1, Qi Baishi (1864─ 1957), formerly known as Chunzhi, whose word is Wei Qing, was later renamed Huang, whose word is near longevity, and was named Baishi Mountain Weng. Hunan Xiangtan people. Master of modern Chinese painting, world cultural celebrity. He worked as a carpenter in his early years, then made a living by selling paintings, and settled in Beijing after he was 57. He is good at painting flowers and birds, insects and fish, landscapes and figures. His pen and ink are vigorous and moist, with rich and bright colors, simple and vivid shapes and simple artistic conception. Fish, shrimp, worms and crabs are full of fun. His calligrapher is an official of seal script, and he has been writing inscriptions since the Qin and Han Dynasties. His calligraphy saved Gu Zhuo's interest, his seal cutting became his own, and he could write poems. He used to be honorary professor of Central Academy of Fine Arts and chairman of China Artists Association. Representative works include "Frog in Ten Miles of Mountain Springs" and "Ink Shrimp". He is the author of "Bai Shi Shi Hua" and "Bai Shi Old Man's Self-report".

Xu Beihong's Ma Tu

2. Xu Beihong (1895- 1953), a modern painter and art educator. Han nationality, Yixing, Jiangsu. I studied in France to study western painting, and I have been engaged in art education for a long time after returning to China. He has taught in the Art Department of National Central University, the Art College of Beiping University and Beiping Art College. After 1949, he served as the president of the Central Academy of Fine Arts. He is good at figures, animals, flowers and birds, and advocates realism. Traditionally, he especially respects Ren Bonian, emphasizing the integration of traditional Chinese painting reform and western painting techniques, advocating lighting and modeling in painting, emphasizing the accurate grasp of the anatomical structure and bones of the object, and emphasizing the ideological connotation of his works, which had a great influence on China painting circles at that time. His traditional Chinese paintings are full of color and ink, especially running horses.

Zhang Daqian's landscape painting

3. Zhang Daqian (1899— 1983), whose name is Daqian Jushi, is from Neijiang City, Sichuan Province. China painter. The most legendary figure in China painting in the 20th century. Painting, calligraphy, seal cutting and poetry are pervasive. He studied ancient calligraphy and painting in his early days, then lived abroad, and made great achievements in landscape painting. The combination of painting style and writing style, and the integration of heavy color and ink painting in the later period created a new style of splashing ink and color. In 1930s, he taught at Nanjing University (called Central University) twice and was a professor of art department. He has held a large number of art exhibitions in Asia, Europe and the United States, and enjoys a high reputation internationally. He is known as "the most prestigious master of Chinese painting today". Ancient paintings can be confused with genuine ones, which "cheated" many appraisers. Xu Beihong said, "Zhang Daqian was the first person in 500 years."

Huangshan Painting in Liu Haisu

Liu Haisu, his name is Yun, his name is Yun, and his name is Yun. Han nationality, a native of Changzhou, Jiangsu Province, originally from Fengyang, Anhui Province. Modern outstanding painter and art educator, 19 12 and Wu, founded Shanghai Academy of Fine Arts, and later became the dean of Shanghai Academy of Fine Arts. After 1949, he became the president of Nanjing Art Institute. Kang Youwei studied oil painting and calligraphy in his early years, which was ancient and important. As a traditional Chinese painting, lines have the strength of steel and iron. After that, he devoted himself to splashing ink, and his pen danced with ink, with extraordinary spirit. In his later years, he splashed color, which was colorful and vigorous. He has served as honorary president and professor of Nanjing Art Institute and honorary chairman of Shanghai Artists Association. Consultant of China Artists Association. Cambridge International Biography Center awarded "Outstanding Achievement Award". Italian European Institute awarded the "European Palm Gold Award".

Pan Tianshou freehand brushwork flower and bird.

5. Pan Tianshou (1897— 197 1) is a modern painter and educator. In his early years, he was blessed by heaven, and the word was big, and he called himself A Shou, a thunder-broken head, and a longevity. Zhejiang Ninghai people. He is good at flowers and birds, landscapes, finger painting, calligraphy, poetry and seal cutting. 19 15 was admitted to Zhejiang No.1 Normal University and studied under Jing Hengyi, Li Shutong and others. His freehand brushwork of flowers and birds was a beginner of Wuchang Shuo, and later he took the method of Shi Tao and the Eighth National Congress. The layout is very dangerous, and he uses his pen to practice, and his realm is magnificent. He was the vice chairman of China Artists Association and the president of Zhejiang Academy of Fine Arts. Deputies to the First, Second and Third National People's Congress and members of the China Federation of Literary and Art Circles; 1958 was hired as an honorary academician of the Soviet Art Institute. He is the author of China's Painting History and Listening to Tian Ge's Painting Essays.

Fu Baoshi's "Landscape Map"

6. Fu Baoshi (1904 ~ 1965) is a modern painter. Formerly known as Changsheng and Rui Lin, he is the owner of Baoshizhai. Jiangxi Xinyu people. He studied in Japan in his early years and taught at Central University after returning to China. 1949, Professor of Nanjing Normal University, Dean of Jiangsu Traditional Chinese Painting Institute. He is good at painting mountains and rivers, creating "bouldering hills" in middle age, and he is free to use his pen, especially for the scenery of spring waterfalls, rain and fog; In his later years, he made great efforts to govern, full of vigor and a strong sense of the times. Figure paintings are mostly ladies and gentlemen with lofty images. He is the author of China Ancient Painting Research and China Painting Changes Outline.

Huangshan Water Painting Works

7. Huang (1865- 1955) is a modern painter and scholar. Originally from Shexian County, Anhui Province, and originally from Jinhua, Zhejiang Province. The earliest name was Maozhi, and later it was renamed Maozhi. The word "Piaocun" is named, which is for people in Hunan, Hongzuo and Huangshan. He is good at painting landscapes and is a master of landscape painting. The in-depth study of tradition is inseparable from the attention to sketch. Influenced by the "Xin 'an Painting School" in his early years, he was known as "Bai Hongbin" because of his dry pen and light ink. After 80 years old, it is characterized by black density and brightness in the dark, and is called "Black Hong Bin". His painting style is elegant and colorful, and his artistic conception is profound. Occasionally, flowers, birds, grass and insects are also strange. Besides painting, he is also engaged in the research and teaching of painting history and seal cutting. He used to be a professor at Hangzhou National Art Institute. He is the author of The Origin of Huangshan Painters, On Lu Hong's Painting and Essentials of Painting.

Lijiang River Scenery in Li Keran

Li Keran (1907— 1989) is a modern painter. People from Xuzhou, Jiangsu. He studied painting since childhood and studied at Shanghai Academy of Fine Arts and National West Lake Art Institute in his early years. 1946 teaches at Beiping Art Institute. 1956 is a changed landscape painting with a journey of tens of thousands of miles. In his early years, landscape painting adopted eight methods, and his brushwork was concise. Later, I learned from Qi Baishi and became concise. He also learned the method of ink storage from Huang, and realized the shadow treatment method of Lin Fengmian's landscape painting in the sketch. The style of painting tends to be cautious, the pen and ink tend to be thick, and the pen tends to be old in his later years. He is also good at drawing cows, and his pen and ink are quite interesting. He used to be a professor at Central Academy of Fine Arts and vice chairman of China Artists Association. Representative works include Lijiang Scenic Area, Wanshan Hongbian, Jinggangshan and so on.

Li Kuchan's "Eagle Map"

9. Li Kuchan (1899- 1983) is a modern painter and art educator. Formerly known as Yingjie, it was renamed Yingzi. Gaotang people in Shandong. 1923 Worship Qi Baishi as a teacher. He used to be a professor of Hangzhou Art College, a professor of Central Academy of Fine Arts, a director of China Artists Association and an academician of China Painting Academy. Good at painting flowers and birds, freehand brushwork, bold brushwork, hearty, and the style of painting is known for its simplicity, boldness and boldness. The birds made are rich in pen and ink, handsome in spirit and both in bone and strength. In his later years, he often made huge pictures, and his brushwork was vigorous and magnificent. He is a master of contemporary Chinese painting.

Huangzhou painting

10, Huang Zhou (1925.3— 1997.4.23), master of traditional Chinese painting, social activist and collector. Founder of Yanhuang Art Museum, the first large private art museum in China; Founder of Chinese Painting Research Institute and China Arts and Crafts Museum; Founder of Huangzhou Fine Arts Foundation. Take the lead in donating their own paintings and calligraphy works and ancient cultural relics, paintings and calligraphy collections. He presided over many important exhibitions and academic activities with far-reaching influence, such as "93 Science and Art Seminar" and "95 Economic and Cultural Seminar". Huang Zhou creatively integrated sketch into Chinese painting, which opened a brand-new paradigm of figure painting and expanded the artistic language of Chinese painting. Huangzhou's social activities and artistic practice have made outstanding contributions to China's cultural and artistic undertakings. There are a large number of works of art and more than 30 works such as Huang Zhou's Works and Huang Zhou's Talk on Art, which have been handed down from generation to generation.