recent years, he has published more than 4 papers in Nankai Journal (Philosophy and Social Sciences Edition), Fudan Journal (Social Sciences Edition), Guangming Daily, Drama Art, Novel Research in Ming and Qing Dynasties, Dream of Red Mansions Journal, Qilu Journal, etc. Some papers have been reprinted by China Social Sciences Digest and reproduced in full by NPC Copy Materials. He has published monographs on the collection of calligraphy novels in Ming Dynasty, commercial publishing and cultural communication in Jiangnan cities in Ming and Qing Dynasties, and research on popular books in Ming Dynasty. He presided over 1 national social science fund project, 1 humanities and social science fund project of the Ministry of Education, and 2 philosophy and social science planning projects of Zhejiang Province.
Chinese name: Liu Tianzhen
Nationality: China
Date of birth: February, 1968
Occupation: Teacher
Graduation institution: Nanjing University
Major achievements: published more than 4 papers in Nankai Journal, Fudan Journal and Guangming Daily. He has published three monographs, such as Research on the Collection of Calligraphy Novels in the Ming Dynasty, and presided over one national social science fund project, one humanities and social science fund project of the Ministry of Education, and two philosophy and social science planning projects of Zhejiang Province.
Representative works: Monographs: 1. A Study on the Collection of Calligraphy Novels in Ming Dynasty. 2. Commercial Publishing and Cultural Communication in Jiangnan Cities in Ming and Qing Dynasties. 3. Research on Popular Books in Ming Dynasty; Presided over the subject: 1. Research on the Collection of Classical Chinese Novels in Ming Dynasty from the Perspective of Philology, which was supported by the National Social Science Fund in 213 (13BZW78). 2. Research on the Collection of Calligraphy Novels in Ming Dynasty, which was funded by the Ministry of Education in 21 (1YJA 75146) (21-213).
Gender: Male
Personal profile
Liu Tianzhen, male, born in Juye County, Shandong Province in 1968. Graduated from Nanjing University in 22 with a doctorate in literature. At present, he is a professor at the School of Humanities of Zhejiang Normal University and a tutor for master students. Main research interests: Song, Yuan, Ming and Qing literature, ancient novels and traditional culture. In recent years, he has published more than 4 papers in Nankai Journal (Philosophy and Social Sciences Edition), Fudan Journal (Social Sciences Edition), Guangming Daily, Drama Art, Novel Research in Ming and Qing Dynasties, Dream of Red Mansions Journal, Qilu Journal, etc. Some papers have been reprinted by China Social Sciences Digest and reproduced in full by NPC Copy Materials. He has published monographs on the collection of calligraphy novels in Ming Dynasty, commercial publishing and cultural communication in Jiangnan cities in Ming and Qing Dynasties, and research on popular books in Ming Dynasty. In recent years, he has presided over one national social science fund project, one humanities and social science fund project of the Ministry of Education, and two philosophy and social science planning projects of Zhejiang Province.
Monograph
Co-author
On China Ancient Novels and Dramas, People's Daily Press, June 26.
Presided over the topic
1. Research on the Collection of Classical Chinese Novels in Ming Dynasty from the Perspective of Philology, which was supported by the National Social Science Fund in 213 (13BZW78), and the topic has been concluded
2. Research on the Collection of Calligraphy Novels in Ming Dynasty, which was supported by the Humanities and Social Sciences Planning Fund of the Ministry of Education in 21 (1YJA75146) (21-21). Project of Zhejiang Philosophy and Social Sciences Planning (N3WX11) (23-25) has been concluded
4. Research on Commercial Publishing and Cultural Communication in Jiangnan Cities in Ming and Qing Dynasties (6JDJN1YB) (26-28), the project of Zhejiang Philosophy and Social Sciences Planning, presided over, has been concluded
5. Concluded topic
6. Exploration on Curriculum Design of Literature Improvement Class (25-26), hosted by Zhejiang Normal University, concluded topic
7. On Hu Fengdan's Literary Achievements (YB66) (29-21), hosted by Jinhua Social Science Association, concluded topic
. The topic has been concluded
9. A new probe into the guiding strategy of topic selection for undergraduate thesis of Chinese language and literature major (27-28), presided over by Zhejiang Normal University, has been concluded;
main thesis
1. a preliminary study of the nature of Shuo lei from the perspective of "novelist".
2. General situation and regional cultural characteristics of selected works of Jiangnan Opera in Ming and Qing Dynasties
China Yuexue No.5, China Social Sciences Press, October 213.
3. On the compiling style of the journey guide published in Jiangnan in Ming Dynasty
—— Focusing on the Map of the Unified Journey and the Essentials of Scholars and Merchants
The 6th Series of Jiangnan Cultural Research (album of the first Jiangnan Cultural Forum), Academy Press, December 212, P448-459.
4.
5. Literary wonders created by the change of scholar style, study style and book collection style
—— A new probe into the reasons for the prosperity of classical Chinese novel compilation in the middle and late Ming Dynasty
Nankai Journal (Philosophy and Social Sciences Edition), No.5, 212, China Social Science Abstracts, No.3, 213
6. Research methods and modern inheritance of Water Margin in Ming and Qing Dynasties
Journal of Zhejiang Normal University (Social Science Edition), No.2, 212
7. On the compilation of Wang Qi's Collection of History and its integration of history and history. China Social Science Abstracts, No.12, 211
8. A brief introduction to the research on the simplified version of Water Margin since the new period (1/2) Modern Chinese, No.25, 211
9. The relationship between the "cross slope" and the wild pig forest in Water Margin and the regional culture of Shenxian County (2/2).
Modern Chinese, No.25, 211
1. Editing Art of Daily Books in Ming Dynasty and Dissemination of Folk Knowledge
China Journal of Science and Technology History, Vol.32, 211
11. Style of Classics and Collection of Classical Chinese Novels in Ming Dynasty
Research on Novels in Ming and Qing Dynasties, No.3, 21
1. Literary Studies, No.9, 21, reprinted in full
13. Early Southern Opera and Folk Life Ethics, No.4, 21
14. Southern Opera and Folk Life Ethics in Song and Yuan Dynasties, Journal of Shandong Normal University (Humanities and Social Sciences Edition), No.3, 21
15. On the secularization tendency of the emperor stories in Qing Suo Gao Yi. Poems in daily-use books
Essays on Literature in Ming Dynasty, Straits Literature and Art Publishing House, June 29, pp. 525-537.
A brief account of the research on the nicknames of the characters in Water Margin since the 17th and 2th centuries
The 11th edition of Water Margin Contention, Central Literature Publishing House, October 29, Page 679-695.
18. On the evolution of the nature of "popular books" in the late Ming Dynasty —— Taking the version of "Yanju Notes" as an investigation clue
The third series of "China Ancient Novel Research" compiled by China Ancient Novel Research Center of China Academy of Social Sciences,
People's Literature Publishing House, December 28, pp. 254-261.
19. The historical origin of the theory of "peasant uprising" in Water Margin
Knowledge of Literature and History, No.12, 28, pp.145-15
2. A brief account of the study on the illustrations of water margin prints
The tenth series of Water Margin contending, Chongwen Publishing House, October 28. Page 437-449.
21. On the editing art of prose-style books in Ming and Qing Dynasties
Journal of Zhejiang Normal University (Social Science Edition), No.1, 28
22. Looking at the family ethical crisis in the late Ming Dynasty from the perspective of family letters. Qilu Journal, No.6, 27
23. On the songs in folk books in Ming Dynasty. The academic fate of the theory of "uprising"
Journal of Hainan University (Humanities and Social Sciences Edition), No.1, 27
25. Folk books and Guangming Daily, the seventh edition of Cultural Weekly on November 3, 26
26. On the historical origin of the theory of "peasant uprising" in Water Margin
The 3rd issue of 6 years
Review and review of research methods in the 2th century Journal of Heze University No.3, 26
29. Comment on the debate between "two theories" and "two theories"
Journal of Zhejiang Normal University No.1, 25;
3. On the Commercialization of Publishing Industry in the South of the Yangtze River in the Late Ming Dynasty from the Production of Popular Books
Income from the book Study on Urbanization Process and Cultural Transformation in the South of the Yangtze River edited by Mei Xinlin Chen Guocan, Review and review on the study of Dangkou Zhi in the 21st century published by Zhejiang University Press in August 25
Journal of Shaoxing University of Arts and Sciences, No.5, 25
32. A brief account of Chen Laolian's research on Journal of Shaoxing University of Arts and Sciences, No.6, 24
33. Compilation of a collection of books and classical Chinese novels
Huazhong University of Science and Technology No.5, 23
34. Journal of Zhejiang Normal University, No.4, 23
35. On the documentary nature of Song Maocheng's novels. Qilu Academic Journal, No.3, 22, pp. 22-25
36. Song Maocheng Page 5-54
37. The narrative perspective art of the Tang legend and the independence of its narrative style. On the North, No.2, 21, pp.9-94
The China Ancient and Modern Literature Research copied by the National People's Congress, No.7, 21, is reproduced in full, pp.34-38
38. Is it a brilliant pen or a failed dream of red mansions? Page 318-326
39. On the variation of the narrator in classical Chinese novels from the legend of Tang Dynasty to Strange Tales from a Lonely Studio. No.3 Study on Pu Songling in 1999,
On the variation of the narrator in classical Chinese novels from the legend of Tang Dynasty to Strange Tales from a Lonely Studio (continued) Study on Pu Songling. 33-4
4. The refraction of the dreamy true soul —— A new interpretation of the biography of Nan Ke Taishou, Chinese Correspondence, No.5, 1998,
P6-8. (ISSN 12-5251/CN37-187/G4)
Early essay creation. P19. (ISSN 14-4647/CN32-129)
2. Quality-oriented education calls for a new evaluation system. United Daily News, 3rd edition, September 15, 1997
3. Who will change their brains? United Daily News, 4th edition, January 2, 1997
4.