Which illustration style is used in the design of Lewu Dunhuang cultural and creative products?

National trend illustrations. According to the relevant information on the design of Lewu Dunhuang cultural and creative products, the design of Lewu Dunhuang cultural and creative products is expressed in the style of national trend illustrations. The color is taken from the rock color matching in Dunhuang murals. Puzzle Recommendation 262 National Tide Puzzle｜TOI Dunhuang Co-branded "Lian Sheng Yi Meng"

1. Basic introduction:

This one is 500 pieces of "Lian Sheng Yi Meng", Tuyi There are also 1,000 pieces available.

This puzzle is a Dunhuang Academy series co-branded by Tuyi and the illustration designer "Raising Cats and Painting Suisui"

"A Dream of Lotus"

"The flying red bird is the pioneer, riding the xiangyu of Taiyi". This picture contains elements such as red bird, lotus, flying apsara, etc. It is beautiful, advanced and textured.

Refer to the 1:1 size in the picture. There are eight color partitions on the back. You can group them according to the colors and then integrate them into one picture, which greatly reduces the difficulty and is very nice for novices.

At the same time, the quality is still as good as ever! It snaps together tightly, and the imported blue card material will not chip at all. The picture has a high degree of restoration.

If framed, it can be hung as a decorative painting at home. Which Dunhuang painter has the best Dunhuang murals and ink camel paintings?

Who painted the Dunhuang murals, which are regarded as world art treasures? Researchers have been looking forward to finding out about the author of the murals from the northern area of ??Mogao Grottoes They believe that the 243 caves in the northern area of ??Mogao Grottoes are the residences of Dunhuang painters. Recent archaeological reports from caves in the North District indicate that these caves were places where monks lived and practiced or printed Buddhist scriptures, which makes the eternal mystery of the author of the murals even more confusing. There are 735 caves in Dunhuang Mogao Grottoes, of which nearly 500 are painted with huge murals, covering a total area of ??more than 45,000 square meters. The paintings lasted for more than a thousand years and are known as the world's largest gallery. Ma De, a researcher at the Dunhuang Academy, said that based on research on mural inscriptions and Dunhuang documents, there is only sporadic information about the mural painters around the 10th century AD, and no information about the author can be found in the murals from the 4th to 9th centuries. . He said that among the numerous Dunhuang documents and a large number of mural inscriptions, there are only more than 40 inscriptions and documentary records about the mural authors, and there are only 12 named mural authors including Ping Duozi. On the north and south walls of Cave 3, which was excavated in the Yuan Dynasty, are extremely exquisite paintings of the Avalokitesvara with Thousand Arms and Thousand Eyes. These two statues of Avalokitesvara with Thousand Arms and Thousand Eyes use lines to express their shapes and colors to reveal their features. They use strong and powerful lines to outline the outlines of the figures. The outlines are then lightly smudged. In some cases, the skin is visible without color. People recognize that these are Dunhuang murals. The best. The mural is signed "Ganzhou Shi Xiaoyu Brush". Experts believe that Shi Xiaoyu should be from Zhangye, Gansu Province today. Shi Xiaoyu is likely to have a stage name rather than his real name. As for his life, there is no way to verify it. Another difficulty in determining the author of most Dunhuang murals is that painters before the Song Dynasty generally did not inscribe their signatures. Among all the inscriptions on the murals, it is difficult to find records about the painter. Researchers believe that there are four main sources of Dunhuang painters: first, folk painters from the Western Regions, because the style of early Dunhuang murals is very close to the style of many Buddhist cave murals in Xinjiang during the same period; second, senior officials of the central government The third one is a private painter who was brought with him when he was exiled to Dunhuang after being convicted; the third one is a Central Plains painting master hired with a high salary; the fourth one is a painter from the official Dunhuang Painting Academy in the Five Dynasties period. In Dunhuang documents, all painters are called painters or painters. It can be seen that the painters mainly come from the folk and have low social status. They probably lived in dark and damp caves when they created murals. The large number of field labor scenes in the murals vividly reproduce the economic status and technological level at that time; the strollers and other daily utensils in the Tang Dynasty murals add a secular social color to the mysterious Buddhist murals, providing today's visitors with It has created an extremely precious scroll of Chinese folk customs for thousands of years. Perhaps, it is precisely because the painters are familiar with the real life of the working people that they skillfully integrate the etherealness of the Buddhist country with the reality of the human world. Dunhuang painters painted exquisite murals, but there are almost no records about them, so their lives can always arouse the endless imagination of modern artists. From "Flowers on the Silk Road" to "Dream of Dunhuang", the two famous dance dramas about Dunhuang tell the tragic stories of ordinary painters who went through hardships and devoted themselves to Dunhuang art.

Perhaps the mystery of the Dunhuang mural painters will never be solved, but the brilliant murals have left a great reputation for these unknown artists in the history of Chinese art. The Dunhuang Grottoes include Dunhuang Mogao Grottoes, West Thousand Buddha Caves, and Anxi Yulin Grottoes, with a total of 552 grottoes and more than 50,000 square meters of murals in the past. They are the grottoes with the most murals in my country and the world, and are very rich in content. Dunhuang murals are the main part of Dunhuang art, with huge scale, rich content and exquisite skills. The murals covering more than 50,000 square meters can be roughly divided into the following categories: 1. Buddha paintings. As a religious art, it is the main part of the murals, including various Buddha statues------Three Buddhas, Seventh Buddhas, Sakyamuni, Many Treasures Buddha, Thousand Buddhas of Xiankalpa, etc.; various Bodhisattvas--- ---Manjusri, Samantabhadra, Avalokitesvara, Shizhi, etc.; the Eight Devas------King of Heaven, Dragon King, Yaksha, Feitian, Asura, Garuda (King of Garuda), Kinnara (Lotte) , Python God and so on. Most of these Buddha statues are painted in sermon pictures. In the Mogao Grottoes murals alone, there are 933 pictures of teachings and 12,208 Buddha statues with different expressions. 2. Jingbian paintings use painting, literature and other art forms to express profound Buddhist classics in an easy-to-understand way, which is called "Jingbian". Those who use painting techniques to express classic content are called "Bian Xiang", that is, Jing Bian paintings; those who use words, speaking and singing techniques to express them are called "Bian Wen". 3. National traditional mythological themes. In the caves of the late Northern Wei Dynasty, mythological themes with Taoist ideas appeared. On the top of Cave 249 in the Western Wei Dynasty, in addition to the lotus caisson in the center, Asuras and Mani beads are painted on the east and west sides, and the East Prince and the Queen Mother of the West travel in dragon and phoenix carriages on the north and south sides. The car is heavily covered, with flags flying behind the car. There are alchemists holding festival flags in front of the car to lead the way, and enlightened mythical beasts with human heads and dragon bodies are accompanying them behind. Suzaku, Xuanwu, Qinglong and White Tiger are distributed on each wall. Fei Lian flaps his wings and makes the wind move, Thunder God waves his arms and spins a drum, Thunderbolt strikes stones with iron diamonds and flashes, Rain Master sprays and causes rain. 4. Portraits of donors: donors are people who believe in Buddhism and fund the construction of grottoes. In order to express their pious belief in Buddhism and leave a name for future generations, when they opened caves to create statues, they painted portraits of themselves, their families, relatives, slaves and other people in the caves. These portraits are called donor portraits. 5. Decorative pattern paintings. Colorful decorative pattern paintings are mainly used for grotto architectural decoration, as well as table surrounds, crowns, clothes and utensil decorations. Decorative patterns vary with the times and are ever-changing, with superb painting skills and rich imagination. Pattern paintings mainly include caisson patterns, rafter patterns, edge patterns, etc. 6. Story paintings In order to widely attract the masses and vigorously promote Buddhist scriptures and Dharma, abstract and profound Buddhist classics and historical sites must be instilled into the masses in a popular, concise, and vivid form, so as to inspire them and make them believe in worship. Therefore, a large number of story paintings were painted in the cave, so that the public could receive subtle education while watching them. The story paintings are rich in content, touching in plot, full of life flavor, and have alluring charm. 1. Buddhist stories mainly promote the life and deeds of Sakyamuni. Many of them are myths and folklore from ancient India, which have been processed and modified by Buddhists for centuries and attached to Sakyamuni. Generally, there are many scenes of "riding a human fetus on an elephant" and "crossing the city in the middle of the night". The Buddhist stories in Cave 290 (Northern Zhou Dynasty) are arranged in six horizontal scrolls, drawn in a sequential structure, with 87 scenes, depicting all the plots of Sakyamuni from his birth to becoming a monk. Such long-form comic strips are rare among Buddhist story paintings in my country. 2. Jataka story paintings refer to vivid stories that depict various good deeds of Sakyamuni during his lifetime and promote "karma and retribution" and "hard work and good deeds". It is also a widely popular theme in early Dunhuang murals, such as "Sachuna sacrificed his body to feed the tiger", "King Shibi cut off his flesh to save the pigeon", "Nine-colored deer sacrificed himself to save others", "Sugeti cut his flesh to offer his relatives", etc. Although they are all marked with religion, they still maintain the true nature of myths, fairy tales, and folk tales. 3. The Story Painting of Karma and Destiny This is the story of Buddhist disciples, good men and women, and Sakyamuni saving all sentient beings. The difference from the story of this life is that this life only tells the story of Sakyamuni during his lifetime; while Karma tells the stories of Buddhist disciples, good men and women in their past lives or this life. The main stories in the murals include "Five hundred robbers became Buddhas", "A novice monk committed suicide by observing the precepts", "A prince of a good friend went into the sea to retrieve treasures", etc. The content of the story is bizarre, the plot is twists and turns, and it is quite dramatic. 4. Buddhist historical site story paintings refer to stories painted based on historical records, including Buddhist holy sites, induction stories, deeds of eminent monks, auspicious images, precept paintings, etc. It contains historical figures and historical events and is an image of Buddhist historical data. This type of painting is mostly painted on the four sides of the cave niche, on the top of the corridor and in secondary places in the corners.

But some are also painted on the front wall, such as "Zhang Qian's Mission to the Western Regions" and "Buddha Picture Cheng" in Cave 323 and "Liu Sahe" in Cave 72, etc.