Good at poetry and prose, especially painting. Good at figure painting, historical figures, Taoism, animals, landscapes and other themes. Painting characters advocates vivid expression, pays attention to the finishing touch, and thinks that "vivid depiction is in the process of covering the eyes" Pay attention to depicting physiological details, expressing characters' expressions, painting Pei Kai's image, and adding three points to his cheeks, and suddenly feel radiant.
Good at using environmental description to express the interest and expression of characters. Drawing Xie Kun in the canyon highlights the interest of the characters. The clothes lines he painted are made of Gu You Si Miao, and the lines are tight and continuous, such as spring silkworms spinning, spring clouds floating in the air, and running water running on the ground, which is natural and smooth.
Gu Kaizhi has also made outstanding achievements in painting theory. There are three painting theories today: Wei Jinsheng's Painting Praise, On Painting and Painting Yuntai Mountain.
He put forward some viewpoints, such as the theory of vivid expression, the theory of nourishing the spirit with form, and the theory of thinking wonderfully. He advocated that painting should express the mental state and personality characteristics of characters, attach importance to the experience and observation of objects, grasp the internal essence of objects through thinking wonderfully, and write the spirit with form on the basis of shape. Gu Kaizhi's painting and his theory laid the foundation for the development of traditional painting in China.
2, out of the water-Cao
Cao Shi is good at both Buddhist painting and clay sculpture. He is unique and unique, and his Buddhist paintings have the reputation of "Cao Jiaxiang" in the Tang Dynasty. At the same time, Zhang Sengyou's "Zhang Family Style" was summed up by the Tang people.
In addition, there are Wu Daozi's "Wu Family Painting Style" and "Zhou Family Painting Style", which were all the rage in the Tang Dynasty, and their influences can often be seen in the murals of the Tang Dynasty, from which researchers can explore. Tang people summarized the characteristics of Cao family as "Cao clothes come out of water", from which their image was obtained. If they are compared with the Wu family, their faces are quite clear and easy to understand.
From this, it can be understood as "Cao's brushwork is thick and stacked, and his clothes are tight and narrow" and "Wu's brushwork is round and his clothes are floating", which are different in style. These two techniques can be seen in figures, religious paintings and sculptures of past dynasties.
3. Qu Tiepan Temple-Monk Wei Chiyi
A painter in the Tang Dynasty. Yu (now Hotan, Xinjiang) was an aristocrat. Speaking of Tuholo (now northern Afghanistan). His father, Wei Chi, was famous for his good painting in the Sui Dynasty and was called "David Chi".
Zhenguan first arrived in Chang 'an, served as Suwei officer and attacked the county magistrate. During the years when Jingyun was active, he painted in Jionji, Guangzhai Temple, Xingtang Temple and ankokuji.
Learning from his father, he painted Buddhist figures, flowers and birds, and used the shadow method to make the painted figures have a concave-convex three-dimensional sense, and integrated the technique of jade toad into the original painting technique, which is called "if you go out of the wall" and "build a silk uncle" and "Xiao Weichi".
And Yan. The famous painter Wu Daozi was influenced by it. There are few works handed down from generation to generation. In Song Huizong, eight of his paintings are hidden in the palace, and the existing paintings have been handed down from ancient times, such as The Painting of a Monk, The Painting of a Gentleman and The Painting of a Dancer in Qiuci. It is said that Duan Fang's collection of heavenly kings in Qing Dynasty is his work.
The technique of monk Wei Chiyi is characterized by "using a pen tightly, such as bending iron and winding silk". Colored, calm and dense, with obvious concave-convex feeling, concave-convex method. He is good at painting Buddha statues and foreign figures, drawing iron lines, focusing on shade, which is of great help to absorb western painting style in Tang Dynasty.
4. Wu Daifeng-Wu Daozi
Wu Daozi (about 686-760) was the most outstanding painter in the prosperous Tang Dynasty and made outstanding achievements in religious painting. In brushwork, he created a kind of ups and downs, patchwork description of "water shield strips", which strengthened the heavy feeling and three-dimensional sense, and he highlighted the combination of human body curve and nature. This style of painting also had a certain influence in the later West.
The painted figures, sleeves and streamers have the tendency to dance with the wind, so they are called "Five Dynasties when the wind". Later generations also call it beauty because of its superb painting skills and elegant style.
Extended data:
Wu Daozi has made such outstanding achievements in painting art because he can innovate.
He is good at absorbing the essence from complex object forms and generalizing concave-convex surfaces and yin-yang surfaces into irreducible "lines". Combining the internal movement of objects, he formed the organizational rules of clothing lines such as height, edge, depth, inclination, rolling, folding, floating and lifting posture, and portrayed the character of objects completely based on the organization of lines.
This line has strict requirements, each line meets the requirements of vivid modeling, each line is full of rhythmic beauty, and it is a creative line that combines the achievements of the previous generation.
Wu Daozi's painting style has been imitated and used for reference by many painters since the Tang, Song and Yuan Dynasties.
Li, a painter in Song Dynasty, developed his simple and elegant "line drawing" from Wu Daozi's "It's better not to pretend your back, just follow the ink", and line drawing became a new style of Chinese painting.
Today, with all the bones lost, Wu Daozi is still famous in the painting world, because he created the traditional folk painting school that ruled the history of folk painting for more than 1000 years.
Murals after the Tang Dynasty were all influenced by Wu Daozi. The murals of Yongle Palace in the Yuan Dynasty and Fagang Temple in the Ming Dynasty are all in the style of Wu Daozi, and there are also many Wu Pai-style works in Dunhuang murals.
Baidu Encyclopedia-Wu Daozi
Baidu Encyclopedia-Monk Wei Chiyi
Baidu encyclopedia-Cao
Baidu Encyclopedia-Gu Kaizhi