? This is a topic written by Mr. Hu Feng in his early years. Shanghai is too deep for everyone to dial by themselves. About Shanghai, there is far more than the "new world" of Haagen-Dazs ice cream and neon. It makes everything and devours everything every day. 1976 earthquake, Xu Genbao got a son named "Xu Zhen", and Qi Wusheng lived next door, so he named his newborn son "Qi Zhen". At that time, people always had a sense of mission and wanted to print the brand of the times all over their bodies. Looking back 30 years, Xu Genbao and Qi Wusheng are household names, but now they have senile plaques. Qi Wusheng can also drink half a catty and burn a knife to hug Li Zhangzhu's shoulder and scold Rong Ning's second wife, while Xu Genbao can only take a ferry to Chongming Island one night to avoid disaster like the abused boss in "Shake, Shake, Shake to Waipoqiao". Shanghai is a sea, and the frolic in the waves in those days is now an outcast. Shanghainese have an eccentric personality and are excellent movie themes. From butterflies to Shang Guanyunzhu, to Zhou Xuan, and then to Xu Genbao, these people who devoted their lives to the printing fashion brands were finally dragged down to the deep sea. It is kitsch to portray Xu Genbao as a tragic hero. Xu Genbao is neither Chow Yun Fat nor Li Ding. He can't walk through the bullets with a revolver in a trench coat. In fact, he is more like Shang Guanyunzhu in his later years. He tried to keep up with the trend of the times, but he was inevitably buried in the deep sea. This is not the tragedy of heroes, but the tragedy of artists. Therefore, I think Shanghai Beach is not only a ten-mile foreign exchange, but also a ten-mile cinema. Xu Genbao lives in his own story atmosphere, and it should always be Angle A, not Angle B.. His feelings as an artist make him have a fragile heart. He had to go back to Shanghai, to the center of Shanghai's eyes, and finally, he was nailed to the cross by his own eyes. At a dinner party the day before yesterday, Yan Shiduo and Zhu Heyuan spoke highly of Xu Genbao. Under the background of "introspection" and "three obedience and one big", Xu Genbao is regarded as a victim in the struggle between severity and inertia. However, this is not entirely the case. We should understand Xu Genbao from the perspective of human nature, just like we understand Shang Guanyunzhu, and we can't simply understand it from political struggle and "bull talk". Dream-like bustling metropolis, gold-selling caves with dim lights, vanity fair that can get great satisfaction from n "8" license plates and mobile phone numbers, and the dream of upper-class society that can knock on the high-rise office in Shanghai at any time-Genbao is an affordable person, but he will never let go of the temptation generated by these things. It was a mistake for him to come back this time. A moth threw a fire on a dream candle, and the result was predictable, keeping up with fashion and finally being harmed by fashion. From the almost delicate and touching eyes when Genbao left his job, I am sure that this is not the death of a hero, but the sorrow of an artist. When Shang Guanyunzhu died, he said, "I want to keep up with the revolutionary trend. I can't be swept into the garbage dump of history ... I can make progress and stand on the revolutionary stage to perform for the people. "