The thin gold font of Mr. Qigong is as follows:

1. Qigong style, also called Qi style, is a calligraphy originally created by Mr. Qi Gong, a master of Chinese studies. The formation of Qi Ti characters took place from 1938 to 1957 (26 to 45 years old). During his teaching career in the Chinese Department of Fu Jen Catholic University and the Chinese Department of Beijing Normal University, Mr. Qi Gong achieved high artistic attainments through dedicated study.

2. Thin Gold Style is a font created by Zhao Ji, Emperor Huizong of the Song Dynasty. It is a very unique calligraphy style in the history of calligraphy because it is quite different from traditional calligraphy styles such as Jin Kaili and Tang Kai. His personality is extremely strong, so he can be called an original creation in the history of calligraphy. His representative works include "Thousand-Character Classics in Regular Script" and "Poetry of He Fang".

The thin gold-style writing is agile and fast, and the handwriting is thin and vigorous, even thin without losing its flesh. The large characters are especially graceful and graceful. Because the strokes are relatively thin and hard, the brushwork is exposed, and traces of the strokes such as running Tetons can be clearly seen. It is a font with a quite unique style.

Extended information:

Liu Hongwei believes that from the Thin Gold Body to the Qigong Body, it is more necessary to understand and observe the ins and outs of the Qigong Body from a historical vertical perspective. , Diverse experiences can lead to near-factual positioning and assessment.

The thin golden body is named for its thinness. It is so thin that all the bones are gone, and the bones are built into the body. Since ancient times, due to the difficulty of getting started and the tedious practice, not many people have studied it, and even fewer have succeeded;

Qigong style absorbs all styles into itself, forming a style of its own. Define Qi Gong Body, not Thin Gold Body. The Qi Gong style is elegant, almost like Confucianism; the thin gold style is graceful, like Taoism. Two fonts, two realms. However, from the perspective of the calligrapher and the examination of the formation path of the calligraphy style, we can still see a considerable part of the shadow of the thin gold style in Qigong style.

“The wonderful way of calligraphy starts with the spirit, followed by the form and quality, and then it can be introduced to the ancients.” It means that calligraphy as an art must take the spirit as the most important thing, but it cannot be separated from the form. This is the basis of quality. Form, quality and spirit are in a dialectical and unified relationship. It must be both. It not only has a beautiful appearance, but also has rich spiritual connotation in order to integrate form and spirit.