The words "calligraphy and painting are handed down from generation to generation" are more appropriate as the theme of this interview, because calligrapher Wang Jie is not writing alone, with a father and a daughter. The former is the enlightenment of her calligraphy, and the latter is to grow up happily in the inkstone pool with more energy than her. The strength of three generations of grandparents and grandchildren explains the true meaning of calligraphy.

Wang Jie's works

The works of schwandzol

Xu was born in Wudi, Wenchang. Dancing and writing are many people's childhood tutors, such as their father Wang. I live with my grandfather, who is a scholar in the late Qing Dynasty. At the age of 7, he began to practice calligraphy on the whiteboard, and wrote a common lesson of calligraphy enlightenment in Qing Dynasty: an ancient adult, Kong Yiji ................................................................................................................ 1992 Wang opened his own calligraphy studio. Over the years, thousands of people have learned calligraphy from him, and some students' second and third generations have come to learn calligraphy from him.

Wang, who is nearly eighty years old, still teaches calligraphy in the studio.

In this atmosphere, it is more natural for Wang Jie to get in touch with calligraphy. At the age of seven, he began to learn from his father. In those days when interest classes were not very popular, the idea of Wang Jie and his father was simple, that is, they could write a good hand. For more than 30 years, calligraphy is not only a family dream, but also a continuation of culture, and it is also her daily life.

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Wang Jie's love for calligraphy can be described as "infatuation". Wang Jie's writing practice was once almost crazy. She practiced calligraphy for seven or eight hours at a time, and even suffered from cervical spondylosis. The last thing before going to bed every night is writing, and the first thing after waking up is thinking about what I didn't write yesterday. Obsessed with everything, she always thinks of calligraphy and leads the topic to calligraphy. Even her daughter teased: Mom, can you be a little more boring?

It is this obsession that made Wang Jie insist on taking Lin Tie as a daily class, and found his own direction and feeling in countless close contacts with classics such as Tang Jie and Wei Bei. Like a door suddenly opened, small letters became Wang Jie's favorite calligraphy style. Regular script seems to be uniform, but in fact, from the change of font structure, the creation of space between strokes, and the use of up and down, it has been given a sense of rhythm and vitality. Small letters test a person's pen control ability and mood, and women's delicate and graceful seems to need to write small letters more.

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People who have seen lowercase Wang Jie are amazed at how it can be so beautiful! The overall atmosphere is quaint, gentle, casual or dignified, and it seems that you can feel what kind of state she was in when she wrote these words. It is probably the most important thing to be able to write one's own personal interests in the works when ancient small letters have no daily writing function. "My regular script is based on the classic Tang script, which adds the vigor and simplicity of Weibei and the simplicity and elegance of official script. I dare not say that this is my style, but I am constantly looking for it. "

In the past five years, Wang Jie *** 10 won the prize in the national calligraphy exhibition (competition) and provincial competition sponsored by China Calligraphy Association, 20 16 won the creative funding from Jiangsu Art Fund, and 20 17 (nationwide) won the "China Calligraphy Billboard" and "Creative Potential Person". Although winning the prize is soft, writing is still a daily life in Wang Jie. If she doesn't write for a day, she will be flustered, and even if she goes out, she should bring a pen and ink.

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At the same time, she also taught her many years of writing and actual combat experience to the students in the studio without reservation. More than 20 students have no unified teaching materials, but individualized teaching according to each person's talent and characteristics. Therefore, it is not surprising that many winners in a competition come from calligraphy studios in Wang Jie.

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Wang Jie's proudest work may be her own daughter. At the age of three, the drow volunteered to write with a pen. She has an innate talent and confidence in calligraphy, which may come from the inheritance of blood genes. At the age of 6, he won the first National Calligraphy Award and won the first prize and special prize in Suzhou Youth Competition for 40 times. This cannot be said to be the best embodiment of calligraphy.

The works of schwandzol

Jie Wang

Suzhou native, graduated from the Fine Arts Department of Suzhou University of Science and Technology. Member of Jiu San Society, member of China Calligraphers Association, director of Jiangsu Youth Calligraphers Association, director of Suzhou Calligraphers Association and deputy secretary-general of Creative Committee, vice chairman of Suzhou Industrial Park Calligraphers Association, and head of the first batch of famous calligraphy studios in Suzhou-Wang Jie Calligraphy Studio in Suzhou Industrial Park.