-still believe that beauty will eventually become soil, and it is too late to dream?
Where's Dong? Li Shijin? Gao Xiangyu
The Investigation Report on the Details of Academic Ecology in China [2] tells us that problems in academic research are not terrible. The key is to treat academic criticism and thank it for promoting the progress of academic research. Bian Yuan-yun: The thought of "literature carries Tao" occupies a dominant position in the literary world of Song Dynasty. For example, Su Shi's Shu studies are regarded as heresy by Cheng and Zhu, but Su Shi's views on literature and Taoism are quite close in essence to "literature carries Tao", while the content of "Tao" he knows is quite broad. "Literature carries Tao" is actually a kind of value, which puts the social and political function of literature above the aesthetic function. If this view is pushed to the extreme, it is "writing is harmful" and literature is fundamentally denied. Although for most writers in the Song Dynasty, while emphasizing "Tao", they did not relax their pursuit of "Wen". However, the enlightenment significance of poetry in the Song Dynasty is obviously stronger than that in the Tang Dynasty, which can not but be attributed to the popularity and influence of the theory of "writing carries Tao". [3]
Yun Daiying said that "Su Shi's Shu studies were regarded as heresy by Cheng and Zhu", which obviously misled readers. Because "Shu Xue" is a big concept, and "heresy" is the antonym of total negation, readers will naturally think that it means that the academic thought is different from Su Shi's. This is certainly not in line with the actual situation. Looking through the collected works of Cheng Er, Zhu, Su Shi, Su Zhe and others, we can know that there are many similarities in their academic thoughts, and there are disputes on academic views, such as the relationship between righteousness and benefit. It is normal to have different views. Zhu Xi's academic criticism is profound and extensive, and even Cheng Er's words, which he highly praised, have different views. So we can't generalize like Bianyuan. Bian Yuan's lack of understanding of the complexity of the relationship between literature and Taoism gives readers an impression that "literature" is equivalent to "literature". In essence, Shi's literary view is quite close to Taoist thought, but the content of Taoist thought he agrees with is relatively broad. According to this statement, the content of Zhu Cheng's Tao is relatively narrow. In this way, the content of "Tao" proves that Bian Yuan did not understand what Zhu Cheng said.
"Red crisp hands, rattan wine, spring scenery palace wall Liu Mancheng. Dong Feng Xie, who is in a bad mood, has been very depressed in recent years. No, no, no! Spring is as old as ever, people are empty and thin, and their faces are red with tears. Peach blossom falls, idle pool pavilion. Although Meng Shan is here, it is hard to trust Jin Shu. Mo, Mo, Mo! " Li Qi put Lu You's love poem "Hairpin Phoenix" on the projection, and I immediately thought of the story of Lu You and Tang Wan. In this beautiful love, Lu You's infatuation moved me. As Richie told me, I relived their stories. Lu You and Tang Wan were childhood friends and got married as adults. They live in harmony and respect each other. But all this happiness was broken by Lu You's mother. She said, "Lu You is deeply tired of studying after marriage and misses her career. Tang Wan forced his son to divorce his wife on the grounds that he could not have children after marriage and missed the incense worship. It is naturally extremely difficult to stab a person's feelings with a knife, but Lu You is a dutiful son. Although he was in pain, he finally listened to his mother's words, divorced his wife and married another person. Later, Tang Wan also remarried to Zhao Shicheng. However, when the students talked about Lu You's visit to Shenyuan more than ten years later, Zhao Shicheng and Tang Wan touched the scene, drank a glass and wrote a poem "Hairpin Phoenix" on the wall, which brought physical and mental harm to Tang Wan and criticism from others, I found that something had changed. Once upon a time, when I looked at the word Lu You, I could only see the sadness and regret in his heart and his infatuation. Now, I suddenly understand the meaning of Tang Wan's sentence "Hairpin Phoenix". At that time, when women divorced, they were pointed at everywhere, either determined to die or divorced, and remarriage was nonsense. Tang Wan was lucky. She married Zhao Shicheng. He doesn't care about Tang Wan's identity, Tang Wan's past, the whole mundane and boring opinions, but Tang Wan. Tang Wan should have lived a relatively happy life in Zhao Jiasheng, but Lu You screwed everything up again. Lu You really loves Tang Wan, but he is too self-centered. He forgot that Tang Wan, who had been abandoned by him, was married. For example, it was terrible to expose Tang Wan's scar. This peach scandal humiliated the imperial clan, and Tang Wan was afraid of being reprimanded and isolated by a series of women in her husband's family. I looked up the rest of the story after class. After the beauty died, Zhao Shicheng didn't have a second wife, and worked in the south for 12 or 13 years before her death. Lu You fought against Jin in the north and then moved to Sichuan and Sichuan. During his decades of career, he experienced storms. After living in seclusion in my hometown, I went to Shenyuan again and wrote a heartbroken sentence. He has lived near Shenyuan since then. Every spring, I will pay my respects to Tang Wan in the Imperial Academy, and every word is grief. Many stories will be particularly touching if they only look at this clip without the beginning and end. But if you look at the chain of history completely, you may find a less beautiful side, but it is also a more real side. Judging from Lu You's feelings for Tang Wan, there is no doubt that he is sincere. However, when Lu You wrote "I also believe that beauty will die, and her dream is too hasty" during his last visit to Shenyuan, he also wrote a poem for my youngest son "I know nothing about this, but I know nothing about it. "Looking at Lu You's emotional experience of a wife, a concubine, seven children and a woman all his life, I will blame him for being' absent-minded'. He destroyed the integrity of his feelings. Finally, I want to say that these statements are not objective. After all, we can't treat those long-standing historical facts with the existing concept of the times. At that time, many things must have their reasons and roots. Maybe Lu You's infatuation image collapsed in my heart, but I will know him better from now on. (Dong) According to
This semester, under the guidance of Li Shijin, we studied some representative ancient literary works of the Song and Yuan Dynasties, and got a broad and profound understanding of all kinds of literary works and writers in the Song and Yuan Dynasties. On the basis of objectively learning the achievements of others, we have some subjective understanding of ourselves. Because everyone's time and energy are limited and precious, we can't cover everything, but we also need to cover many fields in our study and life. Therefore, Teacher Li Shijin suggested that we choose our own topics, speak and show ourselves, which is a time-saving and labor-saving and effective way. In the classroom teaching, Mr. Li Shijin organized two student lectures back and forth. The first time is a large-scale teaching for all, and the second time is an individual teaching for students. Both teaching activities were a complete success. In the process of our own research and learning from other people's research results, we have studied the works of famous writers in the history of Song and Yuan literature, such as Yan Shu, Liu Yong, Zhou Bangyan, Li Qingzhao and Jiang Kui, such as Su Shi, Xin Qiji and Lu You, such as Fan Zhongyan, Wang Anshi, Ouyang Xiu, Su Shi and Huang Ting. For example, some famous opera works, such as Yuan, Saving the Wind and Dust, Climbing the Wall Right away, Autumn in the Palace of Han Dynasty, Romance of the West Chamber, etc. Have some basic understanding, and some have a deeper understanding. For the first time, Xin Qiji's "Qinyuanchun Lingshan Qi 'an Fu" was not completed when the Yanhu Lake was built. This paper focuses on the writing techniques of writing people with mountains and people with mountains. Combined with the background of the poet's writing this poem, this paper discusses the change of Xin Qiji's attitude towards life when writing this poem, deepening the poet's thoughts with the three realms of life in Zen history books, and benefiting himself through telling. The second time, I studied the characteristics of Guan Hanqing's popular language, mainly from the dialect words in Guan Hanqing's plays, and realized the charm of drama language from the perspective of rhetoric. When studying ancient literature, I have a deeper understanding and understanding of ancient literature combined with linguistics. (Gao Xiangyu)
Sage culture has accepted all the outstanding achievements of human culture. The description of supernatural beings in China's ancient novels actually reflects the subconscious content of human individual life in twists and turns. If the dialogue between Song and ghosts does not conform to the usual logical laws, Song first asked, "Who?" The ghost said, "Who are you?" Ding Bo then said such a big mistake: "I am also a ghost." This adverb is used abruptly and has no logical relationship, because Song didn't know who the ghost was before asking the ghost, and the ghost immediately asked Song without revealing his identity. At this moment, Song said to him, I am a ghost, too. Isn't that ridiculous? ! This is a fiction in the novelist's mind. His purpose is to prove that there are two paths between man and ghost. Although in different ways, it does exist. It is the natural result of the novelist's wishful thinking at that time to prove the ideas in his mind with an image. In infatuation, what is wrong is also the truth. [4] Because the subconscious content of human beings is endless, it needs in-depth research and exploration.
[1] Acknowledgement: This classroom teaching reform has received strong support and help from leaders at all levels, such as Huaiyin Teachers College, Zhou Guifeng, Shi Jun, Zhao Yijiang, Li Xiangyin, Xu, Chen Niangao, Sun Yiqing, Chen Huadong and Zhao. Supported by the Key Research Base of Philosophy and Social Sciences of Jiangsu University (20 15ZJD 0 10) and the Brand Specialty Construction Project of Jiangsu University (PPZY20 15C205).
[2] Wang Zhen, Li Shijin. A detailed investigation report on China's academic ecology —— Taking Zhu 20 10' s literary research paper as an example [J]. Youth years, 2017 (11): 006-007.
[3] The History of China Literature, edited by Yuan Xingpei, Volume III, Higher Education Press, July 3rd edition, 20 14, p. 4.
[4] Li Shijin's Socio-psychological Analysis of China's Ancient Novels, China Federation of Literary and Art Circles Press, 2000, p. 1 1 page.