Gu Dequan: Born in May 1958 in Banggai Village, Mengyang Town, Lianghe County, Dehong Dai and Jingpo Autonomous Prefecture. Gu Dequan, who has been deeply influenced by Dai culture since childhood, began to learn how to play and make Hulusi from his grandfather and uncle when he was 10 years old. Every day when he goes out to ride horses and herd cattle, he always takes his Hulusi with him. Whenever he has free time, he plays the newly learned music one after another. When he grew up, Gu Dequan worked as a worker in the pump room of Lianghe Sugar Factory. At that time, the air of the sugar factory was always filled with beautiful Hulusi music. Gu Dequan put all his thoughts on Hulusi. He kept traveling among the people and learned the manufacturing and playing skills of various national musical instruments. The Hulusi in his hand and the music he played were always better than ordinary people's.

With all his skills, in the 1980s, Gu Dequan left the mountains and came to Kunming, where he founded the "Gu Dequan Hulusi Art Studio". With his love for cucurbit flute and the solid foundation he has developed since childhood, he has innovated the playing skills of cucurbit flute, and creatively adopted new methods in the production of cucurbit flute, which expanded the musical range of cucurbit flute and made the Dai people this Traditional musical instruments have more expressive forms and spaces, and musical instruments with the trademark "哓德全" have been produced, new Hulusi songs have been created one after another, and albums have been recorded and released one after another. He has successively served as the Hulusi performer and lead singer in the dance drama "Splashing Festival", the opening ceremony of the First International Tourism Art Festival "The Song of the River" and other programs, and has an album "Sentimental Hulusi" audio tape. He, together with Yang Zhiyu and Li Chunhua, co-edited the first set of audio tutorials on Hulusi and Bawu in China and the supporting VCD disc "The Charm of Dai Wind".

At 10:10 pm on September 16, 2008, Mr. Dequan, the famous national folk artist, master of Hulusi Bawu production and performance, and vice president of the Hulusi Bawu Professional Committee of the Chinese National Orchestral Society, died due to unexpected events. He suffered a cerebral hemorrhage and rescue efforts failed. Unfortunately, he passed away in Kunming, which brought a regrettable end to his short 50 years. The reporter came to Gu Dequan's home in Kaiyuan Community, Kunming early yesterday morning. Together with relatives and friends who came from all over after hearing the news, they commemorated this Chinese "Hulusi King". It is reported that the farewell ceremony for Mr. Dequan's body is scheduled to be held at 9 a.m. on the 20th at the Youguanqiao Funeral Home in Kunming.

Wang Tongxian: Male, born in Dancheng, Henan Province in 1955. With a college degree, he is currently a director of the Bamboo Flute Professional Committee and the Hulusi Professional Committee of the Chinese Ethnic Orchestra Society, a director of the Henan Ethnic Orchestra Society, an examiner of the National Social Arts Grading Examination Committee, the vice president of the Henan Bamboo Flute and Hulusi Professional Committee, Zhengzhou Zhongyuan Bamboo Principal of Di Hulusi Professional Art School. He is currently a visiting professor at Henan Veteran Cadre University and Zhengzhou Veteran Cadre University. In 2004, Zhengzhou Zhongyuan Bamboo Flute and Hulusi Professional Art School was founded. During many years of artistic practice, he has searched far and wide, studied carefully, and accumulated rich experience in the performance and education of national wind music, forming a delicate and profound performance style. Li Zhongpei: Gu Dequan’s first teacher. Born in February 1955 in a Dai village in Nemeng Village, Mangdong Town, Lianghe County, Dehong Prefecture, Yunnan Province. He has been passionate about music since he was a child. He was deeply influenced by local celebrities, folk artists, Gong Quanguo and others in his childhood. He learned a variety of instrumental music such as erhu, bamboo flute, and cucurbit flute. He started working in September 1972 and has been engaged in cultural and artistic work as a performer for more than 30 years. In 1980, Gong Quanguo, a performer of the prefecture song and dance troupe, was awarded the title of Young Hulusi Player of the Dai Nationality by the four major ministries of the country. After learning about it, he wrote to Gong Quanguo to ask him for advice on how to play cucurbits. After Gong Quanguo received the letter, he replied: It is too far from Lianghe to Mangshi. I will introduce you to my brother Li Zhongpei, who is in the county art team. He has systematically learned wind music. At that time, Gu Dequan was in Lianghe. I worked as a worker in a sugar factory and was introduced by Gong Quanguo to learn how to play cucurbit flute with me. I systematically taught him the breath skills of the bamboo flute, basic music knowledge and ethnic music theory.

Combining the breath, skills, and advantages of the bamboo flute with the characteristics and style of the cucurbit flute, I took several lessons every week for more than three years. Based on the folk playing of the cucurbit flute, and through a period of study, I His performance skills and music theory improved rapidly and he formed a unique style. Finally, in the early 1990s, Gu Dequan's Hulusi and Bawu performance album appeared. His unique style brought Hulusi and Bawu into thousands of households, and was praised at home and abroad. Continuously.

Li Chunhua: Born in Yunnan, he learned how to play traditional musical instruments from his grandfather and father when he was young. When he was studying at Kunming Normal School, he studied music theory and Hulusi and Bawu performance under Mr. Wang Shaolu. Later, he was admitted to Yunnan University of the Arts to continue his studies. He collected folk music materials many times and has been engaged in the research and performance of Hulusi and Bawu for ten years. remaining time. In March 2000, his personal monograph "Practical Tutorial on Hulusi and Bawu" was published by Yuanfang Publishing House. In September of the same year, he recorded a solo album "Festival in De'ang Mountain". In April 2002, Yunnan National Culture Audio and Video Publishing House published a personal teaching program "How to Play Hulusi and Bawu Well".

Wei Shijian: Composer and educator, he is a native of Linqing City, Shandong Province. He is a member of the Chinese Artists Association, a member of the Hulusi Bawu Professional Committee of the Chinese National Orchestral Society, and the chief editor of the "Hulusi Forum" editorial board. He has published more than 200 vocal works and 23 academic papers in more than 20 music journals and radio stations across the country, and has won nearly 30 national and provincial awards. He has served as a columnist for "Xiangjiang Singing", a special correspondent for "Primary and Secondary School Music News", a special editor and reporter for "Worker Music News", and his biography is included in the "Dictionary of Celebrities in the Chinese Art Circle". He has published "Wei Shijian's Excellent Campus Song Selection" (Jinan Publishing House), "Hulusi Textbook" (Huaxia Publishing House), "Chinese Hulusi Performance Plan" (New World Publishing House), and "Silk Rhythm" CD album (with Cooperation) (Qilu Electronic Audio and Video Publishing House). In 2009, his Hulusi solo "Red Leaves" ranked sixth overall in the National "Binhu Cup" Hulusi Original Works Competition.

Wang Houchen: Born on March 22, 1956 in Jixi City, Heilongjiang Province, his ancestral home is Laiyang, Shandong. National first-class performer. He is currently a member of the Chinese Musicians Association, a director of the Chinese Ethnic Orchestra Society, the vice-president of the Chinese Hulusi Bawu Art Committee, a senior examiner of the China Ethnic Orchestra Grade Examination Expert Committee, the president of the Hulusi Bawu Professional Committee of the Shaanxi Provincial Ethnic Orchestra Society, and the Shaanxi Provincial Ethnic Orchestra Society. Deputy Secretary-General, Shaanxi Provincial Song and Dance Theater National Wind Instruments Performer. In 1973, he was admitted to the Xi'an Conservatory of Music, where he studied bamboo flute, percussion, sheng, xun and other professional techniques under the tutelage of Mr. Yuan Xiuhe, Zhang Zhiliang and Chen Zhong, and obtained a double professional diploma. Since starting his career, he has successfully completed more than 8,000 solo performances with his unique basic skills, proficient techniques, deep understanding of works and rigorous stage style. His playing is both passionate and rough, both profound and delicate yet easy to use; both explosive and artistically appealing, which enabled him to gradually form his own unique artistic style and characteristics during his long-term artistic practice. In addition, he has With solid and good bamboo flute skills and playing foundation, after years of hard work and study, he has accumulated rich stage experience and artistic qualities in his long-term artistic practice, and has stood out in the music and art world and become a music star. Proud son. He is also unique in creation. His works have extraordinary ideas, smooth melodies, distinctive styles and profound meanings. He has created cucurbit solos such as "Love in the Willow", "Tea Song", "Love and Marriage", "Love Song of the Prairie", "Dance of the Yao People", "Wind Gourd", "Fragrance of Flowers in Miao Language", "Tea Song", "Beautiful Rago basket", "Night of the Fire Tower" [[Tianle]], "The Legend of the Princess", "Sai Jiangnan", etc. Many of his works have been selected as national examination repertoire and have won awards in various domestic competitions. Among them, four Sheng works and personal introductions were published by China Taipei Xueyi Publishing House in "A Collection of Famous Songs by Chinese Sheng Players". The "Collection of Sheng Music" and "Collection of Xun Music" compiled by him have been published by World Book Publishing Company.

At the same time, he has compiled "Hulusi Bawu Tutorial" and "Hulusi Bawu Grade Examination Assistant Tutorial" published by Shaanxi Tourism Publishing House. The "Album of Wang Houchen's Works" produced by Mr. Wang has been published by Shaanxi Publishing Group. In April 2002, the delegation of the Communist Party of China, headed by Vice President Zeng Qinghong, went to Oita, Japan to perform. In October 2009, he performed the cucurbit solo "Tea Song" at the Shanxi Provincial Musicians Association, At the invitation of the Shanxi Provincial Ethnic Orchestra Society, a personal concert was held in Taiyuan. In November, an art lecture was held at the invitation of Tianjin Hulusi Club. In February 2010, at the invitation of the Shenzhen Hulusi Bawu Committee, a lecture on the northwest style of Hulusi was held. In April 2010, he participated in the China Tourism Year and World Expo Tourism Promotion Week activities organized by the Chinese Embassy in South Korea and the China National Tourism Administration, and performed the solo tasks of Hulusi "Dae Jang Geum" and "Fire Tower Night". Everywhere he went, he was highly praised and warmly welcomed by audiences at home and abroad. His performance has been included in the "Directory of Chinese Musicians", "Yearbook of Chinese Local Artistic Talents", and "Dictionary of Chinese Musicians".

Qu Wa Hawen (stage name), Han name: Shi Xiwen. Yunnan native. Executive director of the Hulusi Bawu Professional Committee of the Yunnan Provincial Ethnic Orchestra Society. Executive director of the Hainan Branch of the Chinese Ethnic Orchestra Society. Executive director of Hulusi Bawu Professional Committee of Guangxi Province.

In August 2007, Quwa Hawen became a student of Lin Rongchang, a famous cucurbit performer and composer. Learn to play and compose. From 2007 to 2012, teacher Qu Wa Hawen composed Buddhist music "Wuxiang", Sichuan Daliang Mountain Yi people's cucurbit silk song "Zhi Magenie", "Thanksgiving" composed to express gratitude to parents, with the Li River as the background "Li Lang Qing Si" was adapted from the TV series lt; Jinggangshan gt; the theme song is "Red Army Brother, You Walk Slowly" with a high and low cucurbit flute ensemble, and he created the Yunnan Dai folk music "Happy Dai Township" and a high and low cucurbit flute ensemble. There are more than ten cucurbit flute works including "Peacock's Dream", Mongolian cucurbit flute song "Prairie Pastoral" and Tibetan style cucurbit flute song "Gongpot Dance".

Yue Xiaobu: One of the few female cucurbit silk makers in China, a bachelor of music and the founder of the "Lede Hulu" brand. Born in Xiangtan, Hunan, the hometown of great men. With 21 years of experience in the musical instrument industry, he is accomplished in cucurbit flute production and performance, children's instrumental music creation and educational theory research. He has created popular cucurbit flute songs such as "Olympic Good News Spreads to Golden Bay" and "Fishing Music". . In recent years, he has served as a teacher at Xiangtan Radio and Television University, a director of the Hulusi Bawu Professional Committee of Guangdong Province, and a new classroom teaching researcher of the Chinese Education Society. He is now a member of the China Education Association and the China National Orchestra Association, and has made contributions to the inheritance and development of Hulusi Bawu.

Zhao Ye: Bachelor of Music from Hunan University of Science and Technology, majoring in Bamboo Flute, a member of the Chinese Ethnic Orchestra Society, and a member of the Chinese Musicians Association. He has been learning the flute since he was a child and has mastered many bamboo flute and cucurbit flute skills. He has conducted in-depth research on the learning and education of bamboo flute and cucurbit flute. Through the accumulation of experience and daily study, I have selected and integrated a set of bamboo flute and cucurbit flute teaching materials "Basic Instrumental Music Learning Essence of Bamboo Flute and Hulusi" with more refined and practical content. Editing Tutorial".

Wu Yi: Bachelor’s degree from Hebei Normal University. Executive director of the Chinese Ethnic Orchestra Society Hulusi and Bau Art Committee, and vice president and secretary-general of the Hebei Ethnic Orchestra Society Hulusi and Bau Professional Committee. Senior judge of Hulusi examination in Hebei Province. National Excellent Instructor and Excellent Examination Instructor. In 2002, he founded the "Tianlaizhiyin Folk Music Studio" to teach and promote Hulusi and Bawu. In 2008 (cooperation), he published and released the cucurbit flute collection "Songs of the Xishuang Mengniu"; in 2013, he composed the cucurbit solo "Train Caprice", etc.

Li Huigang: Male, nationality: Han, native of Xingtai City, Hebei Province, member of the Chinese Ethnic Orchestra Society, Hulusi, Bawu Professional Committee, Ocarina Professional Committee of the Hebei Ethnic Orchestra Society (abbreviation: Hebei Province Hulusi , Bauhu Society) Executive Director and Secretary.

Zheng Shiping

Zheng Wenping 1. Phoenix tail bamboo under the moonlight

2. Wedding Vow

3. Passionate Bau

4. Deep in the Bamboo Forest

5. Shanzhai Love Song

6. Night in Dong Township

7. Yao ethnic dance

8. Happy Dai Township

9. Bamboo House Love Song

10. Playing horse folk songs

11. The beautiful golden peacock

12. Night at the military port

13. Dreaming back to Jingpo Mountain

14. Mengyang River

15. Ancient Song

16. Golden Peacock

17． Hurry up

18. Charming gourd flute

19. Jingpo Mountain

20. Banna Night

21. Golden Peacock and Phoenix Tail Bamboo

21. Yunzhinan

22． The moon rises

23. Wuxiang

24. Liu Sanjie

25. Washan Spring

26. Tianya Singer

27. Fishing fun

28． Good news about the Olympic Games reaches Jinwan

29. Beating and dancing

30． Blue Shambhala

31. By the Butterfly Spring

32. Returning from Hunting

33. Gongpot Dance

34. Cavalry March

35 Welcome the New Year

36 Dai Village Love Song

37 Chrysanthemum Terrace

38 West Boundary

Song description:

1. Phoenix Tail Bamboo in the Moonlight Composer: famous composer Shi Guangnan Lyricist: lyricist and poet Ni Weide Singer: Guan Mucun

2. Wedding Vows Theme song of the 1957 movie "Lusheng Love Song"

Hulusi performs these two songs perfectly. You can "hear" the lovers talking about love through Hulusi, and you are immersed in it. territory.

3. Yun Zhinan has profound meaning, melodious melody, and the natural sound will bring you to an extremely beautiful state, making you forget yourself.

4. "Fishing Music" Hulusi Duet.

Composer: Yue Xiaobu, Yong Dan. Recording arrangement: Xiangtan Lede Hulu Art Studio.

The main theme of this piece of music comes from the Zhuhai folk song "Song of Fishing in a Boat under the Moon". The melodious and melodious melody gave people a feeling of intimacy and familiarity from the beginning, and the melodic characteristics of our Zhuhai folk songs soon echoed in the ears of the audience. After a melodious melody, the music enters an allegro section. This section mainly uses materials from Zhuhai's saltwater songs, and is still developed in the tune style, fully embodying the characteristics of Shatin folk songs. Next comes the transition section. The mood suddenly becomes long and lyrical, which is in sharp contrast with the second section. However, the tonality also changes accordingly, from Zheng mode to Gong mode, and the color of the entire music becomes brighter. The third part of the music The fourth section is a reappearance of the first section, returning to the tune mode. This is a review of the theme section, emphasizing and consolidating the theme and tonality of the entire music.

The main body of this piece of music is the introduction part of the Hulusi solo in the key of F, which introduces the general mood and main ideas of the piece. The first section is composed of a complex section. The first section ends on Shang Yin, and the second section ends on Zheng Yin, echoing the previous section. This paragraph mainly expresses the hopeful mood of fishermen before going to sea to fish. The second section first plays a small introduction, and then consists of a repeated four-phrase section. The speed speeds up, and the beat changes to 6|8, which is a dance rhythm, so the accompaniment texture of this section adopts a dance texture. The main theme is still the main theme. This section reflects the fishermen's fun in fishing and the joy of the harvest.

The third section begins to change the key, and the music enters the key of F. The low and rich auditory experience can easily remind people of pictures of old fishermen, or people smoking cigarettes and sitting upright. The bow of the boat, or staring at the fish basket or looking out over the water, gives people a sense of infinite vicissitudes, and suddenly they can appreciate the hardship behind the fishermen's harvest. Then this section is repeated again, the music enters the key of C, the music becomes brighter, and the fresh breath comes out. The picture of the music turns to an innocent child, which also symbolizes the continuation of life. The fishing joy in the child's heart makes people feel Another joy of catching fish. It consists of two phrases, one short in the front and one long in the back, expressing the various moods of the fishermen at the end of their fishing trip. The listener can clearly feel the auditory effect brought about by the modulation processing.

The syntactic structure of the recapitulation paragraph is the same as that of the first paragraph, but there are some changes in the texture, using polyphonic techniques to echo the composition of the first paragraph.

The ending echoes the introduction. Introduced by water music, it is tranquil and far-reaching, showing a picture of fishing boats fading away in the humid air after the sound of rain, which is evocative.

Shatin folk songs include Salt Water Song, Gao Tang Song, Sister Song, etc. There are more than 5,000 pieces of music that have been sung to this day. Shatian folk songs are of great significance to the study of the labor customs and living conditions of the "Dan people" in the Pearl River Delta. The creative intention of this piece of music is to better convey this folk song in different forms, transcend the limitations of the song, and make it spread more widely. Regarding the music creation of "Fishing Music", Xiangtan Lede Hulu Art Studio was very open-minded. We want to continue to try and finally find the best combination of Zhuhai folk songs and children's musical instruments. We hope that while listening to the music, you can feel the hard work of music teachers working hard in rural primary schools and teaching frontline children in contemporary China. The painstaking efforts in music creation and organization and our trajectory of development and protection of folk song art.

5. "The Good News of the Olympics Comes to the Golden Bay" was composed by teacher Yue Xiaobu from Xiangtan Lede Hulu Art Studio, and was produced by Professor Fang Jian of the Central Conservatory of Music. It was directed by Professor Yao Henglu, Director of the Composition Department of the Central Conservatory of Music. The large-scale original instrumental music and dance theme integrates China's Yunnan characteristic musical instrument (hulusi) with the Olympic spirit and the patriotic enthusiasm of the people of Jinwan, Zhuhai. It is the largest 100-person cucurbit instrumental music and dance art chapter in the history of Jinwan with the Olympic Games as the protagonist. This song uses a concise and melodious melody to describe the happy experience of the people of Jinwan when China successfully bid for the Olympic Games. "The Good News of the Olympics Comes to Jinwan" has cultivated the sentiments of Jinwan people, strengthened their will, inspired their spirit, enlivened their lives, and enhanced the cohesion of the nation.

The structure of this piece of music is a single two-part form, led by a 12-bar free introduction.

The musical structure diagram is as follows:

Introduction A connects B

12 a b cd e f g h i

4．4 44 6 4 4 4 4 6

First of all, in the first half of the introduction, as the national anthem plays, we realize that a great event will be held on the fertile soil of China! This historical moment that countless descendants of the Chinese nation have been waiting for has finally arrived! Then, the pure, melodious and elegant Hulusi solo began, and the first eight bars of long tones were alternately changed, vividly showing the tranquil and peaceful pictures of Jinwan countryside. Jinwan, with its green mountains and clear waters, seemed to be just for this. There is some kind of strength accumulated in anticipation of the arrival of good news. Immediately afterwards, a series of scales from low to high were combined with four long tones, pushing the accumulation of power to the highest point, thus opening the prelude to the people of Jinwan welcoming the Olympics!

The first paragraph is composed of four sentences that start, succeed, turn and combine, and finally fall on the bB palace tune. It shows the children of Jinwan jumping up and down with their little feet, shouting with silver bells, bringing the good news of the motherland to their parents, brothers and sisters.

The connecting section quickly ascends from the circuitous melody to the feather sound.

A series of rapid, ups and downs of powerful musical scales, heralding the good news of the successful Olympic bid, spread throughout Jinwan in an instant. The last long note showed that under the long shot, every household in Jinwan was eagerly looking forward to it. , the staring eyes are full of expectations and blessings for the Olympic Games!

The second section is the climax of the whole song. It is written in five sentences. The first two sentences are related to origin and inheritance. The third sentence has certain changes in rhythm and melody form. The beginning of the fourth sentence is basically the same as the third sentence, but the falling tone at the end is different. The first sentence falls on the horn tone, and the second sentence falls on the shang tone. Finally One sentence is a concluding sentence, and finally returns to bB Gongyin. The square in Jinwan was filled with crowds. People who learned about the successful bid for the Olympics came in droves to celebrate the success of the motherland! Everyone sang, danced and cheered! The entire Golden Bay has become a sea of ??joy! Suddenly, thousands of pairs of wings rose from Xiaolin Mountain, facing the rising sun of the new century; thousands of sails set off in Jinwan, heading for the Olympic Games...

Note: Teacher Yue Xiaobu said: " I hope this piece of music can become a platform to bring everyone one step closer to the Olympics and the Olympic spirit to everyone!"

6. "Fu Lu Welcomes the New Year", by young Zhuang composer Huang Shengjie (A'an Hu) ) teacher composed, arranged and performed the music, which was included in the Hulusi solo album "A Good Start". The melody is melodious and festive, warm and gentle. Whether you turn on the loudspeaker to enliven the atmosphere, or put on headphones and listen carefully in the dead of night, it will give you wonderful enjoyment, allowing you to forget your worries in an instant and linger in the music... As the name of the song says, "Fulu" and "Calabash" is homophonic, so it is most appropriate to play it with cucurbit silk, which has profound meaning. "Welcoming the New Year" means welcoming all good and new things. You can play "Fu Lu Welcomes the New Year" to welcome the New Year. You can play "Fu Lu Welcomes the New Year" to welcome new people and new students. Lu welcomes the new year...