1. Ancient poems about fatness
Ancient poems about fatness 1. Ancient people regarded fatness as a beauty, related poems
The ancients talked about fatness as a beauty Beautiful poems, sentences, and articles, it can be seen that this kind of thinking was not only in the Tang Dynasty, gt; Han mentioned it! From a very early age, Chinese people have stubbornly believed that the standard of beauty is to be tall and fat.
The beauties sung in "The Book of Songs", whether male or female, are all tall and plump: "Beifeng·Jianxi" praises a beautiful dancing star: "The majestic person is a mama, and the palace is full of people." "Wu", "Shuo" means "fat", "壣" means "tall", it can be seen that being tall and fat is the standard of beauty; "Wei Feng·Shuo Ren" praises a noble lady: "Shuo people are beautiful, and their clothes are rich and beautiful." He is tall and fat.
How fat is it? ——"The hands are like catkins, the skin is like gelatin. The collar is like a cricket grub, and the teeth are like gourd rhinoceros."
"Catkins" are the buds of the plant, and "cured fat" is the condensed lard. "Collar" refers to the neck; "蛤蛯", later the pronunciation was changed to "蛟螸", which is the larvae of the mole cricket, which is white and fat.
Think about it: He is covered in fat, his neck is like a bulging bug, and his fingers are like plump and bulging buds. This image is not worthy of what is now called "a basket of oil." A nickname? Later, when Cai Yong wrote about beauties in "Xiechu Fu", he used more elegant metaphors: "The face is like a full moon, the brightness is like the morning sun, the color is like a lotus flower, and the skin is like condensed honey." However, the whole image is different from "a basket of honey". Oil" still makes no difference. However, in ancient times, this "basket of oil" was like Madonna, an idol that was definitely admired and worshiped by people.
At that time, people not only worshiped women who were fat, but also the fatter they became, the more beautiful they became. "Tang Feng·Jiao Liao" praised women: "The other's son is huge and has no friends; the other's son is huge and strong." " Huge and without friends, that is, "Big Mac". In the eyes of the ancients, a woman of this size would be the most beautiful and the most beautiful woman in the world.
When we read "The Book of Songs", we can notice that almost all of the sentences praising beauties are inseparable from the word "shuo": such as "Chen Feng Zepi": "There is a beautiful person, huge and volume"; "Binfeng·Langba": "Gongsun's skin is so handsome, how many red skins"; "Qi Feng·Yi Si": "Yi Si is prosperous, big and long"; "Wei Feng·Shuo Ren": "Shuo Ren" Ao Ao" and so on are all examples. Some people may say that the "Book of Songs" cited above are all northern poems. Maybe the aesthetic standards of the south are different? Please read the description of beautiful women in "Chu Ci·Dazhao": "Plenty of flesh and bones, adjusted to entertain animals."
The so-called "rich flesh and small bones" means that the flesh is visible but the bone shape is not visible. This is exactly the opposite of the "skeletal texture" required in modern selection of beauties; look further down - "Zeng's cheeks lean against her ears, and her eyebrows are curved." This makes her beauty even more amazing. The so-called "Zeng's cheeks" refer to "layer cheeks", that is, double chins, and the shapes of the face and neck are not clearly distinguishable. This is exactly the same as the beauty sung in the Book of Songs, because "Weifeng" once used "huge and graceful" to praise beautiful women, and "Taiping Yulan" Volume 368 cited "huge and graceful".
Note: "娨, Chong Yi", "Chong Yi" is synonymous with "Zeng Che", which is also a double chin. She has one more chin than others, which was a rare beauty in ancient Wei and Chu lands.
This shows that in ancient times, the standard of beauty was not only men and women, but also north and south. Precisely because fatness was considered the norm in ancient times, the word "Shuo Ren" has also become a synonym for "beautiful person", such as "Xiaoya·Baihua": "I sing sadly, thinking of that Shuo Ren"; Cai Yong's "Shuo Ren" "Qingyi Fu": "Mysterious light is smooth, and my collar is like a caterpillar.
Slender and graceful, a tall man is handsome"; Chen Lin's "Zhiyu Fu": "The color is shining in spring, more beautiful than a tall man". Classes are all such use cases. "Zuo Zhuan" describes beautiful women as "beautiful and gorgeous", while "Shuowen" interprets "yan" as "good and long", which means beautiful and tall.
Literally speaking, the word "Yan" comes from "Feng", and "Feng" itself means fat and plump. For example, Sima Xiangru's "Ode to Beauty", Ge Hong's "Miscellaneous Notes on Xijing", Cai Yong's "Ode to Xiechu", Xiao Yan's "Ode to Jingye", etc. all directly use "full muscles" to describe beauties.
This reflects the tendency to only focus on the quality of meat when measuring beauty.
In addition, ancient women were also nicknamed "mother". The word "mother" is a common character, and its original character is "mother". According to "Shuowen", "mother" is said to be "fat."
"E" It is also a good name for beautiful girls, and the word "E" comes from "I", and all the words from "I" have the meaning of tallness. In ancient times, women's beauty was also called "Yan" and "娙".
What are "Yan" and "娙"? "Shuowen" says: "Yan, looks good"; "娙, looks good"; the "fair lady" in "Poetry·Guan Ju" is The most classic name for beautiful women, the so-called "youyao", is the pronunciation of the adjective "Ao Ao" for "Shuo Ren" in "Wei Feng", and "Ao Ao" is interpreted as "long appearance" in "Mao Zhuan". In addition, the repeated pronunciation of "Ao Ao" was changed to the double-voiced "娥匌": "Liezi: King Mu of Zhou": "Zheng Wei's son, E匌miman", later changed to "娥匌", "Chu Ci· "Li Sao": "The girls are jealous of Yu'e's eyebrows."
The original meaning is that Ao'ao, Yaoyou, Esu, and Emei all mean tall. Later, the so-called "slender" also came from "slim." ", "E'u" comes from, and its correct meaning is only tall, and does not include the current meaning of "thin".
When it comes to beauty, the ancients only emphasized growing up as an important condition, "Erya" ": "Tuo Tuo is beautiful," Sun Yan said: "Tuo Tuo is beautiful. "Lunheng": "Dong people were the best in the previous world." "
"Historical Records·Biography of Su Qin": "There is a long and beautiful woman. ""Salt and Iron Theory: Thorn Quan": talks about the beauty of Zhongshan women, "also Changbai women. ”
There are many such examples. In ancient times, the word “beautiful and plump” was often used to describe men’s beauty, which shows that “fatness” is also the primary condition for male beauty.
There were two famous handsome men in the pre-Qin Dynasty, one was named "Zi Du" and the other was named "Zichong". And Du, Da Ye; Chong, Chang Ye and Gao Ye.
From their names, It can be seen that the reason why they are handsome is because of their size. Speaking of names, I also think of the naming of the ancients. Their choice of "name" and "character" also highlighted the concept of growing up as beauty at that time.
"Zuo Zhuan·Yin Gong Year" records that Zheng Gongzi's name is Lu, with the courtesy name "Lv", and also "Fu" in ancient Chinese ("Lv Xing" in "Shangshu", "Book of Rites"). "Xiao Jing" also quotes "Fu Xing" as evidence)
And "Erya" says: "Fu, big." "Huainanzi·Tianwen Chapter": "Zhonglu means Zhongchong Daye; Nanlu means Renbaodaye"; "Dialect": "Lu means Changye."
Song and Lu said that Lu means "long and big". And "feng" as his "character" also means big. "The Book of Songs·Shang Song·Yinwu Pian": "Feudalism brings blessings." ", Mao Chuan said: .
2. Poems about fat people
Ten reasons for liking fat people 1. Using his fat arms as pillows is very ergonomic, and he Your body is the best big pillow, and it is very comfortable to sleep in your arms; 2. A generous chest is your best haven. You can find comfort in his chest when you are tired, tired, or wronged; 3. Generally fat people Everyone has an optimistic and open-minded character, so such a man is your best pistachio; 4. When he kisses you with his soft lips, your heart will sink; 5. The meat tastes very good Good; 6. The fleshy neck can just bury your face, allowing you to smell his scent, soothing your mood and reducing stress; 7. The round belly is a good place for you to play; 8. Because he is fat His movements will be very gentle, but when his hands slide over your body, your bones will feel tender; 9. Because he is fat, he has the characteristics of being warm in winter and cool in summer. It can be used as a quilt in winter and as a quilt in summer. Air conditioning is both environmentally friendly and energy-saving; 10. Only a fat man can give you that warm and fragrant nephrite feeling. Believe me, I have tried my best, but I still can’t find it.
3. Describe " What are the poems about "women are fat"
Thick waists and round legs are ordinary, one person is better than two.
After busying in the east and busy in the west, I shed two lines of tears at sunrise and sunset.
Poems describing women: 1. There is no beauty in the world! Pleasant to the eye is a beautiful woman! The appearance of the city is overwhelming to the country! Shocking everyone in the world! 2. Hibiscus is not as beautiful as makeup, and the wind from the water palace brings the fragrance of pearls and greenery. 3. The appearance is strong, noble and true, the texture is fine and the bones are even. 4. Pretty like a peach in three springs, and pure and simple like a chrysanthemum in nine autumns. 5. There is a delicate beauty hidden in the eyebrows and corners of the eyes, a voice and a smile. Dew gentle 6. As graceful as a startling dragon, as graceful as a swimming dragon 7. The beauty is drunk, her face is more rosy 8. The ice-skinned skin is naturally thin, so it will be more after flying 9. Inviting people to put on makeup, not complacent in robes 10 .Beautiful beauty conceals the present and the past, and the lotus is shy of the jade face. 11. There is a beauty in the north, peerless and independent. 12. The person beside me is like the moon, and the bright wrist is covered with frost and snow. 13. The spring smiles with peach blossoms, and the clouds pile up in green buns; the lips are blooming with cherry blossoms, Grave teeth are fragrant 14. Tranquility is like a flower shining on the water, and movement is like a willow supported by the wind. 15. Don’t lean on the railing alone, the country is unlimited, it is easy to see each other when you say goodbye. 16. The graceful girl is shy, and the years are worry-free. 17. The beauty is more enchanting, autumn water Spiritual auspicious snow mark 18. Pearl tassels rotate and stars shake, flowers and vines tremble, dragons and snakes move 19. Jianjia is green, and white dew is frost.
The so-called beauty is on the other side of the water. 20. Who is sure to twist her heart and make her dizzy like a delicate dimple? Yang Yuhuan: Yang Yuhuan (719 AD - 756 AD): No. Taizhen. With gorgeous appearance, good at singing and dancing, and good at music, he was a court musician and dancer in the Tang Dynasty.
Her musical talent was rarely seen among concubines in the past dynasties, and she was praised by later generations as one of the four beauties in ancient China. There are disputes about his place of origin. There are five main theories: Guozhou Nuxiang (now Lingbao, Henan), Puzhou Yongle (now Yongji, Shanxi), Hongnong Huayin (now Shaanxi Huayin), Shuzhou (now Sichuan) Chengdu) and Rongzhou (now Rongxian, Guangxi) said.
She was born into a family of eunuchs, and her father Yang Xuanyan once served as the chief minister of Shuzhou. She first became Princess Li Hao, the son of Emperor Xuanzong of the Tang Dynasty. After being ordered to become a monk, she was canonized as a noble concubine by her father-in-law, Emperor Xuanzong of the Tang Dynasty.
In the fifteenth year of Tianbao (756), Anlushan launched a rebellion and followed Li Longji into exile in Shu. They passed through Maweiyi. Yang Yuhuan died in the rebellion in Maweiyi on June 14th. The fragrance disappears and the jade dies.
4. Did the ancients have any poems, sentences, articles, etc. about fatness as beauty?
From a very early time, the Chinese people have stubbornly believed that the standard of beauty is to be beautiful. Tall and fat.
The beauties sung in "The Book of Songs", whether male or female, are all tall and plump: "Beifeng Jianxi" praises a beautiful dancing star: "A majestic person, a majestic person in the palace. "Wu" means "Shuo", "Shuo" means "fat", and "Mata" means "tall". It can be seen that being tall and fat is the standard of beauty; "Wei Feng·Shuo Ren" praises a noble lady: "Shuo people are beautiful and well-dressed." He is tall and fat.
How fat is it? ——"The hands are like catkins, the skin is like gelatin. The collar is like a cricket grub, and the teeth are like gourd rhinoceros."
"Catkins" are the buds of the plant, and "cured fat" is the condensed lard. "Collar" refers to the neck; "蛤蛯", later the pronunciation was changed to "蛟螸", which is the larvae of the mole cricket, which is white and fat.
Think about it: He is covered in fat, his neck is like a bulging bug, and his fingers are like fat and bulging buds. This image is not enough to be worthy of the so-called "basket of oil" nowadays. A nickname? Later, when Cai Yong wrote about beauties in "Xiechu Fu", he used more elegant metaphors: "The face is like a full moon, the brightness is like the morning sun, the color is like a lotus flower, and the skin is like condensed honey." However, the whole image is different from "a basket of honey". Oil" still makes no difference. However, in ancient times, this "basket of oil" was like Madonna, an idol that was definitely admired and worshiped by people.
At that time, people not only worshiped women who were fat, but also the fatter they became, the more beautiful they became. "Tang Feng·Jiao Liao" praised women: "The other's son is huge and has no friends; the other's son is huge and strong." " Huge and without friends, that is, "Big Mac". In the eyes of the ancients, a woman of this size would be the most powerful and beautiful woman in the world.
When we read the "Book of Songs", we can notice that almost all of the sentences praising beauties are inseparable from the word "shuo": such as "Chen Feng·Zepei": "There is a beautiful person, huge and volume"; "Binfeng·Langba": "Gongsun's skin is so beautiful, how many red skins"; "Qi Feng·Yi Si": "Yi Si is prosperous, big and long"; "Wei Feng·Shuo Ren": "Shuo Ren" Ao Ao" and so on are all examples. Some people may say that the "Book of Songs" cited above are all northern poems. Maybe the aesthetic standards of the south are different? Please read the description of beautiful women in "Chu Ci·Dazhao": "Plenty of flesh and bones, adjusted to entertain animals."
The so-called "rich flesh and small bones" means that the flesh is visible but the bone shape is not visible. This is exactly the opposite of the "skeletal texture" required in modern selection of beauties; look further down - "Zeng's cheeks lean against the ears, and their eyebrows are curved." This makes the beauty even more astonishing. The so-called "Zeng's cheeks" are "layer cheeks", which means double chins. The shape of the face and neck are not very clear, like a certain place in another place. A male host on satellite TV (sorry I forgot his name). This is exactly the same as the beauties sung in the Book of Songs, because "Weifeng" once used "huge and graceful" to praise beauties, and "Taiping Yulan" Volume 368 cited "huge and graceful".
Note: "娨, Chong Yi", "Chong Yi" is synonymous with "Zeng Che", which is also a double chin. She has one more chin than others, which was a rare beauty in ancient Wei and Chu lands.
This shows that in ancient times, the standard of beauty based on fatness did not distinguish between men and women, but also did not distinguish between north and south. Precisely because fatness was considered the norm in ancient times, the word "Shuo Ren" has also become a synonym for "beautiful woman", such as "Xiaoya·Baihua": "I sing sadly, thinking of the Shuo Ren"; Cai Yong's "Shuo Ren" "Qingyi Fu": "Mysterious light is smooth, and my collar is like a caterpillar.
Slender and graceful, a tall man is handsome"; Chen Lin's "Zhiyu Fu": "The color is shining in spring, more beautiful than a tall man". Classes are all such use cases. "Zuo Zhuan" describes beautiful women as "beautiful and gorgeous", while "Shuowen" interprets "yan" as "good and long", which means beautiful and tall.
Literally speaking, the word "Yan" comes from "Feng", and "Feng" itself means fat and plump. For example, Sima Xiangru's "Ode to Beauty", Ge Hong's "Miscellaneous Notes on Xijing", Cai Yong's "Ode to Xiechu", Xiao Yan's "Ode to Jingye", etc. all directly use "full muscles" to describe beauties.
This reflects the tendency to only focus on the quality of meat when measuring beauty. In addition, ancient women were also nicknamed "mother". The word "mother" is a common character, and its original character is "mother". According to "Shuowen", "mother" is said to be "fat."
"E" It is also a good name for beautiful girls, and the word "E" comes from "I", and all the words from "I" have the meaning of tallness. In ancient times, women's beauty was also called "Yan" and "娙".
What are "Yan" and "娙"? "Shuowen" says: "Yan, looks good"; "娙, looks good"; the "fair lady" in "Poetry·Guan Ju" is The most classic name for beautiful women, the so-called "youyao", is the pronunciation of the adjective "Ao Ao" for "Shuo Ren" in "Wei Feng", and "Ao Ao" is interpreted as "long appearance" in "Mao Zhuan". In addition, the repeated pronunciation of "Ao Ao" was changed to the double-voiced "娥匌": "Liezi: King Mu of Zhou": "Zheng Wei's son, E匌miman", later changed to "娥匌", "Chu Ci· "Li Sao": "The girls are jealous of Yu'e's eyebrows."
The original meaning is that Ao'ao, Yaoyou, Esu, and Emei all mean tall. Later, the so-called "slender" also came from "slim." ", "E'u" comes from, and its correct meaning is only tall, and does not include the current meaning of "thin".
When it comes to beauty, the ancients only emphasized growing up as an important condition, "Erya" ": "Tuo Tuo is beautiful," Sun Yan said: "Tuo Tuo is beautiful. "Lunheng": "Dong people were the best in the previous world." "
"Historical Records·Biography of Su Qin": "There is a long and beautiful woman. ""Salt and Iron Theory: Thorn Quan": talks about the beauty of Zhongshan women, "also Changbai women. ”
There are many such examples. In ancient times, the word “beautiful and plump” was often used to describe men’s beauty, which shows that “fatness” is also the primary condition for male beauty.
There were two famous handsome men in the pre-Qin Dynasty, one was named "Zi Du" and the other was named "Zichong". And Du, Da Ye; Chong, Chang Ye and Gao Ye.
From their names, You can see that the reason why they are handsome is because they are big.
Speaking of names, I also think of the naming of the ancients. Their choice of "name" and "character" also highlighted the concept of growing up as a beauty at that time.
"Zuo Zhuan·Yin Gong Year" records that Mr. Zheng's name was Lu and his courtesy name was Zifeng. "Lv" is also called "Fu" in ancient Chinese ("Lv Xing" in "Shangshu", as evidenced by "Lv Xing" in "Book of Rites" and "Xiao Jing").
And "Erya" says: "Fu, Da Ye." "Huainanzi Tianwen Chapter": "Zhong Lu, Zhong Chong Da Ye; Nan Lu, Ren Bao Da Ye"; " "Dialect": "Lu means long.
Lu in Song Dynasty said Lu means long and big." And "feng" as his "word" also means big. "The Book of Songs·Shang Song·Yinwu Chapter": "Feudal blessing", Mao Chuan said: "Feng means big."
"Zuo Zhuan·The 22nd year of Duke Xiang."
5. Did the ancients have any poems, sentences, articles, etc. about fatness as beauty?
"Wei Feng·Shuo Ren" praises a noble lady, which is in line with the modern requirements for selecting beauties. The "bone texture" of "Ao Ao" is exactly the opposite; looking further down - "Zeng cheek leans against the ear, and the eyebrows are curved", this is even more amazing, and "Ao Ao": "Fu, big.
"Chongshi" means beauty and greatness, so monarchs often choose tall women in beauty pageants, who are tall and long"; "Wei Feng·Shuo Ren": "Shuo Ren Ao Ao" and so on, "also Changbai women also: "Man, long". In ancient times, there was "Wanwu", Wanwu means "Manwu", and the dancers all grow up, so they are called Man and Cai Yong's "Xiechu Fu", Yan Shigu notes: "Duanxiao means sleep", which means "Zhongchongda"; those from Nanlu, Renbaodaye"; "Dialect" later changed to "Emei": "All the girls are jealous of my Emeixi", Gao (qiao, dressed in brocade clothes) . "
The tall ones are also long. It is also said: "The big chime is called Qiao, the other is called "Zidu", and the big chi is called "Chen", both "Qiao" and "Chen" are grown up.
6. Ancient seven-character quatrains describing the beauty of fat women include
1. Listen to Zhang Liben’s female chant
Tang Dynasty: Gao Suitable
Wearing a crown with broad sleeves, I walk alone in the courtyard to enjoy the cool night
I bang my jade hairpin on the bamboo and sing a clear song, the moon is like frost
Translation: The girl wore a tall hat and fluttered her broad sleeves, dressed like a southern aristocratic woman. She walked alone in the cool and quiet courtyard at night, knocking the bamboo at the foot of the steps with her jade hairpin. After beating the beat and singing a clear song, the moonlight looked very bright.
2. Die Lianhua·Yue Girl Picking Lotus by the Autumn Water
Song Dynasty: Ouyang Xiu
The Yue girl picks lotus flowers by the autumn water. Her narrow sleeves reveal her golden hair. The smoke is light, and I can't see my companion. The faint song returns to the south bank of the Yangtze River.
Translation: On the bank of the clear autumn water, a beautiful girl from the south of the Yangtze River is picking lotus flowers. The golden necklace on her wrist outlines her graceful figure. Her beauty is reflected in the water, competing with the lotus flowers. Her delicate hands pick the fragrant lotus root, but it does not prevent the lotus root from being "silk". The wisps of light stirred up her lingering thoughts.
In the blink of an eye, the wind blew and the dew fell. The girl who was immersed in her reverie suddenly came back to her senses, only to see a frivolous evening smoke, and her companions who came with her were missing. At this time, there was a faint sound of singing in the distance, and the sound of the song was getting farther and farther away, and the lingering sound lingered on the bank of the south of the Yangtze River, seeming to shed the sorrow of separation all the way.
3. Female Guanzi. ·Midnight last night
Tang Dynasty: Wei Zhuang
I had a dream on my pillow for a long time. I'm still half happy, but I want to leave and feel sad.
Translation: Late last night, you appeared in my dream. We talked a lot, and found that you are still as beautiful and lovely as before, with a peach-like face, frequently lowered eyelids, and curved eyebrows. He seemed a little shy and a little happy. When it was time to leave, I kept looking back, reluctant to leave.
Only when I woke up did I realize that it was just a dream. There was still nothing around me, and I was still alone. Unbearable sadness filled my heart.
4. One of the Five Poems of Yue Women
Tang Dynasty: Li Bai
The children of Wu have grown up, and their eyebrows are bright and crescent-shaped.
My feet are like frost on my clogs, and I don’t wear crow’s head socks.
Translation: The girl from Wu in Changganli has delicate features and is as beautiful as the bright moon. The feet on the wooden clogs without socks were as white as frost.
5. Five Poems about Yue Women·Part 2
Tang Dynasty: Li Bai
Wu'er is fair-skinned and is good for boating dramas.
Selling eyes and showing love, folding flowers to seduce travelers.
Translation: The girls in Wu land are as fair as jade and are good at playing games in the fields. Cast a loving look, throw away the spring heart, and bring back flowers to mock travelers.
7. Ancient seven-character quatrains describing the beauty of fat women include:
The most famous fat women in ancient China are of course Yang Guifei and Yang Yuhuan.
The poems describing her are also very good ~ The Song of Everlasting Sorrow by Bai Juyi, the Emperor of Han Dynasty, was obsessed with beauty and his love for the country was overwhelming, and Yu Yu could not get her for many years. There is a daughter in the Yang family who has just grown up. She is raised in a boudoir and no one knows her.
It’s hard to give up on natural beauty, and once you choose it, you will be on the side of the king. Looking back and smiling, the sixth palace has no color.
In the cold spring, bathe in Huaqing Pool, and the hot spring water will wash away the fat. The waiter helped her weakly, and it was the beginning of her new grace.
The flowers on the temples are swaying with golden steps, and the hibiscus tent warms the spring night. The spring night is short and the sun is high, and from now on the king will not go to court early.
There is no leisure for Cheng Huan to serve banquets, and he spends all his time traveling from spring to night. There are three thousand beauties in the harem, and three thousand people love her.
The golden house is made up to serve as a charming servant at night, and the jade house is drunk and spring after the banquet. Sisters and brothers are all from the earth, poor and glorious.
This makes the hearts of parents all over the world not to be reborn as boys but as girls. The blue clouds are rising from the heights of Li Palace, and the wind of fairy music can be heard everywhere.
Slow singing, dancing and dancing on silk and bamboo, the emperor could not see enough. Yuyang's flying dragon stirs the earth, shocking the colorful clothes and feathers.
Smoke and dust arose from the Jiuchong City Tower, and thousands of horses rode southwestward. The green flowers swayed and stopped, more than a hundred miles west of the capital.
The Sixth Army had no choice but to turn around and die in front of the horse. There is no one to collect the flowers and leaves on the ground, and the green buds and jade are scratching their heads.
The king hid his face and could not be saved. Looking back, blood and tears flowed. The yellow leaves are scattered in the wind, and the clouds linger in the sword pavilion.
There are few people walking at the foot of Mount Emei, and the flags are dull and the sun is thin. The water of the Shu River is green, the mountains of Shu are green, and the Holy Lord loves each other day and night.
Seeing the moon in the palace makes me sad, and hearing the sound of heartbroken bells in the rain at night. The sky spins and the earth turns back to Long Yu. He hesitates and cannot go.
8. The poems about how the ancients described women's fatness and thinness must be poems
"The Book of Songs":
Hands are like catkins, hands are like catkins, skin is It's like condensed fat, its collar is like a cricket grub, its teeth are like a gourd rhinoceros, its head is like a moth's eyebrows, and it's a charming smile?
Bai Juyi's "Song of Everlasting Regret":
"It's hard to give up on natural beauty"
"Looking back, you can be charming with a smile, the pink and white in the Sixth Palace have no color"
"The hot spring water washes away the fat"
"The clouds on the temples are swaying with golden steps, and the hibiscus tent warms the spring night"
"The hibiscus is like the face and the willows are like the eyebrows"
Three Qing Ping Tune Poems by Li Qingzhao
The clouds think of clothes and flowers think of face, the spring breeze blows on the threshold and the dew is thick.
If we hadn't met on the top of the jade mountains, we would have met under the moon on Yaotai.
A branch of red dew is fragrant, and the clouds and rain in Wushan are in vain.
I ask who is more like the Han Palace, but the poor flying swallow leans on the new makeup.
Famous flowers are all over the country, and the two are happy. The king often brings a smile to his face.
Explanation: The spring breeze is infinitely hateful, and the agarwood pavilion leans against the railing in the north.