The simple word "luxury wine" expresses Li Bai's chic appearance of not getting drunk when drinking. Seven points are moonlight, and the other three points are firm but gentle. Moonlight embodies Li Bai's romanticism, while firm but gentle spirit shows Li Bai's chivalrous feelings.
The clever combination of a word "brew" and a word "small" with numbers increases the expressive force of this poem in describing Li Bai. The phrase "Embroidering the mouth and spitting out the words in the prosperous Tang Dynasty" is magnificent and brings readers back to the prosperous Tang Dynasty written by Li Bai.
From: Yu Guangzhong [Contemporary] Looking for Li Bai.
Li Bai (70 1-762), whose real name is Taibai, also known as "purple laity" and "fallen fairy", was a great romantic poet in the Tang Dynasty, and was praised as "poetic fairy" by later generations, and was also called "Du Li" with Du Fu. In order to distinguish himself from two other poets, Li Shangyin and Du Mu, that is, "Little Du Li", Du Fu and Li Bai merged again.
According to the Book of the New Tang Dynasty, Li Bai is the ninth grandson of Gui Li, the king of Liang, and he is a descendant of all kings. He is cheerful and generous, loves to drink and write poems, and likes to make friends.
Li Bai was deeply influenced by Huang Lao's idea of sorting out villages. Li Taibai's poems have been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, Entering Wine, Liang, The First Building of Baidicheng, etc.
There are biographies of Li Bai's Ci and Fu in the Song Dynasty (such as Wen Ying's Xiang Ji). As far as its pioneering significance and artistic achievements are concerned, Li Bai's Ci Fu enjoys a high status.
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Li Bai's Precious "Heart of Heaven and Earth"
Li Bai is broad-minded and unrestrained by nature, and values personal dignity and freedom of life above everything else. Even if you are down and out, you will not "destroy your eyebrows for power."
Li Bai advocates that everything in the world has its own innate nature and has the right to live freely according to its nature. "It is too clear that you are broad-minded." Adapting to nature consciously, reverently respecting nature and being close to nature actively are the broad, bright and holy feelings that a broad-minded person should have.
Geng Jie, a wild pheasant, pursues a willful and comfortable existence in nature, "flapping his wings and enduring strong winds", and shows his beauty and vitality to the fullest. "At first glance, Geng Jie died on the grass, not asking for a golden cage." I would rather die suddenly in the weeds with perseverance and dignity than prolong my life in a golden cage with a good reputation.
However, for the sake of their own aesthetic speed, the world ignores the nature and freedom of pheasants and catches and raises them at will, which has caused great harm to the survival of pheasants. It is foolish, selfish and cruel.
In his Yuefu poem "Set a geisha to ward off evil spirits and encourage pheasants to sing songs", Li Bai enthusiastically eulogized the noble character of pheasants who are not free or give me death, and loudly appealed: "The world is vast, why cherish things!" The world is boundless, which endows the existence and development of all things with inexhaustible space. Is there any reason for human beings not to leave room for other things and let them enjoy the happiness of life by their own temperament?
"Zhuangzi Zhile" tells a story: a seabird perched on the outskirts of the capital of Lu with the wind, and was honored as a divine bird by Lu Jun, and was grandly welcomed into the ancestral temple. "Playing Jiu Shao is a kind of enjoyment, which is too strong for a meal", just like worshipping ancestors, listening to the most elegant music and eating the richest seabird meal. As a result, seabirds were "confused and sad, afraid to eat a cup, afraid to drink a cup, and died in three days."
Lujun sincerely respects and loves birds, but after only a few days, they were tortured to death. There is no other reason. "This is to raise birds by yourself, not by birds." Birds are raised according to Lu Jun's own way of life and pursuit, not according to the needs and ways of life of birds.
Zhuangzi took this opportunity to point out that just as "fish are born in water and people die in water", different species have different natures and different lifestyles. Although they love something very much, they can't impose their preferences on it. Instead, we should respect their physiological habits and lifestyles, be reasonable, let nature take its course, and make people happy for themselves.
Li Bai quoted this story in To Be the Master, and extended the ecological ethics thought revealed by it to make it more profound and enlightening. Li Bai wrote: "Seabirds know the wind and flee to Lumen East. You can't drink when you are straight. You can think about it. Bells and drums are not fun. Who is like smoke and frost? I can't bear to fly back, I shed tears. "
In Zhuangzi, seabirds only passively accepted Lu Jun's support for their physiological characteristics, and were finally tossed to death. In Li Bai's works, seabirds take the initiative to resist all kinds of "non-bird" treatment imposed on them, do not drink alcohol, do not like bells and drums, flap their wings, return to their own race, rush to misty clouds and snow, and struggle with their partners, which makes them happy.
Li Bai's main achievements
Li Bai has the highest achievements in Yuefu, Gexing and Jueju. His songs completely broke all the inherent forms of poetry creation, with no one to rely on and many strokes, reaching the magical realm of vagaries and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language. Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only one who is good at both the Five Odds and the Seven Odds.
Li Bai's poems are magnificent and elegant, and his artistic achievements are extremely high. He eulogized the mountains, rivers and beautiful natural scenery of the motherland, with bold and unrestrained style, elegant and fresh, full of romantic spirit, and achieved the unity of content and art, so he was called the "fallen fairy". His poems mainly described the mountains and rivers and expressed his inner feelings.
Li Bai's poems have the artistic charm of "the pen is shaken by the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature in his poems. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. He and Du Fu are called "Big Du Li" (Li Shangyin and Du Mu are called "Little Du Li").
In Li Bai's poems, imagination, exaggeration, metaphor and personification are often used comprehensively to produce magical brilliance and magnificent artistic conception, which is the reason why Li Bai's romantic poems give people heroic, unrestrained, elegant and immortal.
Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.
Baidu encyclopedia-Li Bai
People's Network-Li Bai's Precious "Heart of Heaven and Earth"