Technology: After all, China's animation started in a short time, and it was very mature in the 1980s, and entered the golden age from the late 1980s to the early 1990s. The real animation country has a long history, rich experience in employees and a very mature industrial chain. If you make an animation, the quality, speed and cost can be optimized. This is something that our country cannot do now.
In terms of plot, domestic animation is not lost to Japanese animation at all, and the plot of Japanese animation has begun to become rigid. Every quarter, there must be a set of "road animation" to make money, and the proportion of new fans is getting higher and higher every quarter. This is also a very big problem in Japanese animation industry at present. There are few new ideas, and the animation that can be seen for a long time has dried up. Domestic animation in this respect is still very good, and the creativity is also very good.
Photo: Japanese animation is now challenging the extreme picture of animation, trying to challenge the peak of current industry painting circles, such as Amethyst of Kyoto animation, while domestic animation is "finding another way" and trying to find a way out from 3D animation. However, not all audiences who are used to 2D expression can accept domestic animation to do so. Although 3D animation can temporarily stabilize the reputation of domestic animation, we will eventually return to the 2D painting contest. There is still a long way to go in this regard.
However, China's animated film The Legend of the White Snake will be released in North America this autumn. This news is undoubtedly a step up for the development of animation in China. I believe that in the near future, China's animation industry will surpass Japan and embark on an unusual animation road.