thunderbolt puppet show, a newly developed TV puppet show in Taiwan Province in 198s, belongs to thunderbolt international multimedia co., ltd, and is produced by Chris Huang, the chairman of the board, and Huang Wenze, the general manager, and performed in the form of a long unit drama. Because each episode is named after the word "thunderbolt". At present, Thunderbolt puppet show is the main work of Thunderbolt International Multimedia Co., Ltd., and it is also the main image source of the company. Su Huanjen, the character in the play, is the image trademark of Thunderbolt Taiwan Province, while another character, Proud Smile and Red Dust, is the protagonist of the derivative film "legend of the sacred stone" and also the character on the image trademark of the film. Because the puppet show of Thunderbolt attracted a large audience, the main characters in the play became idols of many audiences. Its surrounding commodities, including puppets, soundtracks of dramas, computers, online games and other characters, bring huge business opportunities. If we carefully calculate the origin of the puppet show, it can be traced back to the first video (Thunderbolt City) released in Huang Junxiong in 1984. The original TV puppet show in Huang Junxiong was once popular on three channels, creating a number of unprecedented viewing records. Shi Yanwen, Black-and-White Husband and other positive and negative "even" stars were praised, but influenced by the ban that the Information Bureau could only perform martial arts for five minutes in 3 minutes, Huang Junxiong's TV puppet show gradually failed, and then it was changed to release videos, and it was barely managed by the support of middle-aged Shi Yanwen fans. Although it lost a little to Hong Kong drama in the early days, the situation gradually changed after Chris Huang took over. The accelerated pace and glittering shooting techniques, together with the plot close to reality and approachable dialogue, gradually attracted people's attention. Among Taiwan Province's puppet shows, puppet show is the most popular and influential performance type. The performance form and content of puppet show may be regarded as the product of a virtuous circle between the audience and the troupe; Because the audience loves watching and is willing to pay for it, puppet show has an interactive relationship with the ever-changing society and the audience it faces. It is quite fashionable to regard puppet show as a folk "art". Of course, the wonderful drama performed by outstanding artists is undoubtedly a very cherished artistic tradition; However, from the traditional social context, puppet shows with a large number of classes and all over Taiwan are basically a career for people who act. It is a kind of entertainment for people who watch the play; For those who invite people to pay for the drama, puppet show is a part of religious activities or ceremonies; For the owner of a theater or TV station, puppet show is a tool for making money. With this understanding, we may be able to discuss puppet shows fairly, and we can really think about the history, problems and social implications of puppet shows (Note 1). The motivation of studying puppet shows stems from my love of watching puppet shows. I watched Shi Yanwen (the protagonist of the "Yunzhou Scholar" puppet show) since I was a child, and until now Su Huanjen (the protagonist of the "Thunderbolt" series of puppet shows), puppet shows have always been a deep memory of my childhood. However, in the mainstream of popular entertainment, Cobalt S has not only crossed TV, video, VCD and video games, but also entered the big screen, spending NT$ 3 million to shoot the first puppet show film-legend of the sacred stone, and even staged at the National Theatre, which shows that Taiwan Province's folk art-puppet show has become a part of culture and art. With such a large-scale investment, people deeply feel that the charm of puppet show has revived, which makes people wonder why puppet show is popular in Taiwan Province again. I hope that through this article, more people can know the folk art of Taiwan Province-puppet show. Three generations of Huang Haidai's family were reformers in the puppet show industry. They brought the puppet show from the wild stage to TV and movies in every household. This process is the evolution history of the puppet show, from which we can see how the Huang family carried forward the puppet show and made it active in daily life again, and we can understand people's living habits, social culture and so on at that time. Therefore, the research direction of this paper focuses on how the three generations of the Huang family bring forth the old and bring forth the new, so as to prevent it from becoming a disappearing art, or even becoming a trend of popular entertainment, and what kind of social culture is reflected by the re-popularity of the puppet show. However, this paper does not emphasize other schools, the classification of puppet modeling, the location and structure of the stage, etc., because many scholars have studied this aspect, and the author does not need to repeat it. [Edit this paragraph] The origin of puppet show originated from the late Ming and early Qing dynasties and started in Quanzhou. Also known as cloth puppet show, hand puppet show, handbag puppet show, palm puppet show, small cage and finger flower show, it originated in Quanzhou or Zhangzhou, Fujian, China in the 17th century. A local drama with puppets, which is mainly spread in Quanzhou, Zhangzhou, Chaozhou and Taiwan Province, Guangdong. The head of a puppet is carved into a hollow head with wood. Except for the head, hands and feet of the puppet, the trunk and limbs of the puppet are all made of cloth. During the performance, gloves are put into the costume of the puppet to perform the puppet show. It is precisely because the puppets of this type of performance in the early days are very similar to "bags made of cloth", so they have the general name of puppet show. Since the development of Qing Dynasty, puppet shows have become more and more popular, especially in Quanzhou and Zhangzhou. No matter the puppets, operas and stages are unique, artists come forth in large numbers, and the original Jianghu small arts have been transformed into folk entertainment enjoyed by Xian Yi, young and old, refined and popular. Until the mid-19th century, puppet shows flourished in Fujian, where spring, Zhang and Chao became the focus of the drama, and the composition of the troupe gradually changed from an individual to a master and apprentice. During this period, many Fujian artists or artists who came from Taiwan Province to study art returned to Taiwan, and spread the drama in the palm of their hand to Taiwan Province, which was widely welcomed by the people. Since then, puppet shows have become more developed, with more forms of performances. Today, puppet shows have become the most popular in China. Puppet puppet show and puppet show are inextricably linked, which can be traced back in history and is a traditional puppet show. It can be said that puppet show is a local opera with the characteristics of China traditional opera, which prevails in Minnan-speaking areas. Regional operas such as puppet shows were everywhere in that era, and there are still "Kunqu Opera" and "Huangmei Opera" and so on. Compared with these operas, which have become synonymous with elegant art, puppet shows have taken a completely different path. In Taiwan Province, it resolutely combined with commercial communication, using new deductive techniques, making puppet show reborn in the world of TV series, and thus developed a series of wonderful works, including Thunderbolt puppet show. Thunderbolt puppet show was developed in 198s, and became famous because each of its plays started with the word "thunderbolt", such as the early Golden Light of Thunderbolt, the Purple Pulse Line of Thunderbolt, and now the Warrior of Thunderbolt and Emperor Ji Long of Thunderbolt. Since its performance, it has been broadcast for more than 1 years, with more than 1 episodes so far. There are no fewer than hundreds of main characters with names in the play, which is as grand as the Three Kingdoms and as detailed as the Red Chamber. The plot is also true and illusory, both interlocking and independent. [Edit this paragraph] There are two soul figures who started the rise of the puppet show in the century. Chris Huang and Huang Wenze are brothers who complement each other in personality and expertise. One is thoughtful and resourceful, and Rao Fu is responsible for planning and scriptwriting. The other is good at the most important colloquialism of puppet show, with one person matching the narrators of all the puppets. This is the spirit of playing in the palm of his hand and a family precept. Huang Wenze said: "This is because my father (Huang Junxiong) hopes that even blind people can achieve the effect of go to the opera by narration ... At the highest, there were more than twenty characters in a play." The two brothers, who grew up in a family of puppet shows, have been exposed to all kinds of puppet shows since childhood. Grandfather is the founder of the famous Wuzhou Puppet Show, and Huang Haidai, a national treasure-level old artist with the same reputation as Li Tianlu. My father is Huang Junxiong, the godfather of TV puppet show, which has caused a sensation in Jianghu and alarmed all religions. As the third generation descendants of the Huang family, Chris Huang and Huang Wenze didn't have many other choices. Although they wanted to be handsome and engage in an orchestra when they were young, they chose them for puppet show. However, they did not stick to the declining traditional puppet show, waiting for the occasional wild stage show. On the contrary, they actively created the spring of puppet show with the rapid turn of the times, thus creating the thunderbolt puppet show.