specific to every point: since we are talking about Jin Yong's novels, we must first find out the characteristics of Jin Yong's novels, and then analyze the stage of middle school students as a student group. The most important thing is to analyze the influence of their entry into middle school textbooks from the advantages and disadvantages. For example, there are five advantages and three disadvantages, which naturally outweigh the disadvantages, that is, it should be. You can search Baidu for articles in this field. There are many comments on Jin Yong's novels, which can be used for reference. These materials are very helpful to you. I recommend an article to you, which may be a bit long, but it is still worth reading as a reference. Jin Yong's Novels and Their Features
Author: Chen Mo
What do you know about Jin Yong's works?
to be honest, I don't know exactly how many. All I know is that he wrote
15 martial arts novels, namely, "Flying snow shoots white deer in the sky, laughing at the book". -this is a
couplet composed by Jin Yong himself, and the extra one is the short story sword of the yue maiden. That is:
Flying-Legend of the Flying Fox
Snow-Flying Fox of Snowy Mountain
Lian Cheng Ji
Tian-Tian Long Ba Bu
Shooting-Legend of the Condor Heroes
White Horse Whistling in the West Wind < p
The Book of Swords
The Condor Heroes
The Chivalrous Man
Rely on
The Dragon Slayer with Eternal Adversity
Bi-sword stained with royal blood
The Yuanyang Knife
The above works, except The trilogy of
The Condor Shooting (namely, Legend of the Condor Shooting Heroes, Heroes of the Condor Shooting, The Dragon Slayer by Eternal Heaven and
the legendary swordsman) is a multi-volume novel with a length of one million words, while
Eight Dragons and The Duke Of Mount Deer are more than 1.5 million words, with amazing length.
Jin Yong's first martial arts novel was
The Book of Swords, which was serialized in
Hong Kong Commercial Daily in 1955. At that time, Jin Yong was the supplement editor of New Evening News, and
Liang Yusheng was his colleague. Liang Yusheng's "Jinghua in Long Hudou" became an instant hit, and the sales of
New Evening News increased greatly, which led to Hong Kong newspapers coming to Liang Yusheng
to write a series of martial arts novels for it, so that Liang Yusheng was overwhelmed and unable to be two places at once.
At that time, you had a good eye for heroes, and asked Liang Yusheng, the boss who wrote martial arts novels for the New Evening News,
Rover to be Bole again, and recommended his subordinate Cha Liangyong to be the second pioneer of the new school of martial arts
.
In this way, Jin Yong wrote a novel about martial arts. Occasionally, there are inevitable factors. First, as mentioned above, Jin Yong loved to read martial arts novels since he was a child. His childhood
period was the first climax of China's martial arts novels in the 2th century, and famous artists came forth in large numbers.
influenced by it, Jin Yong finally took root and blossomed. Second, I talked with Liang Yusheng
about literary criticism and martial arts for many years. At this time, Liang Yusheng has been a pioneer, and Jin Yong is inevitably itchy, so he will go on stage to kill himself if he has the opportunity. Third, before Jin Yong wrote the martial arts novel
, he had the practice of writing a movie script, and storytelling was not a problem for him. Fourth, writing a series of martial arts novels can not only be famous, but also make a great income < P >. This is a good opportunity for a newspaper editor who is unwilling to be mediocre.
<
>
>
>
>
>
>
>
>
> p > >
> Combine history with legend, Jiangshan temple with Jianghu grass, and "book" with "sword", and set up a basic narrative framework. Chen Jialuo and Gan Long, a pair of brothers, are
one positive and one negative, intertwined with enmity and enmity, attracting a wide range of readers. Jin Yong can
say that it is natural and successful in one fell swoop.
from now on, let it go.
Then he wrote sword stained with royal blood. In addition to still combining historical figures with legends (the protagonist of this book is Yuan Chonghuan's son Yuan Chengzhi), it also
combines the
stories of people who appeared (Yuan Chengzhi, Xia Qingqing) with those who did not appear (Xia Xueyi), which not only narrates the present tense, but also interweaves the past events and thoughts of the past tense into a spectacular social history and Jianghu life.
Then there is Flying Fox of Snowy Mountain, who simply focuses on recalling the past
in narrative, and each of them says a paragraph, which brings a century-old grudge into one day's narrative, creating
a wonderful structure, which is refreshing.
In 1957, Jin Yong began to write The Legend of the Condor Heroes, which impressed
readers with its grand momentum, complex structure, strange imagination and vivid characters. From then on, Jin Yong was regarded as "coming from behind", surpassing Liang Yusheng,
and becoming the "leader" of the new school of martial arts novels. It is said that Mr. Xia Ji 'an, a famous Taiwan Province traveler's aesthetic < P >, originally wanted to write martial arts novels, but after seeing Jin Yong's < P > Biography of the Condor Heroes, he lamented that "the true destiny has no children" and had to retreat and go to the United States < P >.
since Jin Yong founded Ming Pao in May, 1959, his masterpieces
have been serialized in Ming Pao. At this time, he wrote martial arts novels no longer just for
, but to attract readers and subscribers for the new Ming Pao, and to support
the layout and table. The first serial in Ming Pao is The Condor Man < P > Couple, which is the sequel to The Legend of the Condor Heroes. Since then, Jin Yong has run "Martial Arts < P > and History" magazine, and played a special role in writing "The Legend of Flying Fox" in the magazine. -Ming Pao and its early career can be said that more than half of it was supported by Jin Yong's martial arts novels. This is where the funds come from, and so do the subscribers.
After that, it was the Dragon Slayer, White Horse Whistling in the West Wind, Yuanyang Knife,
Liancheng Tactics and Chivalrous Man.
It was followed by Eight Dragons, Laughing in Jianghu, sword of the yue maiden and The Ding Ji of Deer. -The Duke Of Mount Deer began to be serialized in October 1969, and was serialized in 1972
. This is Jin Yong's last novel. After that, he announced that he would hang up his pen and seal < P > and stop writing martial arts novels.
In this way, Jin Yong wrote martial arts novels for 17 years. At the peak, Riptide
retired bravely and washed his hands, ending all his martial arts creation career with the 15th book.
this is exactly what sets Jin Yong apart. The apparent reason is that he doesn't need
to earn money by martial arts novels, and he doesn't need to rely on martial arts novels to attract newspaper subscribers
. Ming Pao has matured, found its own position and gradually took root
. Jin Yong's motivation and pressure to write martial arts are gone, and the newspaper industry is becoming more and more developed, with busy affairs and no time and energy. The internal reason is that
The Duke Of Mount Deer has reached the peak and can't surpass it any more, and Jin Yong has never been
willing to repeat himself, let alone others. In this case, he has to talk about the
Lake out of the river, just like most of his heroes, and after a vigorous time,
found a place to quietly retire.
Jin Yong certainly didn't, couldn't and couldn't retire. Not only did Ming Pao continue to prosper and expand in
, but the influence of his martial arts novels also lasted for a long time. In order to
be responsible for readers and his own reputation, Jin Yong
began to revise his published old works in 1972. -all his novels are serialized in
newspapers and periodicals, and when they are written, they are loaded. If they are written for several years, it is inevitable that there will be some careless mistakes and omissions, at least not as tight as when they are written, revised and reissued. -It is said that Jin Yong paid a high price
to invite four school of martial arts novelists, including Ni Kuang, as his advisers and "gunners" to help him revise his old works. The remuneration for reviewing and revising manuscripts is much higher than that for writing manuscripts.
revision 1 * * took 1 years. This is also seen only by all martial arts novelists
. I'm afraid this is one reason why Jin Yong's novels surpass others-
readers in mainland China all see his revised version. As for the original work
, it is hard to see. If you want to compare, there is no way to talk about it. According to the usual
reasoning, the revised works are always more rigorous and refined than the unmodified works.
However, the older readers in Hong Kong and Taiwan have different opinions. Some people say that it is not as good as before. -then take a step back, at least say that Jin Yong is serious and responsible,
sincere. It can not only retreat from the torrent, but also polish the old work.
what's so good about Jin Yong's novels? Why can he catch up, but the people behind him can't surpass him? Why has his work < P > been selling well since he stopped writing for more than 2 years? Why from Nobel Prize winner Dr. Yang Zhenning. Professor Hua Luogeng, a master of mathematics, Professor Feng Qiyong, a red scientist, Professor Yan, a historian of modern literature, and Professor Zhang Peiheng, an expert in classical literature, all primary and secondary school students
like reading Jin Yong's novels? Why did Taiwan Province set off the craze of "Jin Xue" in 198s, and only his novels became a "discipline"? Why did the young scholars of Dalu choose him as "the library of 2th century literary masters" in 199s? Why did Mr. Yan Jiayan say that Mr. Jin Yong's novels represent a "quiet literary revolution"? .....
These problems are all worth studying-this is the
basis for the existence of "Jin Xue" and the main topic of "Jin Xue"-those who think that studying Jin Yong's novels
is "flattering" or "grandstanding" are too subjective and arbitrary, while
they are too ignorant and ignorant of martial arts novels.
cut the crap. The beauty of Jin Yong's novels lies in its appreciation of elegance and vulgarity. It breaks the boundary between elegance and vulgarity, but it goes beyond the limitations of this genre, and it is unique, not
innovative, with a vertical and horizontal atmosphere and delicate and exquisite.
Jin Yong's novels seem to be martial arts novels, but in fact they are quite different from ordinary martial arts novels. This is the secret: it can make the layman watch the excitement, and the insider
can watch the doorway, and each has his own place and needs. -general martial arts novels,
are nothing more than martial arts, quickness and legend: including martial arts and fighting;
chivalrous, chivalrous; Wonders, stories, etc. In the long-term development, it has gradually formed its basic narrative mode. It is nothing more than revenge, treasure-grabbing, hegemony, resistance to the enemy, change of mood, exploration and so on. -of course, there are such elements in Jin Yong's novels, but the difference is that no
of Jin Yong's works is completely spread out according to a certain fixed pattern. On the contrary, every
book of Jin Yong contains these elements, and uses them as a building material to build a new story mode and its artistic world.
to put it simply, the characteristics of Jin Yong's novels are "the martial arts are very martial, the chivalrous are very
Shaanxi, and the strangeness is very strange".
This includes three levels. First, there are martial arts, chivalry and strangeness. The second is right and wrong.
non-chivalrous, non-strange, and the third is the combination of the two, that is, "very martial, very
team, very strange".
let's talk about martial arts first.
Jin Yong's novels not only contain a lot of descriptions of martial arts and fighting-if not, it would not be a martial arts novel-but also have a lot of original martial arts and its
martial arts scenes carefully designed and modified by the author. Everyone knows that the martial arts fighting in Wu
' s chivalrous novels is "an armchair strategist" in any case, but
is "freehand brushwork". No one takes it seriously, and no one takes it seriously.
But Jin Yong's novels are not so simple. He wrote
kinds of "tricks" about martial arts and fighting.
one of the tricks is the "literary" of martial arts.
For example, the hero Chen Jiaqia's Baihua wrong fist in the Book of Endure and Hatred, such as
the singing and dancing "Ding Jie Niu Zhang" and Yu Yutong's golden flute kung fu; Huang Yaoshi blowing Xiao and Ouyang Feng playing Zheng in The Legend of the Condor Eagle
have all become "internal forces match each other".
In The Condor Couple, Zhu Ziliu, a Dali scholar, actually used a brush as a weapon, and used
the brushwork of various fonts and inscriptions in calligraphy as martial arts
. It's logical for wu-tang clan's founder Zhang Sanfeng
to write "Wulin Supreme, Sword and Dragon Slaughter,No. Today, don't
dare not obey. The twenty-four words, "Who will fight for the front if you can't rely on heaven", have become a set of exquisite martial arts routines, which impressed the mighty Golden Monkey King Xie Xun.
"Liancheng Jue" is simply named as "Tang Poetry" and "Sword Technique";
in
Kuaikexing, internal force, boxing, swordsmanship, lightness skill and so on are all contained in the poem
Kuaikexing by Li Bai, which can be described as "seamless". Huang Zhonggong, Heibaizi, Bald Pen Weng and Dan Qingsheng, the four friends of Meizhuang in Laughter
Being Jianghu, are just as their names suggest. They are obsessed with the four arts of piano, chess, calligraphy and painting, and they turn their rudder with the wind. According to this, they each create a set of piano, chess, calligraphy and painting skills. Examples like this are simply
too numerous to mention, which is eye-opening. As for the "three tricks of heroes" that the hero in The Duke Of Mount Deer learned from
Wang Hong-antong, a god dragon sect, and the "tricks of beauty" that he learned from his wife
Su Quan, it is natural to say "martial arts", but
"dancing" is more appropriate.
In this way, martial arts literature and art have become one, and the martial arts fighting in the novel sometimes
becomes a "literary performance", such as
Huang Yaoshi, Ouyang Feng and Hong Qigong's Xiao, Zheng and Xiao in the Legend of the Condor Heroes mentioned earlier, which is like a concert; Zhu Ziliu Dou in The Condor Heroes