Ma Hui Teacher, honorary librarian of the Guangxi Zhuang Autonomous Region Museum, librarian of the Guangxi Literature and History Research Institute, academician of the Calligraphy and Painting Academy of the Guangxi Literature and History Research Institute, "C, member of the China Democratic League, honorary president of the Ma Wanli Chinese Painting Art Research Association, and the honorary society of Yihai Huilan Society He grew up and studied painting with his father, Ma Wanli, a famous modern calligrapher, painter and seal engraver. He is good at painting flowers, ladies, grass, insects and animals. He has served as the executive director of the Guangxi Arts and Crafts Society, a member of the 4th and 5th Nanning CPPCC, and Ma Wanli Chinese Painting Art Research Association. The first president; he was a member of the Guangxi Artists Association, a member of the Chinese Elderly Calligraphy and Painting Research Association, a senior calligrapher and painter, and an academic member of the Culture and Art Committee of the China Chinese and Foreign Celebrity Culture Research Association. In 1990, he was recognized for “contributing to the development of my country’s arts and crafts. "Received awards and commendations from the Ministry of Light Industry. His main works include "Autumn Fun", "Tiannu Scattering Flowers", "A Hundred Flowers in Bloom", "Very Spring Scenery", etc.
Chinese name: Ma Huixian
Alias: Fohui
Nationality: Chinese
Ethnicity: Han
Birthplace: Shanghai
Date of birth: 2, 1929 January 10
Date of death: May 22, 2014
Occupation: Painter
Graduation school: Guilin Fine Arts College, Central Academy of Fine Arts
p>Main Achievements: Title of Honorary Librarian of the Guangxi Zhuang Autonomous Region Museum
Gold Medal in the "Exhibition of Famous Calligraphy and Painting Masters from Both Sides of the Strait"
Recognized by the Ministry of Light Industry
Title of Librarian of Guangxi Literature and History Research Center
(1951-2006) Honorary title of Outstanding Literary Artist
"Ma Huixian Painting Exhibition"
Representative work: "Autumn Interest" , "The Goddess Scatters Flowers", "A Hundred Flowers in Bloom", "Purple Clouds"
Place of Place: Wujin City, Jiangsu Province
Name of the House: Baihua Room, Wisteria Fairy Pavilion
Pen name: Tian Che
Character profile
Ma Huixian, also known as Fo Hui, pen name Tian Che, born in 1929 in Wujin, Jiangsu Province, is a famous contemporary painter in Guangxi. Honorary librarian of the museum, librarian of the Guangxi Museum of Literature and History, and "Outstanding Literary Artist from 1951 to 2006". Ma Huixian is the daughter of Ma Wanli, a famous calligrapher, painter and seal engraver at home and abroad. She learned painting from her father since she was a child and is good at painting flowers and ladies. He studied at Guilin Academy of Fine Arts (now the predecessor of Guangxi Art Institute), Xijiang College of Arts and Sciences, and Central Academy of Fine Arts. He has served as executive director of Guangxi Arts and Crafts Society, member of the Fourth and Fifth CPPCC of Nanning City, and academician of the Calligraphy and Painting Academy of Guangxi Literature and History Research Institute. Director of Guangxi Elderly Calligraphy and Painting Research Association, President of Mawanli Chinese Painting Art Research Association, consultant of Nanning Artists Association, director of Nanning Culture and Art Association, consultant of Nanning Painting and Calligraphy Institute, vice president of Nanning Elderly Calligraphy and Painting Research Association; former Chinese Painting and Calligraphy for the Elderly A member of the Research Association, an academic member of the Calligraphy and Painting Committee of the Culture and Art Committee of the Chinese and Foreign Celebrity Culture Research Association, a member of the Guangxi Artists Association, and a senior calligrapher and painter of the Nanning Painting and Calligraphy Academy.
Style of work
Ma Huixian’s painting style is elegant and graceful, inheriting the small freehand style of his father, Mr. Wan Li, which is both refined and popular. Most of his works depict flowers, birds, plants, animals, insects, and fish, among which wisteria, flowers, grapes, and ladies are the most common. "The ink in her works is clean, the colors are elegant, and she has the style of her father."--Words from the Counselor's Office of the People's Government of the Guangxi Zhuang Autonomous Region
The quality presented in Ms. Ma Huixian's works is her personal accomplishment and life style. The embodiment of mentality: clean, elegant, and unconventional. Her painting style inherits Mr. Ma Wanli's work and writing style, which not only pays attention to the accuracy of object modeling, but also strives to highlight the layers and effects of brushwork. But she also has her own understanding of small freehand brushwork: Compared with the old-fashioned and heavy-handedness in Mr. Ma Wanli's works, Ms. Ma Huixian incorporates the unique delicate and gentle touch of women into her paintings, making the works more vivid Full, elegant and gorgeous; her line-walking skills are extremely profound, which benefited from her diligent study of famous works during her teenage years. The rough life experience also influenced the style of her works. She cast her tenacious character into the paintings, and her writing was done in one go without any delay.
Birds, animals, insects, fish, flowers, fruits, trees and ladies are Ms. Ma Huixian’s favorite creative themes, so the types of her works are not singular.
This shows everyone the comprehensiveness of Ms. Ma Huixian’s painting themes and the diversity of her works.
Art Evaluation
Qian Xiaoshan, the son of Jiangnan scholar Mr. Qian Zhenhuang, former vice-chairman of the Changzhou CPPCC Jiangsu Province and consultant of the Chinese Poetry Society, once presented a poem to Huixian: "Jiangnan is the bright sun. "Chen, after returning from a thousand miles, the painting environment is new. The pure spirit of the world is left, and a colored pen has a successor." It is intended to praise the origin of Ma Huixian's painting and live up to the reputation of Mr. Ma Wanli in the art world. (Note: Ma Wanli was once a favorite disciple of Mr. Qian Zhenhuang (Mingshan).)
The famous poet and calligrapher Yu Yifu also wrote a poem as a gift: "The poems written by Xiaoshan Hui first painted, Yiyuan_ Things are new in spring. The spirit of Guyang Lake is always there, and the articles are always amazing."
The frosty sideburns, the slightly curved spine, the simple clothes, the calmness in the eyes, and the vicissitudes of life written on the face. It is Ms. Ma Huixian, a librarian and painter of Guangxi Literature and History Research Center.
Mr. Ma was born in Changzhou, a city with abundant resources and outstanding people. He lost his mother when he was three years old. He followed his father, Mr. Ma Wanli, to wander around the country since he was a child. Mr. Ma Wanli is good at epigraphy, calligraphy and painting. His name is Cao Ning and Hu, and he is well-known at home and abroad. Mr. Ma is deeply influenced by the art of painting, calligraphy and ink, so it is natural for him to use pen and ink. She is good at painting flowers and ladies, and has a special liking for painting Guanyin. She is very pious, so she is also known as Buddha Wisdom.
For academic people, talent is indispensable. However, Mr. Ma firmly believes in the wise saying that "diligence can make up for weakness". From the end of the Anti-Japanese War to the early 1950s, Ma Laozeng studied at Guilin Academy of Fine Arts, Xijiang College of Arts and Sciences, and the Central Academy of Fine Arts. Her artistic achievements not only benefited from her family heritage, but also relied on decades of perseverance in study and Practice hard.
Ma Lao once served as the publicity officer of the Xuanwu District Cultural Center in Beijing, responsible for organizing exhibitions and coaching mass cultural activities for 12 years; served as the artist of Nanning Yong Theater for 8 years; and worked in art design at Nanning Arts and Crafts Factory for 12 years . In the long years, Ma Lao experienced ups and downs, suffered all kinds of hardships, and suffered the tragic loss of his friends and comrades during the Cultural Revolution. In the face of misfortune and suffering, she sought solace for her soul from her tireless pursuit of art, understood life with a peaceful and tranquil state of mind, and continued to sail life with love and perseverance.
Ma Laoyi does not pay much attention to picking, and has a simple diet, and does not have excessive requirements for material life. She believes in trust and harmony, treats others with sincerity, and rarely gets into arguments with others. Ma Lao's attitude towards creation is meticulous: while striving to make her works achieve the state of exquisite brushwork and vivid colors, she requires the pictures to be neat and clean, and never to be sloppy or smeared here and there; Whenever she paints, she uses fresh paint and ink. Dirty or dried paint and ink must be discarded. After painting, she must wash the painting tools clean so that they can be used again next time.
Ma Lao's works have been published in magazines and newspapers such as "Art Circle", "Chinese Calligraphy and Painting News", "Jiangsu Pictorial", "Guangxi Daily", etc., and have been exhibited and won awards at home and abroad dozens of times. , and exported to Japan, the United States, Australia, Singapore and other countries. Although Ma Lao's works have been praised by many people and celebrities, she has always been indifferent and calm, not showing off, not showing off her abilities, neither writing about beauty nor hiding evil.
Due to the war before liberation and the ten-year turmoil of the Cultural Revolution, Ma Lao's early works were basically lost. Most of the works collected in today's volume were created after the Cultural Revolution. Although "Huixian Painting Exhibition" is just a small flower in the cultural garden, it shows the fruits of Ma Lao's labor over the years, her understanding of beauty, and the display of her beautiful emotions. As the saying goes, "paintings are like people." In the spring of 2008, Mr. Ma turned 80. He was deeply gratified to be able to dedicate healthy spiritual food to readers in his octogenarian years.
"It's late at night, but the sky is still full of red clouds." In the great practice of carrying forward the excellent traditional culture of the Chinese nation and building an advanced socialist culture, we sincerely wish Mr. Ma to maintain artistic youth forever and continue to depict harmony, beauty and harmony with bright colors and wonderful lines!
--Extracted from the introduction of "Ma Huixian's Painting Exhibition" in the special issue of Guangxi Literature and History in November 2007
Art Experience
Ma Huixian engaged in mass art work after finishing school in 1952. From August 1952 to January 1964, he served as a propaganda officer at the Xuanwu District Cultural Center in Beijing. He was responsible for organizing exhibitions and guiding mass cultural activities in conjunction with various political movements at the time. From January 1964 to 1968, he worked as an art artist at Nanning Yong Theater, responsible for the promotion of Cantonese opera and Yong opera, and drawing promotional posters.
Since 1972, he has worked as an art designer at Nanning Arts and Crafts Factory, and has been responsible for trademark design, shell carving design, traditional Chinese painting creation and production management. Two shell carving paintings designed in 1978, including "The Scenery Is Beautiful Here", were selected and exhibited at the National Arts and Crafts Exhibition and received high praise. The Chinese paintings painted during this period have participated in many expos held by China in Italy, Tanzania and other countries, and were exported to Japan, the United States, Australia, Singapore and other places, and have been well received by Chinese and foreign people. Over the past 30 years, his works have been published in various newspapers and albums such as Guangxi Daily, Rongbaozhai, Foshan News, China Calligraphy and Painting News, Jiangsu Pictorial, and Art Circles. They have been exhibited at home and abroad dozens of times and won national and provincial competitions. award. --Excerpted from "Style of Counselors" of the Counselor's Office of the Guangxi People's Government
Main honors and award-winning experiences
The works "Spring Full of the World" and "Ink Grapes" won the "First Asian Women's First and third prizes in the "Calligraphy and Painting Competition";
The works "Purple Clouds" and "Six Charming Pictures" won the "Celebrating the 45th Anniversary of the Founding of the People's Republic of China Domestic and Overseas Calligraphy and Painting Competition (International Exhibition)" "Gold and silver awards;
The work "Very Spring Scenery" won the gold medal in the "First Cross-Strait Exhibition of Famous Calligraphers and Painters";
The work "Purple Snow Flying in the Air" won the "Famous Chinese Calligraphers and Painters" First Prize in the Joint Exhibition of Outstanding Works;
The work "Spring Scenery in the Garden" won the silver medal in the "Third International Calligraphy and Painting Art Exhibition";
The work "Only This Flower Blooms Undefeated" "Invited to participate in the "First "China Cup" Joint Exhibition of Calligraphy and Painting Works by Contemporary Masters" and won the Best Exhibition Work Award;
The work "Flower of Friendship" won the first prize of the "First World Chinese Art Awards";
The work "Everything Strives for Spring" won the gold medal in the "Chinese Calligraphy and Painting Art Exchange Exhibition to Celebrate the 50th Anniversary of the Founding of the People's Republic of China";
The work " "Wisteria Goldfish" won the silver medal in the "Cross-Century Peace Cup International Calligraphy and Painting Competition";
The work "Red Plum Annunciation" won the gold medal in the "Kitai "Charity Cup" Chinese Painting and Calligraphy Exhibition Competition" held in Nanjing;< /p>
Ma Huixian’s works have been exhibited in Guangxi Zhuang Autonomous Region Museum, Changzhou Museum, Guilin Museum, General Office of the Guangxi Zhuang Autonomous Region Government, Guangxi CPPCC, Guangxi Children and Teenagers Foundation, China Construction Bank, Jingxi Hotel, Jiangsu, Wuhan, Hunan , Sichuan, Heilongjiang, Anhui, Ningxia, Guangxi, Central and other cultural and historical museums, the Chinese Calligraphy Art Research Institute, the Chinese Painting and Calligraphy Collectors Association, the Central Committee of the Kuomintang, the National Red Culture Collection Association and many other collections.
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In 1990, he was awarded by the Ministry of Light Industry for "contributing to the development of China's arts and crafts";
In 1994, he was invited to become a specially appointed calligrapher and painter at the China Jiangdu Painting and Calligraphy Academy;
In 1995, 11 works including "Autumn Interests", "Listening to the Qin", "Deja Vu Returns of the Swallows", and "The Goddess Scattered Flowers" were included in the "Selected Paintings and Calligraphy of Three Generations of Ma Wanli" published by Guangxi Fine Arts Publishing House. "; in September of the same year, the work "Wisteria Goldfish" won the second prize in the "China International Literary and Art Works Expo" jointly sponsored by the China Federation of Literary and Art Circles, the China Public Relations Association, and the China International Public Relations Association;
In 1996, the work "Fragrances in Bloom" participated in the National Museum of Culture and History Achievements Exhibition and was received by Prime Minister Li Peng and other leaders and took a group photo;
In 1997, he was invited by Guangxi TV Station to participate in the "Ma "Three Generations of a Family Painting Spring and Autumn"; in March of the same year, the work "Nine Pictures" participated in the "Group Exhibition of Art Works of 100 Chinese Female Painters to Celebrate March 8th and Celebrate 1997" held at the Hong Kong City Hall; in December, she was elected as Director of the Guangxi Elderly Calligraphy and Painting Research Association;
In January 1998, he was hired as a consultant by the Nanning Painting and Calligraphy Academy; four works including "Lady", "Tiger", and "Wisteria Goldfish" were included in the Nanning Artists Association "Collection of Chinese Painting Works" published by the Chinese Painting Art Committee; in the same year, the work "Ziyun" was selected into the "Selection of Outstanding Works of the World Chinese Painting and Calligraphy Exhibition" jointly sponsored by the Art Department of the Ministry of Culture, the Chinese Art Research Institute, the Chinese Calligraphers Association, and the Chinese Artists Association. "; his work "Pepsi Ruyi" won the silver medal in the "Calligraphy and Painting Competition to Commemorate Two Thousand Years of Chinese Buddhism"; in September of the same year, he was invited to become a specially appointed calligrapher and painter of the Chinese Calligraphy Art Research Institute;
In 1999, his work "Ink Grapes" " was selected into the "Art Collection of Guangxi University of Arts"; in December of the same year, he was invited to participate in the "Commemorating the 50th Anniversary of the Establishment of the People's Political Consultative Conference and the Return of Macao Calligraphy and Painting Exhibition" organized by the General Office of the Guangxi CPPCC;
July 2001 In August, the work "Ziyun" was selected into the "Exhibition of Fine Arts, Calligraphy and Photography to Commemorate the 80th Anniversary of the Founding of the Communist Party of China" jointly organized by the Propaganda Department of the Nanning Municipal Party Committee of the Communist Party of China and the Nanning Federation of Literary and Art Circles; in December, the work "Nine Pictures" Selected into the large album "Women's Painting Collection" published by Guangxi Fine Arts Publishing House;
In May 2002, she was invited to participate in the "China Guangxi·Japan Kumamoto Prefecture Friendship Calligraphy and Painting Exhibition" held by the Foreign Affairs Office of the Guangxi Zhuang Autonomous Region. The work was well received; in June of the same year, he was invited to participate in the "Japan-China Calligraphy, Painting and Lettering Art Exchange Exhibition" jointly organized by China and Japan at the Guangxi Museum to "celebrate the 30th anniversary of the establishment of diplomatic relations between China and Japan";
< p>In March 2003, he won the "Chinese and Foreign Celebrity Culture Research and Creation Achievement Award" issued by the Culture and Art Committee of the Chinese and Foreign Celebrity Culture Research Association; in December of the same year, the artistic achievements and collection standards of calligraphy and painting were included in the National Cultural Heritage Administration and the Chinese Painting and Calligraphy Collection The "Chinese Painting and Calligraphy Collection", a large-scale calligraphy and painting document edited by the Artists Association and published by Xueyuan Press;In July 2004, the work won the "Chinese Painting and Calligraphy Celebration of the 55th Anniversary of the Founding of the People's Republic of China" co-sponsored by seven national ministries and commissions and other units. Second Prize in the Joint Exhibition" and was selected into the "Collection of Calligraphy and Paintings to Celebrate the 55th Anniversary of the Founding of the People's Republic of China";
In 2006, he was awarded the honorary title of "Outstanding Literary Artist from 1951-2006" by the Nanning Federation of Literary and Art Circles; < /p>
In 2007, the work "Very Spring Scenery" participated in the "Soul of China" calligraphy and painting exhibition of the National Institute of Literature and History and was exhibited at the National Art Museum of China;
In 2007, Guangxi Literature and History published a special issue "Ma Huixian Painting Exhibition" ;
In August 2012, the work "Fragrances Confronting Beauty" was published in the editorial board of the Guangxi Zhuang Autonomous Region Vice Chairman Li Kang and the Deputy Director of the Counselor's Office of the State Council Wang Mingming. "Beautiful Guangxi" is a collection of Chinese paintings to celebrate the 9th China-ASEAN Expo (ISBN978-7-5494-0614-2/J·1658), co-edited by the Cultural and Historical Research Center of the District Government Counselor's Office and published by Guangxi Fine Arts Publishing House; in the same year In September, the work was selected into the "Beautiful Guangxi" Chinese Painting Exhibition to celebrate the 9th China-ASEAN Expo, approved by the Counselor's Office of the State Council and the People's Government of the Guangxi Zhuang Autonomous Region, and organized by the Calligraphy and Painting Institute of the Central Research Institute of Literature and History and the Literature and History Research Institute of the Counselor's Office of the Guangxi District Government. On display at the Guangxi Zhuang Autonomous Region Museum.
This art exhibition is one of the major events of the 9th China-ASEAN Expo. It has attracted great attention from all walks of life and won wide praise;
In May 2014, it was awarded the "Honorary Prize" by the Guangxi Zhuang Autonomous Region Museum Librarian" title.
In May 2015, to commemorate the first anniversary of the death of Ms. Ma Huixian, "Ma Huixian's Painting Collection" was jointly compiled by the Cultural and Historical Research Center of the Counselor's Office of the People's Government of the Guangxi Zhuang Autonomous Region and the Guangxi Zhuang Autonomous Region Museum, and published by Guangxi Fine Arts Publishing House. Released; in June, the "Tianche Legacy·Ma Huixian Painting Exhibition" and "Ma Wanli Painting Exhibition" jointly organized by the Literature and History Research Center of the Counselor's Office of the People's Government of the Guangxi Zhuang Autonomous Region and the Guangxi Zhuang Autonomous Region Museum were held on "Chinese Cultural Heritage Day" - 6 A grand opening ceremony was held at the Guangxi Zhuang Autonomous Region Museum on the morning of March 13. The exhibition displayed 110 representative works of Ma Huixian from various periods.
His profile has been included in the "Who's Who in Chinese Contemporary Art", "China Art Yearbook 1949-1989", "International Dictionary of Modern Calligraphers, Painters and Seal Engravers", and "Achievement Ceremony of World Art Calligraphers and Painters at the End of the Century" , "Dictionary of Famous Chinese Modern Artists", "Who's Who in the Chinese Contemporary Art Circle", "Dictionary of World Figures" and other dictionaries.
Memorial events of Huixian
Born in Shanghai on February 10, 1929;
His mother Tang Meiqian died of illness in 1931;
1936-1942 During the years, he studied at the Primary School Affiliated to Zhejiang University, the Primary School Affiliated to West University, Zhongshan Primary School, and Guilin Girls’ High School; he won the first place in the provincial speech contest in middle school;
In 1943, he entered the Western Painting Department of Guilin Rongmen Art College Studying and painting Zhang Daqian's ladies in his spare time;
The paintings of ladies he made in 1944 were exhibited with Ma Wanli in Wuzhou, Guilin, Nanning and other places;
Worked in Guangxi from 1945 to 1951 Studied at Xijiang Provincial College of Arts and Sciences;
Goed to Beijing from 1951 to 1952 to learn sketching from Mr. Zuo Hui at the Central Academy of Fine Arts;
Study in Beijing from August 1952 to January 1964 He served as a propaganda officer at the Xuanwu District Cultural Center, cooperating with various political movements at the time and responsible for organizing exhibitions and coaching mass cultural activities (the eldest son Ma Tengjiao was born on December 20, 1952); won the title of advanced worker for ten consecutive years;
From January 1964 to 1968, he worked as an artist at the Nanning Yong Theater, responsible for the promotion of Cantonese opera and Yong opera, and drawing promotional posters;
Her husband Lu Mushi passed away in 1966;
Since 1972, he has worked as an art designer at Nanning Arts and Crafts Factory, and has been responsible for trademark design, shell carving design, traditional Chinese painting creation and production management;
In 1973, he began to participate in Nanning city, district and national calligraphy and painting exhibitions There have been more than 40 art exhibitions and more than 100 works have been exhibited.
Published more than ten Chinese paintings such as "Flowers", "Tiger", "Wisteria Chicken", "Red Plum Annunciation" and other newspapers and periodicals such as Jiangsu Pictorial, Guangxi Daily, Guangxi Arts and Crafts, Nanning Evening News, and Friends of the Family; < /p>
Two large-scale shell carvings depicting the beautiful scenery of Guilin, including "The Scenery Is Beautiful Here" designed in 1978, were selected and exhibited at the National Arts and Crafts Exhibition and received favorable reviews;
October 1979 His father, Ma Wanli, died of illness;
In March 1980, he was invited to join the Nanning Artists Association; in the same year, a posthumous exhibition of his father, Mr. Ma Wanli, was held in Guangxi;
In 1981, he and his aunt Ma Qinghe held exhibitions of Mr. Ma Wanli's works in Nanjing, Changzhou and other places in Jiangsu;
In 1982, he held the "Ma Wanli Family Painting Exhibition" at the Guangxi Zhuang Autonomous Region Exhibition Hall;
In August 1983 In February, he visited the Guangxi Zhuang Autonomous Region Children and Teenagers Foundation and donated paintings;
Joined the Guangxi Branch of the Chinese Artists Association in February 1984;
In 1985, he was hired as a librarian of the Guangxi Literature and History Research Center ;
In 1989, the work "Purple Clouds" was collected by the 11th Asian Games Organizing Committee; in the same year, the work "Hundred Flowers in Bloom" was published in the "Selection of Calligraphy and Painting Works by National Research Center of Literature and History Librarians";
In February 1990, she was specially invited by the organizing committee to participate in the first Asian Women's Calligraphy and Painting Competition exhibition held at the Beijing Military Museum. Also participating in the exhibition were Zhang Chuancai, Ma Wenluan, Zhao Xihua, Cai Ruiyun, Tang Xiuling, Sun Yan, Jiang Xueyan, Qian Shuying, etc.; in March of the same year, they were commended by the Ministry of Light Industry for "contributing to the development of China's arts and crafts";
In 1991, in order to relieve the flood disaster that had not happened in a century in Anhui Province People in the disaster-stricken areas participated in the large-scale charity sale of calligraphy and painting works at the "91 China Huangshan International Tourism Festival" and donated many paintings; Eleven works including "Return" and "Tiannu Scattering Flowers" were included in the "Selected Collection of Calligraphy and Paintings of Three Generations of Ma Wanli" published by Guangxi Fine Arts Publishing House; in the same year, he participated in the editing of "Collection of Calligraphy, Painting and Seal Engraving of Ma Wanli" published by Rongbaozhai Publishing House; p>
In 1996, the work "Flowers of Beauty" participated in the National Museum of Culture and History Achievements Exhibition and was received by Prime Minister Li Peng and other leaders and took a group photo;
In January 1997, in order to raise the Chinese Culture and History Fund, the The donation unit China Construction Bank donated the painting "Wisteria Goldfish"; in May, the work "Wisteria Goldfish" was approved by the Ministry of Culture 1997 (Foreign Letter) No. 204, and the "Cross-Century Peace Cup" was co-sponsored by the China Association for the Promotion of International Friendship and other units "International Calligraphy and Painting Exhibition" Silver Award; in the same year, he was invited by Guangxi TV Station to participate in the filming of the feature film "Spring and Autumn Paintings of Three Generations of the Ma Family";
In 1998, his works "Lady", "Tiger" and "Wisteria Goldfish" Four other works were included in the "Chinese Painting Collection" published by the Chinese Painting Art Committee of the Nanning Artists Association; in the same year, he participated in the Heilongjiang Province Flood Relief Calligraphy and Painting Exhibition and donated many paintings;
In 1999, the work "Ink Grapes" "Selected into the "Art Collection of Guangxi University of Arts";
In 2003, Guangxi Fine Arts Publishing House published "Selection of Calligraphy and Paintings by Librarians for the 50th Anniversary of the Guangxi Institute of Literature and History", and was invited to serve as an editorial board member;
p>
In 2006, he was awarded the honorary title of "Outstanding Literary Artist from 1951 to 2006" by the Nanning Federation of Literary and Art Circles;
In 2007, his work "Very Spring" participated in the "Soul of China" National Literature and History Awards The Calligraphy and Painting Exhibition of the Research Institute was exhibited at the National Art Museum of China; in November of the same year, Guangxi Literature and History published a special issue "Ma Huixian Painting Exhibition";
In 2012, the work "Quanfang Zhengyan" was selected by the Calligraphy and Painting Institute of the Central Research Institute of Literature and History and Guangxi District "Beautiful Guangxi - Chinese Painting Exhibition to Celebrate the Ninth China-ASEAN Expo" co-organized by the Cultural and Historical Research Center of the Government Counselor's Office was exhibited at the Guangxi Museum.
Ouyang Zhongshi contributed ink to the exhibition, along with masterpieces by Han Meilin, Song Yugui, Ma Wanli, Yang Yangyang, Huang Gesheng, Hou Dechang, Ma Zhensheng, Yang Yanwen, Long Rui, Sun Ge, Zhang Fuxing, Zheng Junli, Liang Yao, Luo Dinghua, etc. Attended the "Inheritance and Innovation of Chinese Painting" seminar; the work was also published in the "Beautiful Guangxi" Chinese Painting Collection; in October of the same year, he prepared to establish the Ma Wanli Chinese Painting Art Research Association, served as the president, and personally presided over the conference work;
In April 2014, the family was entrusted to donate 100 seals collected by Mr. Ma Wanli and 8 seal scrolls with inscriptions and postscripts by famous artists to the Guangxi Zhuang Autonomous Region Museum, totaling 108 precious works of art; on May 18, Ms. Ma Huixian donated The opening ceremony of Ma Wanli's seal and seal scroll erection and the "Exhibition of True Seal Used by Mr. Ma Wanli" was held at the Guangxi Zhuang Autonomous Region Museum. The Autonomous Region Museum awarded Ms. Ma Huixian the title of "Honorary Librarian";
< p>At 20:35 on the evening of May 22, 2014, he passed away in Nanning Second Hospital due to ineffective treatment. He was 86 years old.Related figures
Ma Wanli
Ma Wanli (1904-1979), formerly known as Ruitu, also named Yunfu and Wanli, was named Manlu. The evening number is New Year's Eve. The house is named Tiandilu, Mojuntang, Jiubai Shiyin Jingshe, etc. He was born in Wujin, Changzhou, Jiangsu Province. He is the father of the famous contemporary painter Ma Huixian. He is an outstanding calligraphy, painting and seal cutting artist and art educator. In his early years, he taught at Jinan University, Shanghai Academy of Fine Arts, and China University of the Arts. In 1935, he and Huang Binhong went to Guangxi to hold a joint exhibition of calligraphy and painting. After the outbreak of the Anti-Japanese War, many calligraphy and painting charity sales were organized across the country to support the Anti-Japanese War. Guilin Art College was founded in 1941. In 1944, he left Guangxi to sketch and hold art exhibitions in Chongqing, Chengdu, Dali and other places, and continued to engage in art education activities. After the victory of the Anti-Japanese War, he assisted Lei Peihong in developing local education in Guangxi. Later moved to Beijing. In 1960, he returned to Guangxi at the invitation of the Guangxi government and served successively as deputy director of the Guangxi Museum of Culture and History, member of the Guangxi CPPCC, and director of the Guangxi Artists Association.
Ma Wanli has outstanding artistic attainments in poetry, painting, calligraphy, and seal cutting. Among them, he is famous for his flower and bird paintings. He is a deeply loved people's artist.
Lü Mushi
Lü Mushi (1923-1966), formerly known as Lü Ying, also known as Mushi, with the courtesy name Zidian, was born in Guilin, Guangxi, and was the son-in-law of Ma Wanli, a famous modern calligrapher, painter and seal engraver. The husband of the famous painter Ma Huixian and the honorary president of Ma Wanli Chinese Painting Art Research Association. Graduated from Guilin Academy of Fine Arts in 1944 and is a member of the Hunan branch of the Chinese Art Association. He studied Chinese painting and Western painting under Ma Wanli and Xu Beihong. He is good at painting birds, animals and landscape figures. His works are unique and exquisite. He has been famous all over the country. He has held many solo and group exhibitions of his works in various places. In 1966, at the beginning of the Cultural Revolution, he unfortunately died due to persecution. His representative works include "A Thin Line of Sky over Mount Huangshan", "A Hundred Generations of Marquises", "Three Gorges Plank Road", "Piercing the Blue Sky and Still Remaining", "When the Clouds Bloom on Wansong Ridge", etc.
Lu Mushi was born into a poor family in the city. He was a simple, honest, resolute and upright person. He loved painting since he was a child. Because his family was poor, he sold his paintings when he was more than 10 years old to help his family. In the autumn of 1941, he was admitted to the first session of the Chinese Painting Department of Guilin College of Fine Arts and studied Chinese painting from Ma Wanli. After graduating from Guilin Art College in 1944, he worked as an art teacher at Yongfu Middle School. In 1946, he worked as an art teacher at Pingle Middle School in Guilin. In 1948, he raised flowers, birds, figures, and There are about 40 landscape paintings, which have been exhibited in Hengyang, Changsha and other places. In the autumn of the same year, he went to Changsha to organize the "Oriental Art College" with Tang Daochang, a classmate of Guilin Art College, Lin Yuqin, Yuan Gongliang, professors of Hunan Music College, and others. He served as a preparatory committee member and donated more than 30 works to raise funds for the school. Exhibited in Changde, Hanshou and other places, and joined the "Hunan Branch of the Chinese Art Association". In the Art Festival Exhibition of the same year (March 25), his painting "Two Peacocks" and "Looking Through the Autumn Water", a collaboration with Tang Daochang, participated in the exhibition and received favorable reviews in the newspapers. After liberation, he painted at Xijiang College. In the autumn of 1951, he went to Beijing to study sketching in the Western Painting Department of the Central Academy of Fine Arts. During this period, he learned oil painting from Xu Beihong. In the autumn of 1952, he worked as an art artist at the Shijingshan Slide Promotion Station in Beijing. From 1953 to 1958, he worked as an art artist at Xinjiekou Cinema in Xicheng District, Beijing. After 1958, he was wrongfully detained for three years. In June 1960, the Qianmen District Court of Beijing revoked the original verdict and acquitted him. In 1962, he returned to Guangxi to make a living selling paintings. During this period, he held many personal exhibitions in the region.
Unfortunately, he passed away in early 1966 due to severe persecution during the Cultural Revolution.
Lu Mushi’s landscape works are majestic, majestic and precipitous. His brushwork is vigorous and vigorous, and his ink is suitable for light and dark. His vegetation, flowers and fruits are bright and green, and the colors are lively and fragrant. His characters, animals, shapes and spirits The calligraphy is sophisticated and lively; all four aspects of his calligraphy are refined, free and vigorous.
“(Wanli)’s son-in-law Lu Ying grew up in a hometown with beautiful landscapes. He was endowed with great talent and was taught by famous teachers. The landscapes, figures, birds and beasts he painted were suitable for his paintings. They were quite strange and very different. Every workman, unfortunately, encounters many hardships and does not live forever. "--Excerpted from "Selected Paintings and Calligraphy of the Three Dynasties of Ma Wanli" Preface by Yu Yifu
Lu Mushi studied under Ma Wanli and Xu Beihong, two masters of Shanghai style painting. , but his works are quite different from the styles of the two mentors. Most of his landscape works have the style of the Northern School. This is because he has been diligently copying and studying the artistic works of hundreds of famous artists and masters since he was a child, and gradually formed his own unique creative style, which also incorporates his own unique style. His upright and upright character and rich life experience. His paintings are vigorous and majestic yet beautiful, and his handling of details is also precise.
Ma Tengjiao
Ma Tengjiao (1952——), also known as Cangchi, also known as the owner of Mojun Hall and the owner of Qingyun Hall, his ancestral home is Wujin, Changzhou, Jiangsu Province. He was born in Beijing and is a famous contemporary painter in Guangxi. . He is the grandson of Ma Wanli, a famous modern calligrapher, painter and seal engraver, the son of Ma Huixian and Lu Mushi, and the chairman of Ma Wanli Chinese Painting Art Research Association. He began to study painting with his maternal grandfather Ma Wanli when he was young. In 1964, he returned to Guangxi with his mother Ma Huixian when he was 11 years old. His father died when he was 13 years old. Later, he worked in the Guangxi Literature and History Research Center for a long time. His painting style inherits the characteristics of freshness, elegance, and beauty of the Ma School of Painting, and he is good at painting flowers, birds, fish, insects, figures, and landscapes. The main works include "Double Life Picture", "Morning Reading on the Canghai", "Wealth in the Jade Hall", "Blessings upon Blessings", "Carp Jumping in the Lotus Pond", "Li Bai Drunken", etc. His works are widely circulated in Australia, Canada, the United States, Germany, South Africa, Malaysia, Japan, Singapore, Hong Kong, Macao and Taiwan and other regions, and have been praised repeatedly.
The flowers and feathers painted by Ma Tengjiao are bright, vivid, and vivid; the figures and landscapes are simple, simple, graceful, and free and easy. The writing and ink are very rigorous and the painting style is clear. Not only does he inherit his family's academic origins, his colors are elegant, his brushwork is elegant, but he also incorporates the strengths of each school to create a new style of painting. His calligraphy is free and strong, honest, thick and elegant, with "zheng", "cao", "li" and "zhuan" all perfect, with smooth knots, straight postures and decent graces. He is familiar with the rhythm of poetry and is good at poetry and poetry. The language of his poems is mellow, fresh and beautiful, and quite readable. The poems he wrote on the paintings are particularly harmonious and harmonious with the pictures, and the artistic conception is elegant and lofty.
Related publications
Guangxi Fine Arts Publishing House published "Ma Huixian's Painting Collection" (ISBN978-7-5494-1299-0/J·2322) in May 2015, anthology Collected 102 works of Ma Huixian.
Mr. Zhao Shaoang, one of the "Five Elders of Lingnan", once donated ink to Huixian's painting exhibition. Guangxi Literature and History published a special issue "Ma Huixian's Painting Exhibition" in 2007.
Guangxi Fine Arts Publishing House published "Selected Paintings and Calligraphy of Three Generations of Ma Wanli" (ISBN7-80582-880-6/J·627) in July 1995, which selected 11 works of Ma Huixian.