The term "great master" comes from Zhuangzi. It is a concept that sums up the ontological meaning of Tao in Zhuangzi's thought. It means a teacher who creates, imparts principles, is accomplished and respected by others. The screenwriter uses the title of Grand Master, which means that Gu Ling Die Yan is not only the leader of Yandu, but also a figure that the members of Yandu learn from and respect. It can be said that the members of Yandu are all disciples of the Grand Master.
When the screenwriting team arranged the four wonders of smoke, snow, wind and clouds, they cleverly added a special design to Yandu. The homophonic sound of smoke became a symbol invisible to the official members of Yandu, and the castration led the government, which was really Wei. For spectacle. In Yandu, eunuchs represent glorious purification. They are rituals rather than punishments, and they are proof that they are disciples of the great master. Abandoning the worldly view of gender, Yandu particularly despises women and only regards women as tools for reproduction. He believes that women are filthy and despicable. The only advantage and talent given to women by God is reproduction. Looking at the sword in cold light, how many honors are there on the sword? There is no need to consider the common people for the incense. Even if the smoke of the river disappears and the clouds are buried, the lonely sun still shines on the ancient mausoleum.
Dayi: The cold lamp emits bright light and reflects on the sword, symbolizing ambition and ideals. And how much fame and fortune can this sword bring? Wisps of light smoke drifted out from the incense burner, and I thought in my heart, why do I need to make big plans for the world. Because all fame and wealth often fade away like fleeting clouds, the sky is infinitely misty, and the afterglow of the lonely sunset falls on the ancient and desolate mausoleum.
Cold lamps, long swords, light smoke, a river, the sunset, and ancient mausoleums. The poems use the scenery to express emotions, vividly bringing out the appearance and setting direction of the great master, the dying smoke of the ancient mausoleum. Gu Ling Dieyan is a typical politician who will do whatever it takes to benefit his organization. He speaks calmly and calmly, which shows that he is restrained and cautious, and his calculations are comprehensive. The methods and scheming of the ancient mausoleum are vividly displayed. The wearing action of the hat is a characteristic of Guling Passing Smoke. In order to meet the shooting needs, the hair style is simple and uncomplicated, making it easy to match the hat. The screenwriter hopes that the Grandmaster will not have an obvious villainous tone when he first appears, and his clothes will be of a simple and elegant style. In line with the Yandu style, it also has a bit of a Confucian image.
In order to highlight the Grand Master's preference for ancient jade, the design on the crown and hat is also decorated with ancient jade. The Grand Master believes that jade is a symbol of the virtues of a gentleman. The so-called "speaking of a gentleman, Warm it like jade", and this is what I expect from myself. Cold window fame
The very elegant main scene also has two specially arranged seats, one is dedicated to the hanging shadow of the West Palace, and the other is for guests. The Grand Master always hides behind the door, revealing a mysterious silhouette, and the items on the table are arranged as specified by the screenwriter.
Cencenizer
In the Smoke City, when the Grand Master is talking, meditating, or alone, there will be an incense burner on the table. Get up and put perfume everywhere on your body. The meaning of this action is left to the audience to think about.
Smoke City
As for the appearance of Smoke City, the screenwriter’s idea was to present it in an ink style, so he used black and white tones and added smoke animation. It is located in the Bihu area of ????Yanzhongshan. The realm of ink and wash, the city of clouds and smoke. Looking at all the characters in Yandu, they all play their own roles around the ancient mausoleum of the "God of Yandu". For them, the Grand Master is the most important key figure that affects their lives. He created cultural traditions, he distorted and transformed every life, he destroyed and abused everyone around him, he loved and honored the few people he loved, all of this , just because he is a great master, a unique leader with spiritual beliefs and ideological brainwashing.
He walked a dangerous path that was completely different from the world, and was willing to be lonely in the company of darkness, because he knew that only he himself knew the path he wanted to take best, and when he climbed to the top he wanted most Even if the world doesn't know, understand, or forgive you, there's nothing you can do about it. He is already high in front of you, dominating everything about you, and you have to transform into another him, but you can never replace him.
This is the ambition of Gu Ling's passing thoughts, and also the ambition of his power politics.
He has a strong ideological trait of male supremacy and domination of women. Before he established Yandu, or even before he became an eunuch, he had already deeply believed in it, and ignored the cold looks and jokes of others, because the Grand Master knew Those people have not reached that level, so they can only be led and dominated. The origin of this idea, the screenwriter does not want to implement it into what kind of life background, let it become a mystery, maybe it can accommodate more brainstorming and imagination, and the audience will be happy at this point. There are many disputes about who will win during life, and there will be many conclusions after death. Win or lose, I already know it silently in my heart.
The ancient mausoleum is gone, but it has the profound wisdom of strategizing and winning thousands of miles away, the gambling spirit of a businessman, and the ruthless paranoia of being persistent and unrepentant. However, the cruel conception of the humble girl's thoughts also laid the foundation for the ultimate failure of the great master of Yandu. The final outcome was unexpected by the God of Yandu.
Looking at the life of the great master, there are right and wrong, wisdom and foolishness, no matter darkness or light, it is his style. His long and lonely life is just like his slogan when he first appeared on the scene: There is no way to wear black and white without wearing black and white. What the saint said is worth a cold look. It's generally cold when a shadow shines on a sword. When I go alone, the road is dark.
Walking all the way to darkness alone in this way is the ultimate and extreme pursuit of one's life. It may also be the risk and thrill of making one wrong step and a thousand wrong steps. The Grand Master used a single-minded and unapologetic figure to prove his existence in thousands of rivers and lakes, and he also exerted all his influence. Even if he died in a high position or died in the countryside, he would have no regrets.