Associate Professor of Zhejiang Institute of Textile and Apparel, member of China Artists Association. Born in Fenghua, Zhejiang Province in 1975, he graduated from the Academy of Fine Arts of Zhejiang Normal University in 1996, attended the oil painting advanced course of the Central Academy of Fine Arts in 2-21, and graduated from the doctoral program of the Fine Arts Department of Russian National Normal University in 212. Ye Limeyev Studio of Repin Academy of Fine Arts visited and studied.
Chinese name: Wei Wu
Nationality: China
Nationality: Han nationality
Birthplace: Fenghua, Zhejiang
Date of birth: 1975
Occupation: oil painter
Graduating institutions: Zhejiang Normal University, Central Academy of Fine Arts, etc.
Representative works: Assumptions and Doubts, Delvaux. The walker has a mountain
Sina Weibo: @ Wei Wu art
Personal experience
213 Post-consciousness and Circumstances China Contemporary Young Realistic Artists Invitational Exhibition Beijing Light and Time Experience Center
212 Compass Game Prequel and other three works New Realistic Painting Exhibition Beijing China Art Museum
212 Or Light Wind, Or the New Realistic Power Oil Painting Exhibition of Man Dance, Still Water and Deep Water, Shanghai Pan-China Art Center
212 A Slightly Late Spring e Jinghua-Yachang Artists Joint Exhibition Beijing Times Art Museum
21 Chirico Square, Times Cup China Youth Realistic Art Exhibition (Excellence Award) Beijing Times Art Museum
21 Birds and Lies. Peak Memory Asian Games Contemporary Art Invitational Exhibition (Invited Academic Award) China People's Revolutionary Military Museum, Beijing
29 "The Scared Scene of the Lonely Mountain"-29 Shanghai Youth Art Exhibition, Shanghai Liu Haisu Art Museum
29 Prospect and Breakthrough-Zhejiang Textile and Clothing Institute's seven-person works joint exhibition, Ningbo Art Museum
28 "Peak Memory" and "Several Romantic Figures" 28. > 27 "Slight Cold" Second National Oil Painting Exhibition of Scenery and Style (Excellence Award) Shanghai
27 "Nine Lotus Returning to One Picture" Invited Exhibition of Chinese and Korean Oil Painting Works Busan Ningbo Art Museum
26 "Nine Peach Returning to One Picture" and "Coordinates" Nominated Exhibition of Oil Painting Works of Zhejiang University Teachers Ningbo Hangzhou
26 "The Young Moon Caresses the Evening Picture" Zhejiang Oil Painting Exhibition (Excellence Award) Ningbo Art Museum
23 Clouds on the Tigris River, the 17th exhibition of new works by China Artists Association, Beijing Yanhuang Art Museum
23 "We come from all corners of the country", the third youth art exhibition of Zhejiang Province, Hangzhou West Lake Art Museum
22 "1942", a national art work commemorating the 6th anniversary of the publication. Exhibition of advanced classes of Central Academy of Fine Arts
Art Chronology of Beijing China Art Museum
The second "Classic and Inheritance-National Invitational Exhibition of Realistic Oil Paintings" in p>216, as artistic director, Ningbo Art Museum; Zhejiang Oil Painting Nomination Exhibition, Ningbo Art Museum; East Asia Cultural Capital Art Exchange Exhibition, Mandarin House in Nara, Nara, Japan;
In p>215, I was invited to the National Exhibition of Young and Middle-aged Realistic Paintings by "Classics and Inheritance", and served as artistic director, Ningbo Art Museum; The 6th Zhejiang Youth Art Exhibition, Zhejiang Art Museum;
The 12th National Art Exhibition in p>214, Zhejiang Art Museum, Hangzhou; 8 School of Painting Exhibition in 214, New Poly Building Art Museum, Beijing; The 13th Zhejiang Fine Arts Exhibition, Zhejiang Art Museum, Hangzhou; The second China realistic oil painting invitation exhibition, Shenzhen Dafen Art Museum, Shenzhen; "A Hundred Years' Chinese Dream of Buddhism", oil painting exhibition of portraits of modern monks and great virtues in China, Ningbo Art Museum;
212 E-Jing-Yachang Artists Joint Exhibition, Beijing Times Art Museum;
The 5th 21 National Recommended Exhibition for Young and Middle-aged Artists in 21, Shanghai Mingyuan Art Center; "Time Cup" China Youth Realistic Art Exhibition (Excellence Award), Beijing Times Art Museum; Asian Games Contemporary Art Invitational Exhibition (Invited Academic Award), China People's Revolutionary Military Museum;
The expression of opening in 29-29 Shanghai Youth Art Exhibition, Shanghai Liu Haisu Art Museum; Prospect and Breakthrough-Joint Exhibition of Seven Works of Zhejiang Textile and Clothing Institute, Ningbo Art Museum;
In 28, "Counting Romantic Figures" 28 Hundred Jinling Oil Painting Exhibition, China Art Museum, Jiangsu Art Museum;
27 China-Korea Oil Painting Invitational Exhibition, Ningbo Art Museum, Busan; The second national oil painting exhibition of scenery and customs (Excellence Award) Shanghai;
26 "Stars Award" Zhejiang Excellent Works Exhibition (Bronze Award) Hangzhou; "Coordinates" Nomination Exhibition of Oil Paintings by College Teachers in Zhejiang Province, Ningbo and Hangzhou;
25 Zhejiang Oil Painting Exhibition (Excellence Award), Ningbo Art Museum;
The 3rd Zhejiang Youth Art Exhibition in p>23, Hangzhou West Lake Art Museum; The 17th exhibition of new works by China Artists Association, Yanhuang Art Museum;
22 "1942" national art exhibition to commemorate the 6th anniversary of the publication of "Speech", Hangzhou, Beijing;
21 exhibition of advanced classes of Central Academy of Fine Arts, China Art Museum;
Exhibition Experience
May 217 "The Third Classic and Inheritance" National Young and Middle-aged Realistic Paintings Invited Exhibition Ningbo Art Museum Zhejiang-Ningbo
May 217 217 8 School Realistic Oil Paintings Tour-Shanghai Station Jindehui Life Aesthetics Space Shanghai May 217 217 8 School Realistic Oil Paintings Tour-Beijing Station Shanshui Art Museum Beijing August 216 "Beijing-Beijing" China Contemporary Young Realistic Oil Paintings Invitational Exhibition Aimer Art Museum Beijing May 216 "Jinling has an appointment" China Contemporary Powerful Young Realistic Oil Paintings Exquisite Exhibition Jiangdong Art Museum Jiangsu-Nanjing May 216 "Transmutation" 216 Contemporary China Figurative Painting Academic Invitational Exhibition Xinyada Sanqingshang Art Center Zhejiang-Hangzhou March 216 Second "Classic and Inheritance-National Realistic Oil Paintings Invitational Exhibition" Ningbo December 215 "Integration and Expansion" 215 Zhejiang Oil Painting Exhibition Ningbo Art Museum Zhejiang-Ningbo November 215 "Heart-Life" Group Exhibition Zoomart Art Museum Beijing-Chaoyang September 215 "Return" Landscape Art Museum Opening Exhibition Landscape Art Museum Beijing October 214 214 198s School Realistic Oil Painting Exhibition Poly Art Museum Beijing July 214 "Hundred Flowers Bloom" Abstract Exhibition Ningbo 117 Contemporary Art Center Zhejiang-Ningbo January, 214 Invited Exhibition of "Figurative Studies and Classic Realism" Oil Paintings Phoenix Yidu Art Museum Jiangsu-Wuxi November, 213 213 198s Realistic Oil Paintings Exhibition asia art center (Beijing Pavilion) Beijing September, 213 "Fantasy-Preserving" Ten Representatives of Contemporary Youth Realistic Oil Paintings in China Exhibition "Real" China Contemporary Youth Realism in March, 213. Home Invited Exhibition of Light and Time Experience Center Beijing November 212 Still water is deep, New Realistic Power Shanghai Renaissance Yuyuan Hotel Exhibition Hall on the second floor Shanghai April 212 212 New Realistic Oil Painting Exhibition China Art Museum Beijing
Award-winning record
21 "Time Cup" China Youth Realistic Art Exhibition (Excellence Award), Beijing Times Art Museum;
The 2nd National Oil Painting Exhibition of Scenery and Style (Excellence Award) in p>27, Shanghai;
26 "Stars Award" Zhejiang Excellent Works Exhibition (Bronze Award) Hangzhou;
Zhejiang Oil Painting Exhibition (Excellence Award) in p>25, Ningbo Art Museum
Published Books
Collection of Works of the Second China Realistic Oil Painting Invitational Exhibition by Jilin Fine Arts Publishing House in p>214
China Oil Painter Wei Wu by Zhejiang People's Fine Arts Publishing House in 213, Flowing Art-Figurative Research Classic Realism (Volume I) by Jiangxi Fine Arts Publishing House in 213
Jiangsu Fine Arts Publishing House in p>212 Art Archives China Oil Paintings Volume 2
Sichuan Fine Arts Publishing House Art Archives China Oil Paintings Volume 1 in 21
Jilin Fine Arts Publishing House Bank of Communications Times Cup-China Youth Realistic Art Exhibition in 21
Xiling Press in p>29 Expansion and Extension-Wei Wu In 27, Shanghai Splendid Articles Publishing House's Collection of Works of the Second National Oil Painting Exhibition of Scenery and Customs
Ideal on the Shelf
Everyone has a desire to express. Some people like to talk and constantly expound their views and concepts; People like to sing, on the stage where there is no one; Some people are willing to blog and publish themselves every day; Some people still touch ink with a brush and keep a diary on rice paper. Poets write poems, musicians compose music, directors make films and painters paint, all for expression. I choose painting, and I choose realistic painting, which is naturally the result of my will. Today's realistic painting is like a bark in an art tree, which won't get much attention. I hope I can be a pleasant bug on this bark.
Inside and Outside
In real life, we have multiple identities, but there is an unrealistic character who is only in the mood. He does not exist in reality, but only walks in the mood. Here, I will often direct an uncomplicated play and make myself an audience at the same time; I will also play different roles in the play, sometimes it will be a floating cloud, sometimes it will be a long shadow < P > In an unrealistic state of mind, I have an unscrupulous space, where there is only an idealistic expression, but no materialistic framework. At some realistic corner, I always look forward to being able to travel freely inside and outside my heart. Painting creation is the expression of idealism, and the state of mind achieves painting. If you think something, you will have a state of mind, and if you don't think, you will have no boundaries. In real life, I keep tossing and turning inside and outside the country, and I keep practicing inside and outside the country.
Wei Wu 211-2-16
others' comments
Dramatic: a kind of truth of spiritual consciousness
—— On Wei Wu's oil painting creation
Wen/Wang Peng
Wei Wu's works have a strong dramatic appeal, so it can be said that he is a rare young oil painter who pays attention to human spiritual consciousness in China nowadays.
Facing all kinds of categories in this era, he thinks from anthropology, psychology, sociology and other multiple angles and cultural interfaces, and analyzes the living state and mood of modern people from a profound and unique perspective; He uses dramatic and interesting plots to decode the most urgent psychological problems that modern people need to solve; By painting dramatic forms, he organically transformed the invisible human mind consciousness into credible truth; He used pictures to describe in detail the puzzles of modern people, in order to show that people can break through the fog of spirit, know themselves and face life bravely.
In a series of works by painter Wei Wu, such as The Compass Game-Prequel, Prophecy and Revelation, Birds and Lies, The Scared Scene of the Lonely Mountain, The Game of Karawa Bridge, etc., the painting features a moment of solidification, and the constant entertainment activities in life are expressed by static expressions, eyes and gestures. The work uses the ups and downs, rhythm and body language contained in the picture to tell the story that happened at a specific time, "directing" the beauty of the plot and revealing the authenticity of the dramatic conflict caused by the psychological emotions among the characters. Here, it conveys the painter's extreme humanistic concern and human thinking.
A series of works, such as Speculation of Tomorrow, How Long is the Wind and Moon, Situation, Singing at midnight, Nightmare in the Garden-1-3, Eclipse, Man Dance, Spring A Little Late, are portrait paintings by oil painter Wei Wu. He created dramas with realistic skills, classical colors and dramatic sensory stimulation. In the works, it is assumed that the intuitive appearance of characters and psychology in the situation is in harmony with the specific environment, specific psychological content and specific actions, and the causal relationship and artistic connotation of dramatic painting are transmitted. Thus, Zhang Xian's independent aesthetic realm.
What needs to be emphasized is that Wei Wu fully embodies the religious meaning and graceful classical charm in the use of pictures, so that contemporary painting is integrated with classical spirit. The theatrical lighting in the works has a poetic artistic style of "replacing scenery with light and expressing feelings with light", which contains the multiplicity of mystery, conflict, dream, variation, loneliness and contradiction.
From the perspective of contemporary painting, we have the responsibility to use the formal language of art to artistically think about humanistic care and human spiritual consciousness:
Because the highest level of art is the spirit of human nature and the art in the spiritual field;
Because art is a field of culture or a form of cultural value;
Because art is the artist's concern for reality and the true expression of his own humanistic concept.
May Wei Wu's dramatic oil paintings inspire our current painting creation.
Author: Deputy Director and Professor of the Institute of Cultural and Artistic Planning and Promotion of China Renmin University
Chairman of the China District of China Contemporary Art Foundation
Appreciation of works.