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What do ancient and modern celebrities say about Li Yu?
First, the evaluation of Li Houzhu by famous artists in past dynasties:

1, Hu Yinglin's essays on poetry:?

After the main eye was heavy, Yuefu was the first mountain in Song Dynasty. Although Gavin Wei is gorgeous, his anger is quite harmful. He is full of words. At this point, he became a writer, and at the time of Qingming, he became a poet, just like Wang and Meng. ?

2. Wang Shizhen's evaluation of Yizhou mountain people's poems:?

The flowers are still broken, but Li Wang and his son in the Southern Tang Dynasty are wonderful. ?

3. Shen Qian (Xu Wei's Ci Yuan Cong Tan):

Li Houzhu and Li Yian are very popular. ?

4. Shen Qian (quoted by Shen Xiong's Ancient and Modern Thorns):?

My late Lord neglected to govern the country, but he still didn't lose what he called the South King. I feel that Zhang Langzhong and Song Shangshu are straight into the official ear. ?

5. Nalan Xingde's Miscellaneous Knowledge of Lushuige Volume 4:?

Flower words, such as ancient jade, are expensive but not applicable; Song ci is applicable, but less quality is more important. Li Houzhu has its beauty, which makes it even more confusing. ?

6. Huai Yu's Preface to Yuqinzhai:

Li Zhongguang, a romantic genius, was mistaken for a master and even hated being involved in the Song Dynasty. His words, word for word, are beyond the understanding of his family. ?

7. Zhou ci theory:?

I'm afraid calling it a glorious day is beyond the power of human resources. ?

8. Zhou Ji's Miscellaneous Words of Xiecunzhai:

Li Houzhu's ci is like a pony, which is out of control. ?

Beauty is beauty, and there are beauties in the world. Strict makeup is good, light makeup is good, coarse clothes are messy, and the national color is not covered. Fei Qing, strict makeup; End yourself and make up lightly; The latter is rude and confused. ?

9. Chen Tingzhuo's Baiyuzhai thorn:?

The thought of the latter's subject word is sad, and the true color of the word field is not as thick as Fei Qing, so it is better than Niu Songqing. (Volume 1)?

Taste that the master sees Fei Qing, and those who enter and leave also; Look at yourself and fly to Qing, and it is near when you are gone. (Volume 1)?

Li Houzhu and Yan Shuyuan, their words don't sound quite right, but their words are loved by everyone, and they win with their feelings. Love is overwhelming, but it is just a word. Although it rhymes elegantly, it is not touching. (Volume 7)?

10, Feng Xu's Selected Poems of Sixty-one Poets in Song Dynasty:?

In the Southern Tang Dynasty, the two main works were Shang, Zhong and Xia, which were extremely exquisite and had never been seen before. The philosophers in the early Song Dynasty could not describe the two masters, and the charter was in the middle. For example, The Book of Europe, Tang and Xue all showed some evasions. ?

1 1, Wang's Half Soup for the Old Man:

The word "Lian Feng Ju Shi" (later the nickname of the master) is unparalleled, and its emptiness lies in the bones. The garden is empty, not as beautiful as it is; Shenghe, can you forgive me? Up-and-coming stars, between style and charm, or from May to May, got eleven thousand songs. If Xiaoyan, if Hui Temple, its ugly. Tracing back to the south, the voice of inheritance is obvious, and the qi between the covers is deafening, and the emperor in the predicate deserves it. ?

12, Wang Guowei's words on earth;

Ci came to Li Houzhu, but the vision began to widen and the feelings deepened, so it became a musician's word and a scholar-bureaucrat's word. Jay Chou was placed under Zhu, which turned black and white. ?

A poet is a man who never loses his childlike innocence. Therefore, being born in the palace and growing up in the hands of women is the weakness of the late master as a gentleman, which is also the strength of the poet. ?

Subjective poets do not need to read more about the world. The shallower they look at the world, the truer their temperament, and so does Li Houzhu. ?

Nietzsche said that all words, I love people who write with blood, and the words of the late master are really called people who write with blood. The word "Yanshan Pavilion" written by Song Daojun is similar. However, the Taoist monarch is only the meaning of his own life experience, while the deceased Lord has the meaning that Sakyamuni and Christ bear the sins of mankind, with different sizes. ?

There are sentences in the Tang and Five Dynasties. Famous poets in the Southern Song Dynasty wrote articles without sentences. There is a saying that only Li Houzhu's works and Yongshu, Shaoyou, Meicheng and Jiaxuan are just a few people.

Second, introduction:

Li Yu (August, 93715-August, 978 13), the sixth son of Li Jing, was born in Jinling (now Nanjing, Jiangsu) and his ancestral home was Pengcheng (now tongshan district, Xuzhou, Jiangsu).

In the second year of Jianlong in the Northern Song Dynasty (96 1), Li Yu succeeded to the throne, respected the orthodoxy of the Song Dynasty, and paid tribute at the age of 20 to protect peace. In October of the fourth year of Kaibao (97 1), Song Taizu destroyed the Southern Han Dynasty, and Li Yu was renamed as "Jiangnan Master" except surnamed tang. The following year, the ritual system was derogatory, and the kiss in the Imperial Palace in Jinling was cancelled to show respect for Song Ting. In the eighth year of Kaibao (975), Li Yubing was defeated by the Song Dynasty, captured to Bianjing (now Kaifeng, Henan Province), made a general, and ordered him to disobey orders. On July 7th, the third year of Taiping and Xingguo (978), Li Yu died in Bianjing, and was posthumously awarded a surname and a prince of Wu. The world called it Li Houzhu, Queen of the Southern Tang Dynasty.

Li Yu is proficient in calligraphy, painting, melody and poetry, especially in ci. Li Yu's ci has inherited the tradition of Huajian poets such as Wen and Wei Zhuang since the late Tang Dynasty, and has been influenced by Li Jing and Feng Yansi. Its language is bright, vivid, sincere and distinctive. After the national subjugation, his ci was characterized by a wide range of themes and profound meanings, and it was unique among the five pronouns in the late Tang Dynasty, which had a far-reaching influence on the later ci circles.