The biggest problem is that evangelical soldiers in the new century can't stand it. This is what everyone will feel when they first see eva. In the plot of Eva, the religious legends as the background of the story are not explained at all, especially the Jewish legends Lilith and Li Lin. To tell the truth, I didn't know there was Judaism before. If I hadn't read the related information on the Internet, I would never have thought that Adam had a Yuan named Lilith, and there were so many stories with Adam. Without explanation and introduction, there must be many people who can't understand this setting.

Besides the background of these stories, there are too many suspense and psychoanalysis in Eva's plot, especially the latter. If you don't understand psychology and psychoanalysis, you will be confused by the pictures and lines that flash quickly.

Suspense is an extreme consideration of commercial effect. In order to let the audience sit in front of the TV and watch sentence by sentence, Anye's master still used this "despicable means". The story in eva has no cause and effect, no important link, just to make you confused. This is a bit confusing, but it is also the place where eva is successful in business. Eva is attractive because many of its storylines are worth chewing slowly, which can make people feel bored after watching it again and again, and new discoveries will be made every time they watch it. If you really play tricks on the audience, you may be kicked out of the house before the end of the program. The discussion about eva on the Internet also proves this point. It can be said that the suspense in eva is its success. Although these suspense are not directly explained, they successfully force the audience to carefully study the development of the plot and the dialogue between the characters, and then gradually form their own views, deeper and deeper, immersed in Eva's world. This technique is really despicable!

Introducing psychology and psychoanalysis into commercial animation may be another despicable means for Anye leaders to attract audiences, but this approach seems to be suspected of saving costs because of the rough and crude pictures, especially the last few sentences of TV and the ending of the theatrical version. Needless to say, static pictures are all crayons, twisted lines and real images. It's really ... leader An Ye, I know what you want to express, but you haven't realized your new century. As for psychological description and psychoanalysis, eva is too abstract, especially dialogue. Every word in the subtitle is Chinese characters, which can form a sentence, but I don't know what I'm talking about (which may also be the reason for translation). In this respect, The Gospel Warrior in the New Century is much worse than Memories by Dayou Shengbo (for the introduction of memories, please refer to my book Talking about Dayou Shengbo). The description of psychology in Memory is very successful, at least it makes the audience understand what he wants to express, and it is vague enough. In a word, abstract description and realistic description cooperate well. The purpose of Master Anye is to show the psychological defects of modern people. The film about psychology is abstract and normal, but I think he did something extreme. But it produced an effect similar to The Emperor's New Clothes, hehe. ...

In addition to complaining that the evangelical warriors in the new century can't understand, many people also complain about the characters in Eva, thinking that Zhu Zhen is too abnormal and cowardly, and Lin Bo is too affected. But I think this is the most successful place of eva. In my book Eva's Achievements, I mentioned that the characters in Eva's novels are the most special, and almost all of them have psychological barriers, and some can even be described as "perverts". Zhai Zhenzhi, Asuka, Ayanami Rei ... These people represent all kinds of people who are traumatized or live under masks in society. Although they may be a little strange compared with other hot-blooded heroes in animation, eva is the most successful animation featuring "abnormal" characters, just like a mirror, reflecting the dark side of society. I said in How to Treat Abnormal Gospel Soldiers in the New Century that eva is an anti-hero and anti-beauty animation. Not to mention animation, since childhood, Ah Q in The True Story of Ah Q, Wei Xiaobao in Duke of Lushan Mountain and Grisha in Quiet Tang all have the flavor of anti-hero. Especially Ah Q, everyone can find their own shadow in him. It is precisely because of the "anti-"of eva that it is different from ordinary animation in practical sense, especially because eva is a commercial animation, and it really rarely considers market benefits. Coupled with the success in characterization (although some characters are a little abnormal, it is undeniable to write this person "vividly", such as ambiguity), which makes it possible to cover up other shortcomings. Similarly, the seemingly chaotic relationship between characters in Eva is also a reflection of modern Japanese society. Therefore, The Gospel Warrior in the New Century is an animation with an idealized ending but realistic plot. From its "reality", eva is definitely a classic.

However, in the last two sentences of the TV version and the theater version, the leader of Anye has set an overly idealistic (of course, his own ideal) ending. Some people doubt the last death ray of mankind: is this the best destination for mankind? The abbot of Anye forcibly instilled his views into the audience, and his "fallacies" can be clearly felt in the lyrics of "Come, Sweet Death" which is said to be written by himself. This is also a controversial aspect of eva, and I personally can't accept this idea. It is best to preach death and think that human beings have lost their material form and returned to a world without a heart wall. No matter whether eva is a comedy or a tragedy, such an ending can only be said to be "alternative" and "extreme", but definitely not "classic". I think many people have seen Xia Ya on the Attack. Judging from the realistic characteristics of Gundam series, the mythical ending is really puzzling. The same is true of Gospel Warrior in the New Century, which has strong practical and critical significance. The ending is too idealistic and the director is subjective, which will naturally arouse people's resentment, even for eva fans like me.

In addition to the plot, the production of The Gospel Warrior in the New Century is suspected of rushing to work and saving costs, such as too many still pictures and repeated editing (especially the actions of Ibuki, Sun Yat-sen and Julia). I didn't think so before, but after watching some big scenes of animation, such as Sprigen, Memories and 0083, I feel that the TV version of Gospel Warrior in the new century is a bit jerry-built. However, since it is a commercial animation, we can't expect too much in this respect. The pictures of evangelical warriors in the new century are still very beautiful. After all, Buddhist sects mainly consider the "money laundering law in the new century."

Having said so much unconsciously, is the Gospel Warrior in the New Century a classic or rubbish? I think "Eva" is undoubtedly very successful in business. In other aspects, such as characters and plots, it is fair and reasonable, and it is not absolutely positioned. But one thing is certain, the evangelical warriors in the new century have created a new era of Japanese animation and have an irreplaceable position in the history of animation. You may not like it, but you can never deny it.

"Eva" became a proper noun,

From the day it was born.

An arbitrary plot writer,

Mysterious background setting,

No theme,

No problem,

I don't even know what it's trying to say,

But still helplessly attracted to it,

Maybe this kind of thing can only be produced in Japan today.

Only in that deformed society,

Only in this way can people's inner confusion be expressed in a more confused way, and finally the degree of capturing people's confused mind can be achieved.

It's really disgusting.

All the metropolises in China that have been exposed to Japanese pop culture are attracted by this delicate and broad way of thinking.

However, few people think that the brightest dreams are often built in the most cruel reality.

Just like a fable:

The mule in the city met the mule in the village.

See the appearance of the mule load in the village, the city mule could not help but ask:

"Don't you work hard?"

The village mule asked with a naive face.

"What is hard work?"

……

You don't know the value of happiness without painful experience.

Without a tired struggle, you can't experience the pleasure of ease.

The gorgeous dream of the Japanese is based on their strongest rebound against the ugly and cruel reality around them.

So it's particularly beautiful.

However, now this trait is gradually losing.

Not just "Eva",

Now look at all kinds of works. There are very few protagonists who struggle for the people or ideals.

Because it's so old-fashioned, the popular lines now are:

"What the world looks like has nothing to do with me. I just want to protect you. "

Or even cooler:

"I can destroy the whole world for you."

It is understandable that girls like to listen to this, because they are stupid.

If men like this conversation, there is only one reason.

It can be used to trick those stupid girls into having sex.

"EVA" is the product of bringing these things into full play.

It has achieved great commercial success, in fact, it indirectly reflects the morbidness of the broad audience and even the whole society.

It mocks this pathology in a very straightforward way,

But it happened that these ridiculed pathological carriers willingly donated a lot of wealth.

It's like a person being beaten paying a service fee to the hitter;

It is no wonder that some people will be so denounced:

"Eva" is just social garbage used to fool people!

There's nothing wrong with that,

But the speaker was wrong,

If most people say it together, it's magnificent,

But only a few voices can only be called sadness.

An era is about to pass,

It was a creative era with ideals and enthusiasm;

An era has come,

But this is an impetuous, decadent and confused era.

"I can't escape!"

Tsukiji always said to himself,

This is a boy who will never grow up.

Because he doesn't want to grow up;

Mistake cowardice as a reason to bind your heart,

Often can only rely on primitive instinct to survive,

The world exists for him,

He is still not satisfied with getting more fantasies,

But lack the courage to pursue;

The idols of the new century lurk in everyone's heart.

Not satisfied with the status quo, unwilling to explore the future,

In the end, I can only live humbly in reality and escape to narcissism.

"You are an idiot!"

Asuka didn't know whether he was scolding others or himself.

She's worse than Tsukiji,

The former just escapes from reality,

She is running away from herself;

The former is a mean strong man,

She is a noble and weak person,

The former abandons the world,

She was abandoned by the world;

She is like a warship with the same name as her, carrying impossible hopes.

The result was predestined,

Only destruction.

"……"

Zero Polly doesn't have to say anything,

She shines with pure light,

But people are not satisfied with this,

People are not so much admiring her purity as waiting to see her pure depravity.

So she fell,

The snow-white body was smeared with emotional stains at will,

The purity of the past has become the elaborate foreshadowing of pollution at this moment.

It's like a famous prostitute in a brothel who hangs a sign of "selling art and not selling herself" in order to sell at a high price.

No matter how gorgeous the halo is,

Always just a doll.

……

That's the kind of person,

I can knock on people's hearts as easy as blowing off dust.

It seems that we can no longer just praise "very business-minded";

If "the end of evolution is death", as the dialogue says,

So now Japanese culture really seems to have reached a very dangerous stage. ...

But fortunately, we are in China,

So don't worry yet,

Just as herbivores such as cattle and sheep don't have to worry that eating too much meat will lead to high cholesterol,

We are safe,

ぉめでとぅ ござぃます!

ぉめでとぅ ござぃます!

ぉめでとぅ ござぃます!

……

During the period of 1995 and 10, an unprecedented and earth-shattering work appeared in the history of animation, The Gospel Warrior of the New Century (hereinafter referred to as EVA).

This masterpiece in the history of animation is a TV animation produced by "GAINAX" Group. As the chief supervisor of EVA and the soul of GAINAX, Hideaki Anno is the initiator of this work. From 65438 to 0960, Hideaki Anno was born in Ube City, Yamaguchi Prefecture, southeast Japan. 1980 After being admitted to Osaka Art Institute, I became fascinated with animation. He has been studying animation art. 1983, he finally got the appreciation of Miyazaki Hayao and made his debut in the animation industry. Called the supervisor. His representative works include Go Forward, Wang Li's Cosmic Army, Two Wan Li under the Sea, and Gospel Warrior in the New Century. Another important figure is Sadamoto Yoshiyuki, who is Eva's role designer. Born in196265438+129 October, Tokuyama City, Yamaguchi Prefecture, with type A blood, joined the animation industry after graduating from Tokyo University of Modeling. He is good at character setting and painting supervision, and is a car enthusiast. Its exquisite brushstrokes and vivid colors have created many famous characters in animation. His representative works include Wang Li's Cosmic Army, Go Forward, Two Wan Li under the Sea and Gospel Warrior in the New Century.

Eva is a giant robot work developed by GAINAX with Hideaki Anno's proposal as the main axis and Sadamoto Yoshiyuki as the character. The story mainly describes the battle between human beings and apostles. In 2000, a huge meteorite fell to the South Pole, which triggered an unprecedented disaster: the rising water level flooded the land, the world population fell to half, and the weather was abnormal ... This was the "second shock". Just after 15 years, the earth has slowly recovered from the disaster ... The planned city "The Third New Tokyo Capital" located in Luzhi Lake, Hakone-machi began to be built, and the Secret Service NERV directly under the United Nations was also announced ... At an appropriate time, mankind encountered a new crisis-the Apostle. This group of huge fighting weapons with unknown origin and unknown angel name suddenly appeared and attacked human beings on the earth. In order to fight against the predicted "Apostle", mankind has developed a pan-human decisive battle weapon-Eva. In 20 15, three planes have entered the practical application stage, and "three boys and girls 14 years old" were selected as the exclusive pilots of EVA. The fate of human existence depends on them. At first glance, this work seems to inherit the traditional framework of large-scale robot animation, which is nothing new, but if we dig deeper, it is not.

First of all, as far as the plot is concerned, the seemingly unremarkable setting has actually performed extraordinary. Because the shooting of the play is mainly based on the earth, Tokyo, the United Nations, military organs and even the enemy-the apostles are all religious and literary works from human beings, the Bible and the Dead Sea documents. Others, such as a meteorite falling to the South Pole, ..............................................................................................................................................'s "animation", which triggered the "second shock" similar to the end of the world, is mostly the concept of "for children" in the minds of ordinary people, but Eva has broken through this barrier. Look at its mechanical settings. According to Mr Yamashita, mechanical setting, EVA abandons the inherent image of performance or greatness that can be felt as long as it is seen in previous mechanical animation works; With human skeleton as the main body, the structure similar to "EVA content" is wrapped by mechanical parts, which gives people a strong sense of biology. The design concept of EVA is "constrained great power" ... which makes people feel different from previous animation works. This kind of EVA robot with retro flavor has also made achievements in design art, and returned to the plot. The first 1/3 of EVA are orthodox robot animations, which beat the apostles; By 2/3 of the time, there were settings such as the mysterious organization "SEELE" behind the scenes, Adam's embryo, the script "The Dead Sea Document" and the implementation of the "Human Supplementary Plan", and a large amount of information flooded into the animation, leaving the audience in a mysterious fog. Let the audience enjoy reading mystery novels; The magic of EVA is not limited to this. In the following 1/3, the story becomes three routes: except the battle with the apostles continues, the structure of the story is gradually distorted; With the influx of mysterious information, the atmosphere of the story becomes mysterious, and the main characters in the story appear a lot of psychological dramas with the clarity of their life background! Everyone seems to have their own ideas; What is the purpose of their joining NERV? Through abstraction, fantasy, spiritual expression and psychoanalytic dialogue, "psychological description scenes" appear in large numbers in the back, showing that Eva not only pays attention to military machinery, but also writes a lot of psychology. The carefulness and ingenuity of character setting can also be seen from this. It seems that the audience can find a part of their own shadow in the characters on the screen, thus producing a * * * sound. In previous animation works, characters may be vividly portrayed in character, but there are few psychological descriptions. It wasn't until the 1990s that some works appeared gradually, but they didn't cause shock and abuse like Eva. This is a great breakthrough and achievement of EVA in the history of animation. "Psychological description of a large number of ideologies"-Eva achieved a higher animation art. This feature is almost equivalent to EVA, and EVA, a humanoid robot, has become two distinctive trademarks of this work. In the plot of Eva, in addition to the above artistic achievements, Eva's artistry is also manifested in literature. Although EVA is over, its inscrutable story is hard to understand. Not only has its TV animation ended inexplicably, but the theatrical version is also like a masterpiece, which has aroused heated discussion among many EVA fans. So, some people start from the root-that is, to explore the true face of the apostles. It is found that EVA is closely related to the Dead Sea document, and it can also be said that EVA is a new translation of the Dead Sea document: expressed from a scientific and modern perspective. The following are the most reasonable inferences drawn by EVA fans after comparing the story with the Bible and the Dead Sea Document: First, judging from the setting of the story, the apostles are "messengers of God" who come to destroy mankind; After the annihilation of the 17 apostles, human beings finally saved their lives. But this is only the completion of SEELE script and the arrival of the agreed time, and it also indicates that "human completion project" is about to start. For the "incomplete group" of "human beings", it is the reason of this project to turn them into "completely single" creatures through artificial evolution. Many seemingly incomprehensible things of EVA can be explained to some extent by comparing with the Dead Sea documents. Like the "tree of life" at the beginning of OP, all religions in the world have their own different concepts, but the main statement is that it symbolizes the process of human salvation. But in Eva, it has another function, as if it were a call or welcome ceremony for Lilith, the mother of mankind; In a sense, it also echoes the true meaning of "redemption". Therefore, if we compare the "human completion plan" with the Dead Sea document, we can understand it. In Judaism, it is obvious that Lilith and Adam were created for God at the same time, but Lilith left Adam because she was dissatisfied with their inequality in sex. After God tried to persuade her not to come back, she created another Eve, and Lilith became a witch, together with fallen angels Lucifer (the devil of the future); Its descendants are our human beings, called Li Lin, who thrive on today's earth. When Noah came to earth in the ark, there were not only his family and the creatures that God instructed him to carry, but also the embryos that God restored for Adam before his death. However, as a latecomer, Adam's descendants could not compete with Lilith's descendants and gradually withered.

Li Lin continued to multiply, inherited the life experience and knowledge brought by Noah, and claimed to be the descendant of Adam and the people of God. The "Dead Sea Document" in Eva records the prophecy of the Day of Restraint, the resurrection of Adam, and Lilith's desire to gather children from all over the world into one. When SEELE completed the matters stipulated in the Dead Sea document by using NERV, all human beings can return to her, reunite with the awakened Adam, eliminate all original sins and return to the throne of God together. In addition, the apostles who have always been regarded as "enemies" actually refer to "angels" in the dead sea documents; It is also pointed out in the play that all the salt gene sequences between "Apostle" and "Human" are 99.89% identical ... The shape of the Apostle in the animation is not fixed. If compared with the Dead Sea instrument, the results are as follows; The third apostle: alias water angel. The fourth apostle: the angel of the day. The fifth apostle: the angel in charge of lightning. The sixth apostle: the angel in charge of the fish; It's quite similar in design. The seventh apostle: the apostle of music; When Eva played against him, special music was used in the background, which can be said to be an idea and an alternative expression. The eighth apostle: the angel of the "fetus"; In the play, when the apostles came into contact with Eva, the apostles quickly evolved from the pupa state with their appearance. The ninth apostle: the angel of rain; It looks like a spider, but it has eyes in the center, dripping liquid like rain. The tenth apostle: the apostle in charge of "heaven"; Be attacked from outer space. The eleventh apostle: the angel in charge of "terror"; This apostle is special. He directly targeted at the core of NERV-the Oriental Three Doctors system, which was "terrible" for NERV. The twelfth apostle: the angel who holds the "night"; Its body is a dark space "Derrick Sea". Thiteenth Angel Bardiel: The Angel of Cloud Movie. The fourteenth apostle: an angel holding "authority"; This is also the strongest apostle, with great power. The fifteenth apostle: "bird"; The shape design is consistent. The 16th Apostle: the angel in charge of the "womb". The 17th Apostle: the split of "free will"; When fighting this apostle, Beethoven's Ode to Joy was quoted in the background music, which echoed it musically and was considered as an innovative expression. In addition, it is worth mentioning that in the EVA theatrical version, there is a scene in which Ling Boling has six pairs of wings and two heads, which is consistent with the shape of the blazing angel described in the Bible. In addition to the above two points, such as "Long Girnus's Gun" and "Dead Sea Document" in the play. , are quoted from the classic, each has its own reason. Careful investigation and quotation make this animation work more literary, which is also the artistic style of EVA!

Painting is the soul of animation. East and West animation styles are different, mainly in painting. The East, as far as Japan is concerned, is the mainstream of realism; With the progress of the times, besides "realism", more and more attention is paid to "beauty". EVA is mainly realistic. As the producer once said, the role is portrayed by imitating an Asian race. Other aspects, such as machinery, are almost all described in reality. The so-called "animation" refers to the "dynamic" visual effect produced by several or hundreds of static continuous pictures. But in EVA, there are a lot of "pauses", that is, a picture stays for a few seconds or even more than a minute; This expression was rare in the past; But this kind of "stop" will deepen people's impression and aggravate the atmosphere; At the same time, it can also let the audience take a break from the compact plot and think about it. Compared with these pictures, it is very dynamic to describe Eva's battle with the apostles. Often in just a minute or two, thousands of animations may be used! This sharp contrast between "dynamic" and "static" is also impressive. Moreover, the "violence" criticized by Japanese robot animation is not only getting worse in EVA, but also a lot of pictures of vomiting blood and eating apostles; There are also descriptive and nude scenes ... which can be said to have reached the limit of animation scale. In addition to the good quality of pictures and paintings, the performance of word cards is also very eye-catching: the words written on all-black paper are impressive.

EVA is a milestone in the history of animation. As far as EVA's outstanding performance is concerned, it is indeed a masterpiece; EVA has a great influence on the animation industry and Japanese society and can be a milestone. When EVA was first released in Japan, it did not cause a great upsurge at first; However, with the rapid development of the plot, it became more and more difficult to understand, and began to cause topics: the crazy discussion of anime fans, media reports, and even adults who have never liked watching animation began to notice this animation work that subverted the previous animation habits. EVA's peripheral goods began to sell well; A large number of books about Eva have mushroomed. At that time, Japan was in an economic crisis; Under the constraint of this environmental bottleneck, EVA has set a record of annual income of 30 billion yen, which is really remarkable! Although some people laugh that this kind of profit is "cheating money", it is a rare miracle that an animation can trigger such economic effects to support the national economy! EVA has become the most famous masterpiece in the 1990s, and it is also widely known in Europe and America. In addition to the impact on social economy, it also has an impact on social culture. Like the word "runaway" in the play, it has become a popular term nowadays. The hero and heroine in the play are set at 14 years old, which is in the stage of teenagers' physical and mental growth, and has also attracted adults' attention to the current youth education. Of course, EVA is animation, so the most direct influence is animation. Ling Bo Ling, one of the heroines in EVA plays, has a beautiful appearance, but a cool and quiet personality, which innovates the style of beautiful girls in previous animations and becomes popular in future animations. Important works such as "Mobile Battleship". And its extensive use of freeze-frame pictures, reducing production costs, pay attention to the expression of the content and theme of the work; The difficulty of the script is not as well understood as before, and the relaxation of the scale (such as sexual description) also has a great influence. Important works such as "Girl Revolution" and "Lotus". In particular, EVA has a large number of psychological drama descriptions, which has changed the trend of animation industry; After Eva's works, psychological description has been clearly emphasized, all of which are influenced by Eva. The great influence of EVA has drawn a new century for animation.

Philosophical theory contained in EVA

Now when it comes to EVA, everyone must feel familiar with it. A cartoon that combines Christianity, Judaism, zeroing theory and robot warfare; A work full of pseudo-theology and thoroughly implementing Hideaki Anno Thought; GAINAX is another sensational work after Nadia in Unbelievable Sea. It is called an animation milestone that can be juxtaposed with Gundam series by fanatical fans. It is also a commercial miracle; The magic weapon to make money.

Now, it has been 10 years since the birth of this miracle, and everyone's enthusiasm for it has gradually dissipated. Lilith, Adam, Angel, A.T. Field, Dead Sea Scrolls, Addendum, etc. , widely circulated among lovers, no longer mentioned. ("Make-up" is an exception) Even the EVA research station has not been updated for nearly a month, and there are few doors. Now, if I tell you that I want to exchange views with you on some things in EVA, you must think that this person is going to repeat what the Jedi and others have said countless times. I can't say that my opinion has nothing to do with the previous research results, but it will definitely be different. In my opinion, the theme of EVA is not just theology. Jedi, the owner of EVA research station, once said that EVA is "religion+science fiction+psychology+society", which comprehensively summarized the scope of EVA. CASPER, another lover who has studied EVA more, made some analysis on the philosophical aspects of EVA. He said, "I have seen Nietzsche, Marx and Hegel in EVA ..." These two have already got some understanding of these characteristics of EVA. However, the Jedi's analysis is somewhat vulgar, only seeing Eva's superficial religious clues (of course, he may be the forerunner of Eva's theological research, and it should be said that his thoughts have far-reaching influence, which makes us feel that his understanding is "vulgar"); Kasper has discovered the hidden line of EVA-philosophy, but it is too superficial. He only saw the influence of philosophy on EVA expression, but did not deeply discuss the important role of philosophy in the whole EVA, that is, the guiding role of Hideaki Anno's overall conception. A good work should have two clues, a bright line and a dark line. After summing up, I think the main idea of EVA should be summarized as "one center, two basic points" (laughs).

One of the centers of EVA is to educate children in the period of enlightenment and resistance, or to apply the term of EVA-completion. The two basic points of EVA are Judaism and its derived religions and myths; The other is about the philosophy of Hegel's system, especially the "alienation" thought put forward by Hegel and expounded by young Marx.

Everyone should also be aware of the psychological completion of children in the rebellious period. Eva's driver's age is set at 14 years old, because Adam and Eve were expelled from the Garden of Eden at 14 years old. The Bible sets the time of stealing forbidden fruit at 14 years old, precisely because it is a period of resistance that human beings must go through, a period of challenging parents' authority, and a period that is most prone to confusion. Many characters in Eva reflect the psychological characteristics of children in the rebellious period. The protagonist Shinji Ikari is introverted, autistic and cowardly. Mother died young and lacked maternal love; My father is obsessed with his career, and he cares more about his work (Ling Bo) than his children. When children need fatherly love, they don't care about them until they are almost adults (this is also useful for children); Harsh, harsh, typical paternalistic style. Asuka's family also has many problems, lacking affection and care, just like Xiner. But she has developed another typical character: competitive, self-respecting and domineering. Although Ling Boli is not an ordinary human being, she also represents the characteristics of some rebellious children: indifference and suicidal tendency. Miso Katsuragi is a very special person. She is a bridge between those children and adults. /kloc-She was present at the second shock 0/5 years ago. She was just 14 years old at that time. Her psychological characteristic when she was young was dissatisfaction with her father. However, after being rescued at the cost of his father's life, his views on his father have changed greatly, and he obviously has a strong Oedipus complex. It can be said that although she was psychologically overshadowed and lost her father for a long time after the second blow, it was at that time that her rebellious mentality was completed, and correcting the prejudice of her elders and acknowledging the value of her loved ones should be said to be a successful example of her psychological completion in her attitude towards her family. This is why she is particularly concerned about Shinji, who has more or less the same problem. But her completion is not complete. It was not until her father died that she corrected her opinion, which made her always bitter about herself and couldn't let go.