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Li Yongping's basic introduction.
Li Yongping: This word is consistent. Born in June, 1970, 165438, from Bin County, Shaanxi Province. Professor, College of Literature, Shaanxi Normal University (2008), part-time researcher, Doctor of Literature (2006), postdoctoral fellow in history, Guanlong Dialect and Folklore Research Center, Shaanxi Province (20 12). Deputy Director of Chinese and Foreign Drama Center of Shaanxi Normal University and Director of Literary Anthropology Center.

He has undertaken the teaching tasks of more than ten undergraduate courses, such as the history of China literature, comparative literature, literary anthropology (general course), communication, news criticism, public opinion and China traditional culture. Mainly engaged in popular literature, literary anthropology, media poetics and other research directions. He dabbled in prehistoric archaeology, myths, rumors and folklore.

He teaches graduate students comparative literature, literary anthropology and national literature, folklore and folk literature research, and serves as a tutor for master students majoring in literary anthropology and comparative literature and East Asian national mythology and narrative literature.

He presided over a number of vertical and horizontal scientific research projects, including the first-class funded project of China Postdoctoral Fund, the social science planning project of the Ministry of Education, the Shaanxi Social Science Fund, and the central special projects.

The doctoral thesis "Bao Gong Literature and its Communication" takes the communication theory as the framework, and studies the formation, evolution and communication mechanism of Bao Gong's literary image on the basis of literature. People think that literary exchange has made Bao Gong a success. Based on the analysis model of communication control, content, media, audience, effect, situation and motivation, this paper draws lessons from narrative theory and oral program theory, analyzes the social environment of Bao Gong's communication with empirical methods, and discusses the cultural motivation of Bao Gong's success in communication. The successful spread of Bao Gong literature in history is the result of "multi-level" communication law and the domination of media power.

Yuan Zaju became a quasi-mass media to a certain extent, which had an "agenda setting function" for public opinion. Since Ming and Qing Dynasties, the spread of Bao Gong literature in cities has depended on the commercial development of Suning, Beijing and Yang. The spread in rural areas is mainly attributed to the drama tradition of religious sacrifice in Jiangnan. The law of Bao Gong's literature spreading among the people is very similar to the law of rumors spreading through human media: it is inherently dominated by the law of omission or empty change, reinforcement, generalization and super-detail. Finally, the law of communication has influenced the style, theme choice, narrative structure and strategy of Bao Gong's literature.

In addition, the professor loved calligraphy art since childhood, and studied with many teachers, learning to copy the posts of famous calligraphers such as Mysterious Tower, Diligence Monument and Yanjia Temple Monument, as well as the works of calligraphy educators such as Shen, Wei Junxiu and Cao Boyong.