Question 1: Features of Modernist Design Aesthetics Modernist Architecture. It came into being in the late19th century, matured in the 1920s, and became popular all over the world in the 1950s and 1960s. It is the dominant building in the field of western architecture in the mid-20th century. The representative advocates that architects should get rid of the shackles of traditional architectural forms and boldly create brand-new buildings suitable for the conditions and requirements of industrialized society, which have distinct rationalism and radicalism, and are also called modernist buildings. New architectural principles. Advocate new architectural aesthetic principles, including: the unity of expression and construction means, the coordination of architectural form and internal function, the logic of architectural image, the flexible and balanced asymmetric composition, the concise handling method and pure body modeling, and the style characteristics of absorbing new achievements in visual art. In the 1920s and 1930s, modernist architectural styles were characterized by flat roofs, symmetrical layout, smooth white walls, simple eaves treatment, glass windows of different sizes, little or no decorative molding, and so on. It emphasizes that architecture should keep pace with the times, adapt to the industrialized society, emphasize the practical function and economic problems of architecture, advocate actively adopting new materials and structures, resolutely get rid of the shackles of outdated architectural styles, and freely create new architectural styles, and advocate developing new architectural aesthetics and creating new architectural styles. Shapes and lines Create vivid community expressions with simple shapes and lines. Facade and building materials. Through towering building facades and building materials with strong metallic texture, residents' sense of showing off wealth is accumulated, and the sense of city and modernity is displayed through internationally popular hue and asymmetry techniques. Color. The color division of vertical lines and the pure abstract style are simple and tough, creating a tall and straight community image. Layout. The undulating architectural layout is ups and downs, simple and relaxed, comfortable and natural. Emphasizing the sense of the times is its greatest feature.

Question 2: What are the characteristics of modern aesthetics? 20 points abstract multi-color humanistic exaggerated imagination creative sense * * * Image beauty neutral beauty hazy beauty visual impact retro beauty variation beauty distorted beauty craft beauty classic beauty exquisite beauty.

First, applicability. From ancient Greece to19th century, western aesthetics and art theories have been guided by philosophy and developed around abstract philosophical theories. But philosophers themselves are not artists and have no experience in artistic creation, so it is difficult for their theories to guide artistic creation and appreciation. /kloc-after the 0/9th century, aesthetics gradually developed, aiming at various arts and creations, and gradually developed into aesthetics in various fields. Similarly, at the beginning of modern industrial civilization, aesthetics began to pay attention to the problems in practical application, and design aesthetics came into being. Therefore, strong practicability is the primary feature of design aesthetics.

Second, aesthetics. Design activity is an artistic creation activity based on practical application, so what is related to functionality is aesthetic characteristics. The artistry and aesthetics of design are first embodied in the fact that design is a kind of beautiful "plastic art" or "visual art". Therefore, the artistic content of design aesthetics is often similar to visual aesthetics and plastic arts. From the perspective of specific application, design is a process of conveying some planning, planning, imagination and problem-solving methods through visual language. Therefore, only when this visual language has artistic characteristics can it embody the characteristics of design as a form of beauty. Therefore, in addition to meeting the functional requirements, aesthetics is a problem that modern design must pay attention to.

Third, technology. Design is an applied subject based on technology, and the revolution of modern industrial technology has led to the emergence of design theory and application. Technical factors are not only the basic factors of design aesthetics, but also the foundation and support of design, and determine the formation of design aesthetic style. With the development of industrial civilization, mechanized mass production has replaced traditional manual production, and the aesthetics of science and technology has also been replaced by modern design aesthetics. The large-scale and standardized production mode in the industrial age makes functionalism a basic aesthetic principle, and the simple, abstract and scientific design aesthetic principle is all the rage. Obviously, the formation of modernist design aesthetic style is mainly the result of the influence of modern technology.

Fourth, innovation. Artistic innovation and creation are not only aesthetic requirements, but also the basic requirements of modern design, and design is innovation. Without invention, design loses its value; Without creativity, products will lose their lives. Because people's aesthetic psychology contains the characteristics of seeking novelty, difference and beauty, it is decided that design must seek novelty, difference and change. The so-called design innovation includes different levels, which can be an improvement on the original basis or a complete innovation. Therefore, the core of design is a creative behavior, and design aesthetics studies a creative method to solve problems. Originality is the main feature that distinguishes design aesthetics from other disciplines.

Fifth, marketability. The study of design aesthetics is based on the laws of the market, and the laws of market competition have created the aesthetic taste of design. Early design aesthetics and functional aesthetics are the result of pursuing economic benefits in the industrial age, while modernist style is the remarkable result of market function. The core of the market is the basic demand of consumers, and it is this consumer demand that affects consumers' ever-changing requirements for design styles. Therefore, market demand law and market law are the basic principles and guidelines created by designers. Accurately grasping the market demand and keeping up with the trend of the times are the minimum requirements for every designer.

Question 3: What is the difference between modern aesthetics and post-modern aesthetics? Postmodern aesthetics is a rebellion against modern aesthetics and a new aesthetic style and concept based on anti-modern aesthetics. Many of its ideas run counter to modern aesthetics, emphasizing drawing lessons from history and bringing forth the new, emphasizing non-centrality and randomness, and creating, appreciating and evaluating art by teasing, joking and even teasing, which has diversified aesthetic characteristics. This is especially reflected in the fields of literature, philosophy and design. The main difference between postmodern aesthetics and modern aesthetics: 1 style concept. Postmodern aesthetics emphasizes continuous innovation while learning from history, and styles and ideas are diversified (or mixed). Modern aesthetics is different. Its style and concept are relatively "pure" and it has its own unique brand of the times. 2. Aesthetic concepts and methods. Triple background

Question 4: Which of the following is not the expression of modernism in movies 3: German expressionist movies.

Which of the following is not the expression of modernism in movies?

1: Pioneer Movie 2: New Hollywood Movie 3: German Expressionist Movie D: French New Wave

The answer is 3: German expressionist movies.

Question 5: What is the modernist artistic style? The origin of modernism can be traced back to impressionism in France. From 65438 to 1980s, French post-impressionism, neo-impressionism and symbolism painters put forward the concepts of "independent value of artistic language itself", "painting should not be a servant of nature", "painting should get rid of dependence on literature and history" and "art for art's sake", which are the theoretical basis of modernist art system. Therefore, P Cezanne, a French post-impressionist painter, pursued something in his works.

Question 6: The difference between modernism and postmodernism. Postmodernism is relative to modernism. Modernism is the theoretical achievement of modern industrial development and modern social maturity; Postmodernism is the ideological crystallization formed by the development of post-industrial society, post-modern society or information society.

The word modernism or modernist movement is now fixed as the general term of an international trend, which appeared in the artistic fields of western poetry, novels, drama, music, painting, architecture and so on at the end of 19, and later influenced the characteristics of most arts in the 20th century. It is generally believed that this trend reached its peak on the eve of World War I or shortly after the war. As for whether it still exists, or whether it opens a subsequent era of style, it is still uncertain. So, f? Frank Maud put forward "a useful rough distinction between the two stages of modernism", namely, ancient modernism and neo-modernism. The former is the early development, while the latter is the development of surrealism and post-surrealism. Others, especially in America, like me? Ihabasan, me? LeslieFiedler and others think that there are obvious differences, which is a new postmodern style, a choral and comprehensive rural art and a product of the post-cultural era. Here, the development of art is emphasized from the aspects of arbitrary art, anti-art, anti-literature, self-destructive art and new novels. In the late 1970s, the dispute between Lyotard and Habermas, which arose in the European ideological circle, limited this discussion to the North American cultural and artistic circles full of philosophical speculation.

The survival soil of modernism is an industrial society aimed at commodity production, while postmodernism takes post-industrial society as the background.

Post-industrial society is an American sociologist D? A term put forward by Bell in The Arrival of Post-industrial Society is used to describe the new social structure in the industrialized society in the second half of the 20th century. He believes that this structure will lead to the emergence of a new social form in the United States, Japan, the Soviet Union and Western Europe in the 2 1 century.

So, can it be asserted that post-industrial society only exists in capitalist countries? Let's continue to pay attention.

Bell's so-called "axis principle" in post-industrial society means "the central position of theoretical knowledge is the root of social innovation and policy formation" in economics, and its symbol is the transformation from commodity production economy to service economy; In terms of occupation, professional and technical categories are in a priority position; In decision-making, it is to create new "knowledge technology". These are just some important features of the current social development in China. In this regard, it may be explained that due to technological changes, the role that Marxists have given to the working class as a historical agent of social change has been replaced, and this substitution as a historical development is irreversible, and post-industrialization is bound to come.

Post-industrial society is a broad hotbed of post-modernism cultural thoughts. With the drastic changes in history, people are inevitably tired, suspicious and even mocking the old ideology and values. They no longer consider themselves responsible for the development of society, but prefer to put their personal lives in an arbitrary and chaotic state. The center becomes pluralistic, eternity becomes change, absolute becomes relative, and the whole becomes fragments ... Postmodernism is not only a western cultural phenomenon, but its influence on us is inevitable.

Facing the trend of "postmodernism", it is necessary for us to deeply understand its cultural characteristics.

American scholar Frederick? Professor Jameson summed up four basic aesthetic characteristics of postmodern literature and art in Postmodernism and Cultural Theory:

1. The target has disappeared. In the post-modern cultural atmosphere, traditional values and hierarchical concepts have been subverted, the individuality and style in modernism have been completely eliminated, and the subject has become a broken illusion.

2. The depth disappears. Modernist art always takes the pursuit of utopian ideals and the expression of ultimate truth as its theme, while post-modernist art abandons the deep mode of the work itself, no longer has ideas, no longer provides explanations, refuses to explore any meaning, and only pursues language.

3. The sense of history has disappeared. History is always something in memory, and memory always has the feelings and experiences of the memory subject. Modernist art is addicted to historical consciousness because of its pursuit of depth, while in post-modern art, history only means nostalgia and appears as an image catering to commercial purposes.

4. The distance has disappeared. In the view of modernist art, distance is not only the boundary between art and life, but also the boundary between creative subject and object, which makes readers enter the works. & gt

Question 7: What is the aesthetic style of post-modernism? But some people want to ask, if postmodernism is anti-aesthetic, why is aesthetic art allowed to exist today?

Question 8: The difference between modernist aesthetic foundation and traditional aesthetic foundation.

Modernism is a bourgeois literary trend popular in European and American literary circles in this century, and it is also a reflection of social crisis, spiritual crisis and artistic crisis in the contemporary western world in the field of literature and art. Other languages originated from French Moderne, which has the latest, modern and pioneering significance. At the beginning of the 20th century, in some big European countries, some novel schools appeared in various fields of literature and art, such as abstraction in painting, anti-metaphysics in music, anti-realism in sculpture, futurism in poetry, stream of consciousness in novels, expressionism in drama and so on. In the1920s, it gradually merged with the social landscape into modernism, or modernism. Its main characteristics are: opposing the classical art tradition, striving for novelty and originality in theme and technique, and being hysterical and crazy in spirit. What the writer tries to explore is not the external objective world, but the author's own poor and empty inner world. They rejected Balzac's critical realism and thought it was dull, monotonous and mechanical. They worship the psychoanalysis of Austrian pathologist Freud, advocate describing dreams and people's subconscious, and pursue the mysterious and abstract kingdom that people feel in an instant. Western scholars generally call this literary thought of anti-realism, arbitrary behavior and crazy self-expression of writers modernism. Modernism mainly includes expressionism centered on Germany, futurism centered on Italy, surrealism centered on France and stream-of-consciousness literature centered on Britain. It also includes existential literature, absurd drama, new novel school, beat generation and black humor. It is generally believed that Joyce in Britain, Proust in France and Kafka, an Austrian Jewish writer who wrote in German, are representatives of European and American modernist literature. Western modernism is the product of capitalism entering the monopoly stage, and it is also the product of various irrational philosophies and social thoughts. /kloc-since the second half of the 0/9th century, all kinds of western literary thoughts different from the traditional ones are collectively called to express the spiritual reflection on the profound changes that have taken place in the 20th century; 19 from the 1990s to the early 20th century, a theological trend of thought appeared in the Catholic Church, aiming at reinterpreting Catholic teachings with modern philosophy. This word generally has two meanings: one is realism in a broad sense, which generally refers to the loyalty of literature and art to nature. It originated from the oldest western literary theory, that is, the simple concept of the ancient Greeks, that is, art is a direct reproduction or imitation of nature, and the fidelity of a work or the similarity with an object becomes the criterion for judging the success of a work. Vasala's "The Painter's Life" has described some anecdotes about art history: peacocks pecked at cherries painted too realistically by Benazzi Oni; Giotto's teacher used a brush to drive away the flies Giotto put on a portrait. This realistic concept has dominated the history of human art for nearly two thousand years and still exists in daily life. The other is realism in a narrow sense, which is a historical concept, especially the realism movement that took place in the19th century. Historically, realism originated from the debate with romanticism, and finally gradually lost its position as the mainstream discourse in the debate with modernism. r？ Wellek's Concept of Realism in Literary Studies traces the history of realism terminology in European and American countries: the specific application of this concept in the literary field is 1826. A French writer claims that the realistic creed of faithfully imitating the model provided by nature is increasing day by day, and it will be realistic literature in the19th century. The popularity of this term is related to the active use of painter Courbet and novelist Champfleury. Courbet labeled his rejected works as realism, which caused a controversy. Champfleury published an anthology called Realism in 1857, defending the creed of realism. At the same time, his friend Dulanty published the literary criticism magazine Realism. Although only six issues have been published in a flash in the pan, his writing style is controversial and has a wide influence. It was regarded as conservative realism by modernist avant-garde in the 20th century, and it also had avant-garde character of challenging literary conventions when19th century was born. Dulanty once said clearly: This terrible term ">>"