The sculpture trademark of "Rolls Royce" is a flying goddess shining with silver light. There is also a story about the origin of the statue of Goddess of Flying: 19 1 1 year. Introduced by his friend Sir montague, Rawls got to know Charles Sykes, the painter and sculptor of Automotive Illustrated. He begged Charles Sykes to be a Rolls Royce. Sikes designed the "flying goddess" with Miss Shaunton of this newspaper as the model, which means the soul of speed. On February 6th, 19 1 1, the "goddess of flight" came to Rolls-Royce, and the whole world was immersed in the fresh air and the beautiful music melody of wings vibration. The opening ceremony of Goddess of Flying was as grand, warm and tense as the first Rolls-Royce rolled off the assembly line. 100 years ago, charles rolls, a French car dealer, met Henry Royce, an engineer who made cranes and cars. They reached an agreement that Les would be in charge of producing cars and Rolls would be in charge of marketing. At the same time, they named the car Rolls-Royce with their surnames, which was once translated into Rolls-Royce and later translated into Rolls-Royce. The outer frame of the Rolls-Royce logo is rectangular and divided into three compartments: upper, middle and lower. The upper and lower boxes are composed of two people's names, and the two overlapping "R" in the middle represent the sincere and permanent union of the two people. The rectangular frame of pure geometry gives people a feeling of quietness, vitality, profundity, solemnity and preciseness, which shows the most advanced technology, the most sophisticated production and the meticulous spirit of Rolls-Royce car manufacturers. This sign belongs to the text category, and the letters "Rolls Royce" and "Royce" on the upper and lower floors are highlighted in Goethe font. The two "R" in the middle layer are ancient Roman fonts, which embodies the liberal arts style of the upper class. The overlapping position of the two "R" shows a strong sense of movement, and the use of lines and blank proportions also highlights the visual center of the pattern appropriately. The collocation of colors is also exquisite, and the collocation of black and blue background and golden characters fully embodies the connotation of Rolls-Royce tradition, wealth and dignity.