Zhou Meiling, 1969, was born in Keelung City, Taiwan Province Province on July 24th. He is a screenwriter and producer of female directors in Taiwan Province Province, China Province, and graduated from the Philosophy Department of Taiwan Province Political University.

1993, the drama short film "Light" directed by her won the excellent creative direction short film of the Film Foundation, and her directing career began. 1998 directed the documentary "Looking for the Old Artist of Puppet Show-A Generation of Female Hostess Jiang Cimei" and won the Best Documentary Video Award of 2 1 Golden Spike Award.

200 1 The documentary The Story of the Sacrifice of the Hunter's Head won the Best Documentary Video Award in the 24th Golden Ear Award. In 2004, he directed the first feature film Gorgeous Song and Dance Troupe. In 2007, the drama Tattoo won the Best Teddy Bear Award at the 57th Berlin International Film Festival. In 2008, the drama "Wandering Boys" was shortlisted for the panoramic unit of the 58th Berlin International Film Festival.

20 13, the romantic film "Huayang" was released in mainland China, and served as the producer of the film. In 20 17, the self-directed romantic comedy "Fake Married Men and Women" was released in Taiwan Province Province.

Personality assessment

The films directed by Zhou Meiling are based on the "frontier", questioning and mainstream in the power structure, and contain profound humanistic connotations. By thinking about the marginal phenomenon that "marginal" culture and people are no longer regarded as drifting away from the mainstream fixed form, she made the audience have more sense of identity with "marginal" people, mapped out a complex philosophy of life and showed the beauty of realistic spirit.

The drama films directed by her have a strong sense of gender, and the different descriptions of gender images show rebellion against traditional female identity and reflection on male status. Her films affirm the friendship between women and pay attention to women's active pursuit of affection and love.

While actively writing female images, she also neglected or belittled men to varying degrees to help her subvert the existing traditional female images.