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People in the heart: Heart (Zhang Jian)
Born in Gaochun, Jiangsu Province, 1963, he studied at Nanjing Art Institute and studied under Mr. Chen Dayu, a master of Chinese painting. In 2003, he held a personal painting and calligraphy exhibition in Beijing. In June 5438+065438+ 10 of the same year, he was invited to paint for the Beijing Hall, the North Ballroom and the Diaoyutai State Guesthouse in the Great Hall of the People (he is the youngest painter among all the paintings and calligraphy works currently hanging in the Great Hall of the People), and his works were collected by Chairman Mao Memorial Hall, Zhongnanhai, Tiananmen Square, the Chinese People's Association for Friendship with Foreign Countries, the National People's Congress, the Chinese People's Political Consultative Conference, party and state leaders, and many overseas museums and celebrities.

China Children, People, Art Research, Calligraphy and Painting Channel and other media have made special reports on this.

He is currently a senior researcher at the Institute of Fine Arts of China Artists Association, a researcher at Xu Beihong's Art Research Association and a visiting professor at Jiangsu Institute of Education. He is not only a disciple of Chen Dayu, a flower master, but also a friend of Huang Yanghui, a master of Chinese painting. He wandered between two masters with different styles, and his work style benefited a lot.

Xintian is a disciple of Mr. Chen Dayu, a master of floral art, and at the same time made friends with Mr. Huang Yanghui, a master of Chinese painting. Chen Dayu and Huang Yanghui are artists of Qi Baishi and Xu Beihong respectively. They are personally influenced by masters of different styles, and their work styles are also deeply influenced, including Mr. Dayu's bold brushwork and Mr. Huang Lao's indifference. The old man never met in the rain, but his style of work collided and combined in his heart. When Mr. Huang Shanhui was 90 years old, when commenting on Xintian's paintings, he wrote: "Xintian's painting style pursues the realm of Hongyi Zen, and his paintings have the charm of eight strokes, so they belong to ancient eaters. When Xin Tian writes books and paints, he is calm and powerful, and has a sense of nothingness. He wrote with qi, shaped by the situation, and the shape and qi complement each other, and his heart reached the end of the pen and he was superb. Look at his works, elegant and simple, concise Zen, free from vulgarity and refined, integrated with the expression of physical images and mental images, with a tendency of playing chess by immortals, and the wonderful ensemble of piano and flute makes people intoxicated and forget themselves, which is really intriguing ...

In the insatiable sea, Xin Tian devoted himself to the pursuit. Coupled with his fraternity, extraordinary literary talent and intelligence, he will be lucky in his later years. On the desk of his Beijing studio, a banner of "True water without fragrance" is particularly eye-catching; In the Nanjing studio, the word "willing" is hung. The former shows Xin Tian's pursuit of calligraphy and painting, while the latter may be his interpretation of life with a Buddhist heart. He was fascinated by the silence and tranquility when copying Buddhist scriptures. When the pen is dipped in ink and lightly brushed with rice paper, every word and paragraph in that pen seems to be in a passing heart. He can hear his heartbeat more clearly than other times when he walks with pen and ink like a cicada. Perhaps this is also the reason why he is obsessed with copying scriptures-he is so close to himself that he can hear the quiet voice of his soul.

Once, he walked around the world of art with a brush. At this time, he cultivated his internal strength by writing scriptures. At this time, the combination of pen and ink painting and spiritual cultivation will inevitably make the future art road go deeper, wider and higher. "When the wind passes through the water, it naturally becomes granules." The so-called "nature from the outside, the heart from the inside." Indifference in writing Confucian classics and dedicating oneself to Buddhism will certainly appear in later works of art.

Wu Weishan, vice chairman of China Artists Association, president of China Sculpture Academy and president of Nanda Art Research Institute, appreciated Xintian's works and happily wrote: Imitate classics with your heart, and virtue lies in them. Practice with art, and the Tao is in it. Planting Buddha fields widely is like a mirror. There are talented people in the south of the Yangtze River, and the Shunyi Bookstore is spring mountain every day. At that time, the Confucius Temple had formed an artistic bond, but now we have been separated for 15 years, and it is difficult to change the local accent.

Mr. john young, vice president of China National Painting Academy, saw Buddhist scriptures in Xintian and liked them very much. He wrote an inscription for the Buddhist scriptures in Xintian and collected a new work in Xintian.

On 20 13, the abbot of Wutai Mountain saw Xin Tian's works. At that time, the breath contained in Xin Tian's scriptures immediately attracted the 80-year-old abbot, who had read all the books about Qian Fan. The abbot immediately sent a message to his heart, expecting a chat on Wutai Mountain in his heart. On a sunny day, Xin Tian and his friends took their works to visit the old abbot of Wutai Mountain. Receive the highest courtesy from the abbot.

After coming back from Wutai Mountain, Xintian made a special trip to Qinghai Ta 'er Temple to meet Saichi Living Buddha. The living Buddha Saichi was shocked to see the scriptures of Xintian, and gladly wrote inscriptions on the Diamond Sutra, the Pharmacist Sutra and the Heart Sutra. Later, Kaso Living Buddha made a special trip to Beijing to have a deep talk with his heart all night, which deepened his understanding.

Xintian then visited Putuo Mountain, Emei Mountain and Jiuhua Mountain, and exchanged views with Buddhist masters among famous mountains and ancient temples. In the mountains and rivers, in the vast world, he constantly deepened his inner nature and found a unique path in the Buddhist Zen and artistic beauty.