Dior 06 Autumn and Winter Haute Couture: "Female Roman Warriors"
When the models wear medieval costumes and parade in a fierce manner, you may think of the Knights of the Round Table. , a church saint, a court lady, or an exotic Queen. The tough metal armor and the soft chiffon skirt are combined left and right. The male and female characteristics are distinctly sewn together into surly gender homobodies, resolute and cold. The outline of a warrior is closely followed by a graceful and dazzling sexy woman. The dramatic grotesqueness and incongruity are jaw-dropping. Before we can digest the conflicts between men and women and the epic drama of the Middle Ages, Siouxsie Sioux, the female lead singer of the British alternative band Siouxsie & The Banshees in the 1980s, Botticelli, the famous painter of the Renaissance, and Arletty, the French actress in the 1940s, are rich in distinctive eras. Images with personal colors emerge one after another, constructing this indescribably diverse performance.
The dazzling crystal crown and the beautiful and prosperous feather headdress reflect the luxurious details. The hearty red and black show an exaggerated style, gorgeous but also dignified and profound. The large skirt with looming pearlescent light reiterates the New Look classic, and the exquisite three-dimensional tailoring has a proud expression on the new material. Weird light and shadow colors, Gothic and punk genes are all decomposed and reassembled here, concise and wonderful.
The intersection of time and space between ancient and modern times, revolutionary subversion, and opera-like gorgeous effects create a mysterious atmosphere with different responses, full of shock. Among these French souls with infinite dramatic tension, there are also many bright and playful shadows, and their fleeting charms are equally astonishing.
Dior 07 spring and summer haute couture: "Oriental Madame Butterfly"
Japanese-style kimonos, wide belts and geisha makeup have been transformed by Dior to resemble Puccini's opera " Madama Butterfly" is reinterpreted in the exquisite form of fashion. People once again appreciated the designer's extraordinary talent - using fashion shows as narrative poems to awaken soft and sensitive emotions.
The rich colors of hot pink, coral red, grape purple and turquoise emphasize the distinctive characteristics of the clothing itself. Lanterns, cherry blossoms, pine branches, folding fans, a variety of classic Japanese elements are dazzling. The Origami art of Oriental is also fully displayed on the fabrics. The solid geometric shapes carve the neckline like flowers or hovering birds. The clog-like high heels also fit the shape of origami, creating an alternative depressive and distorted beauty. The last relatively bleak ready-to-wear show did not really die out. Galliano's return to formalism was spectacular. Dior's T stage was like a theater. Shalom Harlow and her partners performed a dramatic method on Galliano's stage. Bright diamond hairpins trembled in Harlow's geisha-style bun.
Dior 07 Autumn and Winter Haute Couture: "As Romantic and Sophisticated as Poetry"
This time, John Galliano presented a gorgeous and noble haute couture series for Dior's 60th birthday A magnificent gift. He got inspiration for this season from some paintings, fashion illustrations, and photography works from the first half of the 20th century. Behind these beautiful clothes, there is a faint elegiac solemn atmosphere. It turns out that, Galliano also wants to use this show to pay tribute to two figures who dedicated their entire lives to the fashion industry but passed away early - Mr. Christian Dior and designer Steven Robinson, who passed away suddenly during the preparations for this show in April this year.
Dior 08 spring/summer haute couture: “Gorgeous and gorgeous in rich colors”
John Galliano, the fashion wizard, once again shocked with his extraordinary talent and unlimited imagination. The whole world was amazed by the eye-catching colors and gorgeous designs of this spring and summer haute couture show presented to Dior.
The design style still continues the luxurious and gorgeous style of the 2007 autumn and winter haute couture. The exaggerated high platform shoes and fisherman hats are also retained, but this time the changes in details make the whole show more exciting. The thick heels of high platform shoes are hollowed out to make them lighter.
The texture of the fabric is richer and even shows the original skin texture of animals, making COPYers even more intimidated and unable to imitate it. The uniform European palace style was replaced by diverse exotic feelings, with floral skirts and tutu skirts being equally popular. Galliano combines the French Impressionist painting style with a hint of modern rock and roll, using exaggerated silhouettes and a large number of bling bling dazzling decorations to create a luxurious feast of fashion.
On the T stage of this Christian Dior 2008 spring haute couture show, Galliano magically filled the high-grade silk with air and sculpted it with a stroke of his pen. This is what you see is full of creativity. The spiral flower silhouette - the finishing touch of Dior's 08 New Year's Haute Couture dress! The long and beautiful tail of the dress will make you linger on the back of every Madou who turns around...
When it comes to detailed decoration, John Galliano used a huge amount of sequins and sparkles. Beads and embroidery make Dior’s gowns couldn’t be more gorgeous!
Dior 08 autumn and winter customization: "The return of the classics of the 1950s"
In this fashion show, John Galliano presented to the audience a combination of gorgeous fabrics and artistic colors fashion show, with extremely luxurious duchess satin and delicate and dazzling gold foil embroidery, the designer used eye-catching dramatic techniques to reproduce the Art Nouveau style written by the 19th century painter John Singer Sargent and the Austrian painter Gustav Klimt. In the just-concluded autumn and winter show, the colors are still bright, but they are pure. There is no oil painting-like rendering, and attention is focused on the structure of the clothing, using light tulle and ever-changing wrinkles to deduce luxury and romance.
Galliano uses eye-catching colors and simple cuts that are not exaggerated to create a stage effect that will definitely make your eyes shine. In addition to the popularity of the pink series, chiffon, knitting, tulle, and layer upon layer of pleated details are also hot elements for 2008 autumn and winter haute couture.
Dior 09 spring and summer haute couture: "gorgeous classic style"
It was the time of the global financial crisis, and when major fashion shows were saving costs to protect themselves, dior 09 spring and summer Advanced customization is extremely gorgeous. Chief designer John Galliano said: "(Under the economic crisis) everyone is spending money more carefully than before. I am. But our job itself is to let people have dreams and to provide them with high-quality, well-tailored and imaginative clothing. Powerful fashion. ”
17th-century Dutch art is an important source of inspiration for the innovative design of Christian Dior’s 2009 spring Paris haute couture show.
In the first half, John Galliano’s color palette was inspired by the soft blue and gold colors of Jan Vermeer, a master of Dutch Golden Age painting in the 17th century. The exaggerated lantern sleeves seen in the first half are inspired by the works of Dutch Baroque painting master Anthony Van Dyck.
Another important source of inspiration is the old Mr. Dior. John Galliano vividly brought out the soul of the old Mr. Dior in the 1947 post-war "New Look". It can be seen that the characteristics of this haute couture silhouette are the typical slender high-waisted and knee-length skirt of the "New Look", which is re-modified with John Galliano's signature ruffle pleats and innovative skirt hoops. .
John Galliano’s more subtle idea is to expose the inner lining! The redesigned skirt hoops fully display the "scenery inside the skirt", and the mirror-like T stage reflects the exquisite hand-embroidered lining on the lining. It can only be described as beautiful. This is beyond the 1940s. The "Dior-style" romance from the late 1950s is once again amplified! This is a colorful "New New Look"!
There are too many pictures to post at once. I can only give you an introduction to the theme and style. Dior before 2005 does not seem to have haute couture~