Part 1

On National Day, my mother, sister and aunt and I went to Wuhan to visit the Hubei Provincial Museum.

There are more than 9,000 cultural relics in the museum, which are displayed in different exhibition halls. "Jingchu Yinghua" collects physical objects from the history of the revolutionary struggle in Hubei. "Chu Cultural Palace" is a gathering place for ancient weapons. There are swords, spears, shields, bows... and tripods, plates, and spoons used by ancient people. The most famous one is the bronze sword of King Goujian of Yue. This sword is beautifully cast and has a thin and sharp blade. Although it is sleeping underground It has been thousands of years old, but it still has no rust and can scratch twenty-one pieces of white paper. There are also ceramics halls and fabrics halls...

What impressed me the most was the tomb of Zeng Houyi. It was very dark and cold inside. The exhibition hall is divided into four rooms: east, middle and northwest. The east room contains the main coffin and eight burial coffins. The main coffin is painted with red paint on a black background and has various exquisite patterns painted on it. The other rooms contain burial weapons. , chariot and horse utensils, food utensils, and the world-famous bronze chimes of Marquis Yi of Zeng. The chime is a huge thing. The huge bell frame is made of copper and wood, with 65 bronze pieces hanging in eight groups on three floors. The most peculiar thing about it is that one bell has two tones.

This visit not only allowed me to learn about many ancient precious cultural relics, but also taught me a lot of historical knowledge. I will definitely go again if I have the opportunity!

Comments: The whole article is very interesting A good interpretation of the phrase "learn happily, learn happily". Literary talents should not be regarded as a burden for oneself, but your article records the journey of visiting the museum with a positive attitude and delicate writing style. Reading your article not only benefits a lot, but also It feels like being there! Great!

Part 2

Today, I visited the Zhongxiang Museum with a small press group to learn about the history of Zhongxiang.

Before entering the exhibition hall, I saw four traditional Chinese characters "Zhong Ju Xiang Rui" carved on the ground in the middle.

After entering the exhibition hall, we saw the "Gold-plated Bronze Dragon", one of the eight treasures of the museum. "This copper dragon was plated with a layer of gold when it was unearthed. Due to the passage of time, this layer of gold fell off, leaving only the copper dragon you see now. This gold-plated copper dragon was excavated from the Ming Ming Tomb in Zhongxiang City in 1977. Unearthed, it is a national first-class cultural relic. In 1539 AD, Jiajing's mother Jiang died and wanted to bury his mother and father together, but this would disturb his father's sleep. In order to comfort his parents' spirits in heaven, he Mingming Mausoleum held a large-scale sacrificial event and personally threw this object, in order to bring good wishes to his parents, and at the same time to pray to God to bless the Ming Dynasty's prosperity." After listening to the guide’s introduction, we all said: “So that’s it.” We then visited some cultural relics such as the Dehua Kiln white porcelain statue and the Dehua Kiln white porcelain bottle. We also learned about the stories of Song Yu and Mo Chou Nu, which gave us a lot of insights!

Going to the museum today can be said to be a fruitful experience!

Part 3

After registration, Zhou Manli and Zhou Chenlong and I went to the Hunan Provincial Museum , to experience "Mysterious Tibet in the Light of Buddha".

This exhibition has more than 130 exhibits, all from various temples and museums in Tibet. These cultural relics reflect the Tibetan people’s living customs, spiritual beliefs, and cultural and artistic levels. There are two pieces that impressed me the most. One is the gold and bronze statue of Guanyin Bodhisattva with 11 heads, 1,000 hands and 1,000 eyes. There are eight different hands in front of the body, with the main arms clasped together. The remaining 6 hands hold different magical instruments, and the other 900-odd hands are on both sides of Guanyin, like two halves of thorn balls on both sides, on both sides of the Bodhisattva. The bronze statue is very detailed, magnificent and particularly fascinating. The second piece is a picture of a witch lying on her back. There is a legend in this color picture: It is said that there is a huge Rakshasa girl lying underground in Tibet. The head faces east and the feet face west. Buddhism believes that Rakshasa women are female demons, and they can only be safe if they are suppressed by temples and pagodas. Therefore, there are large and small Zhao temples on her hands, feet, shoulders, knees and hips, and her heart is also filled with white sheep carrying earth. The witch's hair is high and low, like uneven curly hair.

After this visit, I felt that Tibet is a mysterious place with culturally solemn Buddha statues, charitable Bodhisattvas, etc., which demonstrate the charm of Tibetan Buddhism.

Chapter 4

Over the weekend, I participated in the activities of young reporters. Our activity this time was to visit the Bozhou Museum.

We arrived at the museum. As soon as we entered the door, we saw a big stone with an ancient character engraved on it. The guide aunt said, "This character is Bo in Bozhou." After that, she took us to see it. The next antique.

Then, I saw the jade garment with silver threads. The guide aunt said, "This was what Cao Cao's father wore when he was buried. The ancients believed that jade could preserve the body, so they made the jade garment with silver threads." ”

The most eye-catching thing in the museum is of course the majestic Ten Thousand Buddhas Pagoda. Although it is a stone sculpture, it looks similar to the real thing. It has twelve layers on top, and there is a lightning rod on the top, which surprised me.

In addition to these antiquities, there are also Jun Kiln bowls, Huang-shaped jade ornaments, pottery bean bone shells, and three-hole jade ornaments. There is no end to them. These are the ancient heritage of our hometown.

When I left the museum, I always had a feeling of admiration in my heart: These ancient people are really amazing!

Chapter 5

Today, my mother asked me to take me to the Hangzhou Museum. I was so happy that I jumped three feet high.

When I arrived at the entrance of the museum, I couldn’t wait to jump out of the car and rush to the museum, ah! The museum is so big. It is a large museum composed of three or four small museums, including the Umbrella Fan Museum and the Knife and Scissors Museum. The knives here are really eye-opening for us. The big ones are one meter long, while the small ones are only two centimeters. There are many strange patterns on the swords, and some are engraved with characters. What opened my eyes the most was Zhang Xiaoquan’s scissors. The largest scissors he made were 1 meter long! I wonder if such big scissors can be used? Here, I saw the oldest knife - a stone knife unearthed from the Neolithic Age - and the oldest scissors - iron scissors from the Eastern Han Dynasty. After visiting the museum, we reluctantly left.

The sun went down and we took the water bus back. The wind blew by our ears and the waves rippled beside the boat. The scenery was so beautiful. After a tiring day, everyone fell asleep.

Chapter 6

Today, I visited the Municipal Museum with excitement and excitement. The Municipal Museum is located on the south side of Tianzhong Square. It is the only comprehensive museum in Zhumadian that pays equal attention to history and art, and integrates collection, exhibition, research, archaeology, public education, and cultural exchange.

The museum looks like a clock. Walking into the museum, there are 8 exhibition halls with a display area of ??7585 square meters. There are currently three basic exhibitions of "Thick Heaven and Earth" and three special exhibitions of "Ancient Spring Heaven and Earth", "Soul of Fire and Earth", and "Ink Painting Huazhang". There are more than 2,000 cultural relics and pictures on display, ranging from the Paleolithic Age to the Ming and Qing Dynasties and modern times.

After the visit, I walked out of the museum. Although I felt a little tired, I benefited a lot. When I looked back at the tall building, I deeply realized: China's history is a great and extraordinary history, and China's tomorrow is a brilliant and brilliant tomorrow. Thinking of this, my mood suddenly became cheerful and my steps became relaxed and powerful. The flowers on the roadside all opened their smiling faces, and they looked even brighter under the sunlight. The birds sang beautiful songs in the sky, seeming to cheer and applaud such a majestic and profound museum.

Chapter 7

In my impression, museums seem to be solemn, otherwise the things behind the glass will lose the shocking power caused by the historical gap. Examining and meditating, I just wandered under the glazed tiles, among the carousel of history and civilization. I hope that the heavy history can be interpreted into a history of spiritual feelings.

We walked into the majestic museum hall, with a glass floor in the middle and a large map under the glass floor. Don’t think this is just a piece of paper. If you think so, that’s wrong! It’s three-dimensional!

Our three fifth-grade classes were divided into two teams, with one instructor for each team. There are colorful lights on the ceiling, while the lights on the walls are dim, and there are carved murals all around. Walking further inside, there is a painting on the wall. The guide told us the origin of the name "Zhumadian": because the local area developed from an inn, and the inn was a place where horses and horses were parked, so it was called "Zhumadian".

When we visited, there was also a very large city wall. Outside the city wall, there was a large group of warriors fighting bravely. This reminds me of ancient wars. This model is so realistic! Going further, there is a "big pit" with a model of human bones buried in sand. It's really scary!

We sighed one after another. I left the museum with a question. I am amazed that our ancestors are so smart and wise. Answering all the questions will become another new motivation for me to study hard in the future.

Chapter 8

How many wonderful creatures

Walking into the museum, a lifelike biological exhibition came into my eyes.

Look! A wide variety of birds are waiting for us to appreciate them one by one! The innocent and elegant swans are the embodiment of kindness and perseverance. They are two male and female pairs, playing together in the lake and flying together in the sky; the red-crowned crane with its pure feathers and elegant body is a symbol of good luck and longevity. Spring , groups of cranes fly to the north to breed, build nests, lay eggs, and raise chicks. After autumn, they fly south to spend the winter together; the charming mandarin ducks are a model of growing old together, wandering in the water during the day and inhabiting the woods at night... < /p>

Look! The birds painted by the painter are another kind of beauty! The night heron by the painter Lin Fengmian gives people a decorative taste and highlights the expression of ink; the scene of the meeting of the pine tree and the red-crowned crane reminds me of the meaning of pine and crane longevity and longevity; the painter Fang Shaochen combines parrots, swallows, eagles, ribbons, Sparrows, starlings and other birds are paired with ten kinds of flowers and trees such as wisteria, plum blossoms, roses and willows, which are full of vitality; the painter Miao Hong's orioles and swallows dance, praising the beautiful motherland and a sunny sky...

Thoughts! When facing the magical bird world in front of me, I praise her, she is the god of harmony for mankind. May we join hands to protect her and care for the environment, so that the endangered God of Harmony can be healthy and happy in nature.