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Reading-"Jiang Xun on Literature: From Tao Yuanming to Tao Yuanming" (1)
Sometimes what books I read is like a kind of fate, such as the books I read during the Lantern Festival.

Jiang Xun, who had known for a long time, read his Six Lectures on Loneliness a few years ago and was deeply impressed by his writing and aesthetic thoughts. Later, I bought his "All sentient beings at this time" and Jiang Xun's "On the Song Dynasty" one after another. I read it intermittently, but now I can't remember what I said, but I vaguely feel that this is my favorite literati aesthetician, just like a young man.

At the end of last year, rock candy was sent to kindle. When I visited the store, I accidentally included this book in "My Library" and let it live in it for a while.

On the morning of Lantern Festival, I chatted with Sister Bei. Sister Bei talks about changing her mind, so that she can enjoy more beautiful things in her limited time and pay less attention to the bad things that cannot be changed. It's really a bit "I care about what the master said."

Recently, CCTV's "Chinese Poetry Conference" also sent ancient poetry to popular search, and WeChat official accounts and friends from all walks of life saw related articles for several days. I haven't seen this program, and I don't like to compete ancient poems in the form of "competition". Although there are many touching people in this poetry conference (articles and stories on WeChat official account), poetry has indeed been integrated into their lives, but the answering questions and flying flowers in the competition system can't get rid of the brand of traditional "examination" after all. When the network spread "Fudan talented woman Wu Yishu", it also focused on her poetry. I always feel that I have deviated from the original appearance of poetry in people's lives. What's the matter? I can't say it. What worries me is not those who really realize the relationship between poetry and people in the competition, but the behavior of those who focus on the amount of poetry and have "power" in their hands.

Fortunately, there is Jiang Xun. In his book, I read the original features of poetry and other literature in our lives.

On the Lantern Festival, I accidentally clicked "Jiang Xun said literature: from Tao Yuanming, I finished the first chapter-The Book of Songs, Feelings of the Early People".

Jiang Xun gave a very appropriate description of the position of poetry in life, and I quite agree with him. He said:

He said:

In the first chapter, four poems from The Book of Songs are selected, namely, Fu, Mian and Nvyue.

The Book of Songs told by Jiang Xun is really beautiful. The beauty here lies not in the gorgeous words, but in the rich emotions in The Book of Songs, which were told by Jiang Xun. This kind of true emotion exists in the lives of several generations of human beings. In life, "emotion moves in the middle, but it is formed in words".

In addition to the elegant cotton, other poems, such as, and "Women's Cockcrow", you will feel that those feelings are eternal, and once finished, there is no need to recite them at all. In front of you are pictures and scenes of life, so you can roughly repeat this "feeling" with similar sentences, because this is also our mood, our life, or.

Finally, I end with this passage from Jiang Xun: