The non-public offering foundation initiated and founded by the leader Feng Jicai is also the first non-profit organization named after contemporary cultural celebrities after the promulgation and implementation of the new Regulations on the Management of Foundations in the State Council. The foundation aims to arouse the public's cultural awareness and responsibility through "self-help by the people", gather people with lofty ideals, mobilize various forces from all walks of life, rescue and protect the precarious folk cultural remains and descendants, and carry forward and develop Chinese culture. Feng Jicai Folk Culture Foundation was formally registered in Tianjin Association Administration on June 5438+February 3, 2004 (Jinji Zhengzi No.004), with a registered capital of 2 million yuan, which was donated by founder Feng Jicai and Taiwan Province famous actor Zhao Wenxuan. The decision-making body of the Foundation is the board of directors, with Mr. Feng Jicai as the chairman, Mr. Zhao Wenxuan as the vice chairman, and 12 directors. It is composed of well-known domestic cultural scholars, folklore experts, literary and art circles, journalists and business people. The working body of the Foundation consists of the office of the Secretary-General, the Project Department, the Liaison Department and the Folk Culture Research Center. Feng Jicai Folk Culture Foundation will actively carry out the following public welfare activities through strict management, standardized operation and legal measures to preserve and increase the value of funds, so as to promote and promote the development of the rescue and protection of folk culture in China. Follow the purpose of the foundation and accept donations at home and abroad; Support and fund important and urgent rescue and protection projects of folk culture; Support and fund folk culture research projects with important academic value; Planning and organizing cultural exchange projects aimed at promoting and developing China folk culture; Reward and commend organizations and individuals who have made important contributions to the rescue and protection of folk culture. Feng Jicai is a great man in China, and we have studied many of his articles. Pearl Bird is a good textbook, which has been included in the first volume of the fifth grade textbook, Brush Plum in the second volume of the fifth grade, and Courage of Flowers in the fourth grade textbook. The Mountain Picker was selected as the fourth-grade Chinese textbook "Send you a bouquet of flowers" published by Beijing Normal University, and the fifth-grade Chinese textbook "Flower Face" and "The Story of Vienna Forest" published by Beijing Normal University. Calendar, which was selected as the sixth grade text, was selected as the second unit text of the eighth grade.
200 1 Elected as the chairman of China Folk Writers Association, Feng Jicai wore the "Jobs hat" of China Folk Writers Association. Since 2003, Dafeng started the general survey of China folk cultural heritage rescue project. He said, we can't smile and watch the folk culture disappear from our eyes. Tens of thousands of experts and scholars from all over the country have also left their study rooms and plunged into the fields to pick up the "mother culture" that is about to disappear from the earth. For more than two years, Feng Jicai spent most of his time running in the fields. One of the reasons for running is that he wants to know what the real field culture is. If you don't know, you will be shocked. Today's folk culture is basically in a state of self-destruction, and the power of protection is very weak; Second, their funds are so short that it is almost impossible to invest in security. However, folk culture is mostly controlled by counties, townships and villages. If problems are found, you can find county heads, township heads and village heads and tell them how to protect these cultures. I have been to several places with Feng Jicai. I once went to Jiucheng Village, Zhouwo Township, Wuqiang County, Hebei Province. There was a sudden rainstorm on the road, and our car slipped into a ditch and had to walk in the mud. Taihō's feet were covered with two plastic bags, one deep and one shallow, and he fell several times. He was drenched like a drowned rat, covered in mud soup and looked very funny. If no one said that, who would have thought that he was the vice chairman of Democratic Progressive Party Central Committee and the vice chairman of China Federation of Literary and Art Circles? After returning to Tianjin, Gu Dajie saw our photos, and we laughed, but Gu Dajie was so sad that she shed tears. "Nothing," Dafeng said. Among our volunteers, it is much more difficult than me. Their wages are meager, there is no subsidy, they have to put money into it, and they often work hungry. In order to improve the working conditions of these people, Dafeng first wanted to sell the house, and then returned to his old job, painting day and night, and simply drew a big bag on the back of his hand. These 30-odd paintings were auctioned once in Tianjin and once in Beijing Modern Literature Museum, and the folk culture foundation was established with the proceeds of100000 yuan, so that those volunteers could have tea. Taiwan Province actor Zhao Wenxuan was deeply moved by Dafeng's behavior and donated 654.38 million yuan to support Dafeng. How willing Taihō is to contribute, struggle and pay for his beloved motherland culture! Fortunately, the efforts of Dafeng and his volunteers have paid off. A large number of rescued graphic materials have been published, and more audio-visual materials are being sorted out, which will be a valuable asset for both the country and the nation.