Ceng Zhiwei, Du Wenze, Xu Guanwen, Yang Qianhua
Shi Tian
Feifei is a successful comedian, known as "pistachio". I think her performances can be traced back to the mid-196s-the films of two young idols, Chen Baozhu and Xiao Fangfang.
at that time, Feifei was about 2 years old, and her figure was as big as it was later, and her hairstyle and glasses were similar. She only plays a supporting role in the film, specializing in the leading role's cousin, best friend and so on. Because of her fat body, clumsy movements, often slipping on the ground and hitting nails frequently, all of them are old-fashioned antics, which are one of the audiences.
When TVB was launched in p>1967, there was an hour-and-a-half "Happy Tonight" program starting at 9: 3pm every Friday. As the pillar of the first generation, Feifei had many opportunities to appear, not only performing funny dramas, but also announcing the curtain and reading advertisements. She slowly settled in the image of obesity, laughing is her trademark, thus establishing her cheerful and carefree image and infecting the audience's happiness with personal happiness.
Western classical literary theories, such as the Greek philosopher Aristotelian, point out that comedy is dominated by the clumsiness and mistakes of the protagonist. It is true that traditional Hong Kong comedians laugh because of their "defects" and gaffes, which arouse the audience's sense of superiority.
For example:
1. Particularly obese-such as Enjia Liu, Kuang-chao Yiu, Liang Xingbo, Yao Ko Chu, dwarf wax gourd, Ceng Zhiwei, Tan Lanqing and Hua Bixia.
(Above: Tan Lanqing, the pioneer of fat comedian)
2. Extremely thin-Ching Tien, Luquan Gao, Cheng Kwan Min, Sun Ma Sze Tsang.
3. Lack of talents of normal people-Tang Kee chan (almost mentally retarded, stuttering, always being stupid), Gwa-pau Sai (stupid, stuttering), Xu Guanying (dull, stuttering), Qiushui Yi (stupid, ugly), Zhou Zhicheng (obscene), Wu Junru (not beautiful).
4. Pretending to be eye-catching is actually subject to the environment and constantly making a fool of yourself-Mai Jia, Shi Tian, Lu Guanting, Richard Ng, Chen Boxiang, Chow Yun Fat, Dong Piao, Xu Guanwen, Stephen Chow, Du Wenze.
The first, second and third categories above are relatively shallow funny tricks; The fourth category began to develop highly in the 197s. Xu Guanwen and Stephen Chow, in particular, have established two completely different personal styles, which are full of self-mockery, social criticism and the times.
Sammo Hung and Jackie Chan, of course, have to be mentioned, with extremely difficult funny moves as their selling points, which are rarely matched in the world.