Ishikawa, male,1born on September 4th, 967, Chongqing native, vice chairman of Shanghai Film Association, professor, doctoral supervisor and doctor of Shanghai Theatre Academy. Associate Professor, School of Film and Television Arts and Technology, Shanghai University; Deputy tutor of doctoral students and tutor of master students in film science; Deputy Director of Asian Film Research Center of Shanghai University; Deputy director of the editorial department of art series; Member of Shanghai Branch of China Film Association; Director of China Film Critics Association; Director of Film and Television Education Committee of China Higher Education Society; Member of the Expert Review Committee of Shanghai Cultural Development Foundation; Member of the Selection Committee of the 9th and 10 Shanghai International Film Festival; 10 Judge of "International Short Film Exhibition for College Students" of Shanghai International Film Festival; Member of the Expert Review Committee of the 14th Beijing University Student Film Festival.
Chinese name: Ishikawa
Heshi
Nationality: China.
Place of birth: Chongqing
Date of birth:1September 196714th.
Occupation: Professor
Graduate school: China Art Research Institute of Southwest Normal University.
Main achievements: the first prize of Shanghai excellent teaching achievement and the special prize of Shanghai University excellent teaching achievement.
Representative works: China New Literature Series Film Volume, Selected Films by Xie Jin, New Vision of Film History, etc.
resume
Ishikawa, born in 1967, is currently the vice chairman of Shanghai Film Association, a professor at Shanghai Theatre Academy and a doctoral supervisor. 1990 Graduated from Chinese Department of Southwest University (formerly Southwest Normal University), 200 1 Doctor of Literature (Film Studies), Graduate School of China Academy of Fine Arts. He was a visiting scholar in 1998 and in 2006 at City University of new york and Auckland University. The main social posts he holds are: vice chairman of Shanghai Film Association, director of China Film Association, literary consultant of Shanghai Leading Group Office for Major Literary and Artistic Creation, expert judge of Shanghai Cultural Development Foundation, member of film and television drama evaluation committee of Shanghai Wenguang Bureau, member of Master of Arts steering committee of Ministry of Education, academic director of Shanghai Film Museum, expert judge of Beijing University Student Film Festival, judge of China Film Media Award, etc.
Professor Ishikawa's academic research fields include China film history, film criticism, film and television industry, and Asian films. In recent years, he has published more than 50 papers in important academic journals such as Literature and Art Research, Contemporary Film and Film Art. In addition, he has also edited and published China New Literature Series Film Volume (the fifth series, 1976-2000), Selected Movies by Xie Jin, Walking through the Castle Peak: Xu Sangchu's Oral Autobiography, etc. His translation film director (Fudan University Press, version 1998) won the first prize of outstanding teaching achievements in Shanghai in 2000 and the special prize of outstanding teaching achievements in Shanghai universities. Professor Ishikawa has visited and lectured in universities in the United States, Britain, Japan, South Korea, New Zealand, Malaysia, Hong Kong, Taiwan Province Province and Macau.
Professor Ishikawa is also a famous film critic in Shanghai. He is currently the deputy director of the Theory and Criticism Working Committee of the Chinese Film Association and the director of the China Film Criticism Society. In People's Daily, Guangming Daily, Jiefang Daily, Wenhui Daily, Beijing News, Southern People Weekly, Sanlian Life Weekly, China Film Newspaper, Xinmin Weekly, Southern Metropolis Daily, Global Times, Hong Kong Literature, Film Appreciation (Taiwan Province Province), etc. Chinese and foreign newspapers and media such as Shanghai there have published more than 300 film and television commentary articles, and served as planners or special commentators in TV columns such as Shanghai Art Humanities Channel Light and Shadow Space, Xingshang Channel Watch a Movie Tonight, Documentary Channel Gossip, Shaanxi Satellite TV Opening the Altar, and recorded nearly 100 film and television commentary programs.
In addition to teaching and scientific research, Professor Ishikawa is also involved in film and television creation and planning. 1996 10 TV documentary Sichuanese in Tibet won the second prize of excellent documentary of China Radio and Television Society and the first prize of "Five One Projects" in Sichuan Province. From 65438 to 0997, he was the director of 100 large-scale biographical series Qian Weichang and Xu Kuangdi. From 2004 to 2007, he directed, scripted and planned large-scale documentary TV movies such as China Movies in Shanghai (40 episodes), Memory Movies (60 episodes), Master Xie Jin (18 episodes) and the film feature film Cherry. Among them, in 2005, the cinema documentary "Memory Movie", as the curator, won the "Special Contribution Award for Documentary" at the Hawaii Film Festival the following year; In 2007, he was the producer of the feature film Park Shanghai for the first time, and the film was shortlisted for the competition unit of Moscow International Film Festival in June 2008. In 2009, he planned the feature film "Six Hundred Miles to Fuyang" and won the Best Director Award of "Asian Newcomer Award" at Shanghai International Film Festival on 20 10. 20 1 1 Best Original Screenplay and Best Supporting Actress in the 48th Taiwan Golden Horse Awards, 20 12 China Film and Media Awards; 20 12 The feature film "Sweetheart Chocolate" as the chief planner was nominated for the best film in the "Asian Style" unit of the 25th Tokyo International Film Festival. Won the Best Film Jury Award of Korea 13 Gwangju International Film Festival in 20/0/3.
Professor Ishikawa is also a famous film activist and curator in Shanghai. 20 12-20 13 was hired as the general curator of the preparatory group of Shanghai film museum, responsible for the planning, design and display of the exhibition contents, cultural relics and documents of Shanghai film museum. On June 20 13, after the Shanghai Film Museum officially opened to the outside world, Professor Ishikawa was appointed as the academic director of the Shanghai Film Museum. In cooperation with Hong Kong Film Archive, he organized and planned the first film screening of Ziguihai in Shanghai Film Museum. Director Fei Mu filmed it in Shanghai on 1940, and was rescued and restored by Hong Kong Film Archive, and returned to Shanghai for screening more than 70 years later.
Appointment and dismissal information
20 18 12, Ren Shichuan was the vice chairman of Shanghai Film Association.
Character works
List of main papers, monographs (translation, editing) and comments:
Interpretation of the image culture of the Hong Kong film Yankee, Literature Research,No. 1 1 2007.
On the Construction of Multi-funding System for China Films, Academic Forum Paper of Golden Rooster and Hundred Flowers Film Festival, June 5, 2007 to1October 38.
On the Brand Advantage and Characteristic Orientation of Shanghai International Film Festival, Art Review, No.9, 2007.
Yu Ling: An indelible name, new movie, No.8, 2007.
Blog and Academic Popularization, Jiefang Daily, August 1 1, 05 (column).
Aesthetic Boundary between Two Times, Selected Works of Xie Jin, Shanghai University Press, 2007.
Adult fairy tales in the context of global cities, Film Art, No.4, 2007.
"New Generation" Movies: Narrative Transformation under Multiple Paradoxes, Wen Wei Po's "Hundred Schools of Literature and Art" column, June 24, 2007.
National Expression Strategies in Korean Films, New Films, No.3, 2007.
On the Typing Strategies of Shanghai Films from the Korean Experience, New Films,No. 1 2006.
"Singing Movies: A Survey of China-Musical." InRogerGarciaed. Asian singing: ASurveyofAsianMusicalFilms Udine, Italy: Central Performance Film Photography, 2006.
Reflection and Reconstruction: Review of China Academic Annual Conference in Spring and Summer of 2006 and China Academic Annual Conference in 2005, Asian Academic, Vol. 17,No. 1.
Why it's so bright —— Also on the current film and television creation in China, No.2, Film and Television Art, 2006, NPC.
Adaptation of Famous Books: Inheritance and Reconstruction of Literary Classics, Hong Kong Literature, No.256, April 2006.
Concise, distant, elegant and profound aesthetic quality, Zhang Zhenhua Mei Duo Film Masters: 1949-2005, p. 36, Guangxi Normal University Press, 2006.
Rereading Wu: Historical Encounter and Realistic Dilemma of Poetic Films, Contemporary Films, No.3, 2006.
Global video culture feast, Wen Wei Po, June 65438+July 8, 2006.
Constructing the myth of "liberation": a harmonious ideological interpretation, Contemporary Film, No.5, 2006
Research on the Non-marketization Status and Countermeasures of China Audio-visual Industry, Art Series No.3, 2006.
China Kung Fu Movie: The Messenger of Oriental Culture in the Globalization Era, New Movie, No.5, 2005.
Zhao Dan: China master of poetic realism, new film, No.5, 2005; Wen Wei Po, June 2005165438+1October 65438+June; Photocopying materials of NPC film and television art, No.3, 2006
Reflection and reconstruction: China films and Asian films from a cross-cultural perspective, Contemporary Films, No.5, 2005; NPC Film and Television Art Copying MaterialsNo. 1 No.2006
From folklore to red classics, contemporary movies, No.5, 2005
Compromise and Self-discipline: On the Century Legitimacy of Left-wing Movies from Zhang Junxiang's Film Personality, No.4, Contemporary Movies, 2005; Photocopying materials of film and television art of NPC,No. 1 1, 2005.
Golden Age and New Film Works of Shanghai Film Studio,No. 1, 2005.
Political Passion of Xie Jin's Movies, Southern People Weekly, No.65438, 2005.
Author's Representation of Sun Yu's Movies and Its Internal Conflicts, Contemporary Movies, No.5, 2004
Chinese and foreign experts focus on horror films to explore the development prospects of domestic genre films, Contemporary Films, No.3, 2004
Zheng's film as an early product of popular culture, Contemporary Film, No.2, 2004.
Seventeen years of film system and audience, Film Art, No.3, 2004.
Poets who travel through history: on the creation of biographies of Yinnan Ding and his great men, Art, No.2, 2004.
Maple leaves on the screen: a glimpse of Canadian movies, essays on cross-cultural film and television art, Shanghai University Press, 2002.
Code and Personal Renaissance, Journal of Shanghai University (Social Philosophy Edition), No.2, 2003.
The research and writing of China's film history in seventeen years, Film Art, No.5, 200 1.
On Xia Yan's Film Export Thought, Journal of Beijing Film Academy, No.4, 1999.
Selected Movies and Plays by Xie Jin (co-edited), Shanghai University Press, 2007.
China Film Publishing House, 2006: Xu Sangchu's oral autobiography.
New Trends of Contemporary Film Theory (Deputy Editor), Culture and Art Publishing House, 2005.
General History of 20th Century China Literature (co-author), Oriental Publishing Center, 2003.
New Generation Movies in Multi-linguistic Context (Editor-in-Chief), Lin Xue Press, 2002.
New Horizon of Film History (edited), Lin Xue Publishing House, 2002.
Film and Television Director (translated), Fudan University Press, 1998.