Xiannong was called Emperor Society and Wang Society in ancient times, and was called Xiannong in the Han Dynasty.

In the spring, people plowing in the fields in the east, and citing poems about the ancestors of farmers and the ancestors of farmers, then Shen Nong is quoted; "The altar is set in the field to worship the ancestors of farmers". In the Wei Dynasty, Xiannong was one of the six gods of the country ("Wind Uncle, Rain Lord")

Shi, Lingxing, Xiannong, She, and Ji are the six gods of the country."). Use the sky to worship Xiannong. Before the Tang Dynasty, it was the imperial shrine, and the altar was called Youtiantan. After the Chuigong Year (685-688 AD), it was changed to Xiannong.

At this time, worshiping Xiannong was officially established as a ritual in feudal society. Every spring, the emperor personally led civil and military officials to perform the ceremony of worshiping Xiannong. Basic introduction: Chinese name: Xiannong Altar Location: Xuanwu District, Beijing.

No. 21 Dongjing Road Area: 2000 acres Opening hours: 9:00-16:00 Attraction level: National second-level museum, affiliated to Beijing Municipal Cultural Relics Bureau Ticket price: 15 yuan Famous attractions: Xiannong Shrine, Qingcheng Palace

, Taisui Hall, Divine Kitchen, Divine Cang, and Jufu Hall Country: China City: Xicheng District, Beijing Construction Year: 1406 to 1420 Historical Value: National Key Cultural Relics Protection Unit Main Purpose: The Emperor worshiped the God of Agriculture Alias:

Must-read before visiting the Shanchuan Altar, scenic spot updates, scenic spot introduction, key information, basic information, relevant data, architectural composition, Qingcheng Palace, Taisui Palace Group Buildings, Jufu Palace, Guangeng Platform, Divine Cang, Divine Chef, Sacrifice

Pavilion, concubine's palace, altar of gods, value, historical evolution, main purpose, slaughtering pavilion, god's kitchen and god's storehouse, Jufu hall, Guangeng platform, one-third of an acre, Shencang courtyard, Qingcheng palace, offering sacrifices to pro-cultivators

, Basic information Location: No. 21 Dongjing Road, Xicheng District, Beijing. Built in the southwest of Zhengyangmen, corresponding to the Temple of Heaven building complex to the east. The cultural relic level of Xiannongtan Sacrifice Pavilion before renovation: National Key Cultural Relics Protection Unit.

Era: From the fourth to the eighteenth year of Yongle in the Ming Dynasty (1406 to 1420). Main purpose: A place where the royal family of the Ming and Qing Dynasties worshiped the gods of agriculture. Old name: Shanchuan Altar. Area: 2,000 acres north and south of the outer altar.

Length: about 1424 meters, width from east to west of outer altar: about 700 meters, length from north to south of inner altar: about 446 meters, width from east to west of inner altar: about 306 meters. Transportation: Take bus 17, 20, 36, or 54 and get off at Xiannongtan Station. Architectural composition.

There are five groups of buildings in the altar: 1. Qingcheng Palace; 2. Taisui Palace (including the worship hall and the silk burning furnace in front); 3. Divine Kitchen (including the slaughtering pavilion); 4. Divine Cang; 5.

Jufu Hall. The repaired Xiannong Altar and the Sacrifice Pavilion have four altars: Guangengtai, Xiannong Altar, Tianshen Altar and Dizhi Altar. These group buildings and altars are basically located in the inner altar wall.

Chenggong, Tianshen Altar, and Dizhi Altar are located outside the wall of the inner altar and within the wall of the outer altar. In addition, there is a third of an acre of cultivated land in front of the inner altar, which was the place where the emperor personally cultivated the land during the field ceremony.

The building complex, including the existing inner altar wall, has gone through more than 400 years from its initial construction in the Ming Dynasty to its overhaul during the Qianlong period of the Qing Dynasty. The overall layout is basically complete, and the architectural features and artistic style of the building basically retain the characteristics of the Ming Dynasty.

These sacrificial buildings are divided into palace buildings according to different requirements in sacrificial activities (the place where the emperor changes clothes before and after the sacrificial ceremony, the place where civil and military officials celebrate after the sacrificial ceremony, the temple for worshiping Tai Sui, etc.) and functional buildings that symbolize production (gods, etc.)

warehouse, divine chef, divine storehouse, etc.).

Due to different requirements of use, the structure and craftsmanship of the building are different: the palace building is majestic, with verandahs or hilltop roofs, the appearance is brilliant, black or green glazed tiles are used, the interior is finely carved, decorated with gilt Dou Shuo, lattice doors and windows

Three crosses and six bowls of water chestnuts are used, and golden dragons and seals are painted inside and outside the building.

Although the other buildings are also hall structures, their gray tiles and simple decoration form a clear class contrast with the former.

In addition, the inner altar wall is still intact. The outer skin is made of white rough city bricks, which is basically the original one from the Qianlong period. The inner layer has the rammed earth wall of the Ming Dynasty.

The wall is 2.2 meters wide and 4.1 meters high. The top of the wall is covered with wooden rafter boards and covered with tube tiles.

There are three arched doors and one arch door on each side of the inner altar wall. The south door is placed on the same axis as the Taisui Hall building complex. The north door is between Shencangyuan and Jufu Hall. The east and west doors basically correspond to Guangengtai and Xiannongtan.

to the south.

The four gates are all made of masonry, with a hilltop, black glazed tiles and green trim, and a three-stepped, single-warped, polished-brick bucket on top of the arches between the brick pillars. The four gates all have typical Ming Dynasty features, and the north and south gates have clear early traces.

Longjin Fangxinxuanzi color painting.

Guangengtai Qingcheng Palace Qingcheng Palace is located in the northeast of the inner altar of the Xiannong Altar. It is basically in the same east-west direction as several groups of buildings in the inner altar. Qingcheng Palace was the Shanchuan Tanzhai Palace in the Ming Dynasty. It was renamed after the overhaul in the Qianlong Year of the Qing Dynasty.

Qingcheng Palace was used as a place for the emperor to rest after performing plowing ceremony and reward officials and entourage.

Qingcheng Palace faces south, is 122.84 meters long from east to west, and 110.14 meters wide from north to south, covering an area of ??13,529.6 square meters.

The central axis from south to north is the palace gate, the inner palace gate, the main hall, and the concubine palace (the name is derived from the inscriptions found on the four-cornered beast and a certain flying rafter during the renovation in 2001. Since there is no record of the name of the palace, it is temporarily

With this name), there are east and west auxiliary halls on the east and west sides between the main hall and the concubine's palace, and there is an arched door on the east and west sides of the courtyard wall between the inner palace gate and the main hall.