The development of Jun porcelain during this period showed the following characteristics:

First of all, the craftsmanship was relatively standardized and the glaze color was more charming. From the late 1960s to the early 1970s, in order to adapt to the development of Jun porcelain, various manufacturers gradually updated their equipment. The original manual processing of raw materials was replaced by machinery, and hand-pulled wheel blank making was changed to machine wheel blank making. In the late 1970s, all Jun porcelain manufacturers established laboratories and purchased a large number of instruments and meters for Jun porcelain experiments, which gave the glaze formula and product inspection a scientific basis. On the basis of summarizing the rules and learning from each other, , standardizing various technological processes. At the same time, manufacturers encourage artists to innovate boldly and solve many problems in the modeling and firing processes. Based on the changes in the chemical composition of the glaze in flames of different properties, some old artists summed up the five-character Jun porcelain kiln firing method of "flat, fast, accurate, ruthless and safe", which not only increased the firing pass rate from the original 10 It was increased to about 40, and the kiln firing time was also shortened from 32 hours to 24 hours. In addition, down-flame kilns were widely used in various factories. By the end of 1977, the extra-large "Jiaolong Naohuan Bottle" with a height of 1.5 meters had been fired.

Secondly, innovation capabilities have been enhanced and styles have been continuously enriched. While promoting technology, standardizing processes, and improving glaze colors, various companies pay more attention to innovation and improvement in styling. In 1983, the Ceramics Vocational School was established in Shenhe Town, with a four-year schooling period, and recruited a group of workers' children who were interested in the ceramics industry. Each factory also selected workers with a certain level of education and craftsmanship to go to the Central Academy of Arts and Crafts, Jiangxi Jingdezhen Ceramics Institute, and Northwest Institute of Technology for further studies, and launched a series of technical competitions and innovation competitions. Liu Fu'an, the first Chinese arts and crafts master in the Jun porcelain world, is an outstanding representative who has emerged. Under the leadership of Liu Fu'an, Junci Factory No. 1 alone completed more than 300 types of Junci shapes. The "Xiu Jade Vase" created by him and technical staff won the first prize for outstanding creative design in the China Arts and Crafts Hundred Flowers Award. From the late 1970s to the mid-1980s, some well-known universities across the country used Shenhe as a creative and scientific research base. Famous experts such as Han Meilin, Liu Huanzhang, Zhou Guozhen, Gao Zhuang, Wang Jiabin, Wang Maikao, etc. successively came to various porcelain factories to create on-site works. The integration of sculpture art and modern art into Jun porcelain has improved the number of Jun porcelain shapes from dozens in the 1960s to hundreds. Han Meilin came to Yuzhou several times and made a milestone contribution to the breakthrough of Jun porcelain modeling with unique Korean language such as deformation, exaggeration and abstraction.

Once again, we focus on brand building and our influence is expanding day by day. In the 1980s, various manufacturers began to focus on brand building. The local state-owned Yuxian Porcelain Factory, Yuxian Juncier Factory No. 1, and Yuxian Juncier No.2 Factory registered "Baoguang", "Yubao", and "Baobao" respectively. trademark. In 1983, the Yuxian Jun Porcelain No. 2 Factory exhibited 134 newly created Jun Porcelain treasures at the National Art Museum of China in Beijing. Jun Porcelain, which had been dormant for many years, entered the Chinese people's horizons in a concentrated form with high standards for the first time. It was favored by celebrities from all walks of life and international audiences. The favor of friends. More than 10 media including People's Daily and Xinhua News Agency made concentrated reports on this, calling it "Jun Porcelain's brilliant appearance again". In 1984, the "Shuanglong Living Ring Bottle" created by the Junci No. 2 Factory in Yu County won the first prize in the national arts and crafts ceramics industry competition. The Juncai "Incense Burner" and "Elephant Ear Zun" created by the Junci No. 1 Factory in Yu County "Won the second prize for outstanding creative design in the Hundred Flowers Award for Chinese Arts and Crafts. In the same year, the "Baobao" brand Jun porcelain produced by Yuxian Junci No. 2 Factory and the "Yubao" brand Juncier produced by Yuxian Junci No.1 Factory both won the first place in the fourth national arts and crafts product competition and won the national award. Hundred Flowers of Arts and Crafts "Golden Cup Award". With the achievement of a series of honors, Junci's influence in the country is increasing day by day. The "Animal Ear Vase" and the "Elephant Trunk Statue" were well received as gifts for Deng Xiaoping's visit to Japan. Jun porcelain began to be exported to more than ten countries such as Japan, Mexico, and Sweden in batches, and was known as the "Crown of Fire Art" and "Chinese Treasure". ".

The development of Jun porcelain also led to the prosperity of the Shenge porcelain industry. Stoneware, daily-use porcelain, glazed porcelain, gardening flower pot porcelain, antique architectural porcelain, sanitary ceramics, and antique arts and crafts porcelain appeared. Waiting for the gratifying situation of hundreds of flowers blooming in the ceramic industry.

In the late 1980s, with the deepening of reform and opening up, state-owned enterprises had lost their glory and were replaced by the rise of private kilns.