10 successfully broke the film of 10,000.

"Life is near, there will be far, and far will be near. You can't eat the food you have been eating, and love will become boring. Life is like this. Haven't you said it countless times through movies? But you can't live the kind you shoot, like the characters in your movies, and you can't live the strong determination. The hero in your movie will feel sorry to see you. There are so many characters like beasts in the movie, but you are so simple. "

Ki-duk Kim

Jin Jide has always insisted on examining life in his films. His films always try to abandon lines and speak with pictures, and facial emotions and eyes become the export of characters' emotions.

He aimed the camera at a few marginal people and interpreted the tragedy of human nature and nation with extreme sex and violence.

Those on the edge are the deepest.

the truth of the matter

Truth is called experimental film, which is not only the turning point of Jin Jide's films, but also a kind of self-reflection.

"Movies will not change reality, but will only change individual ideology."

02: Spring, summer, autumn and winter is another spring.

In the film Another Spring in Spring, Summer, Autumn and Winter, Jin Jide focuses on thinking and exploring life.

03: Samaritan girl

In the movie "Samaritan Girl", Jin Jide added the artistic color of religion, keeping the filth of body and the sanctity of soul. The deep excavation of human nature and the humanistic concern of facing reality make the film both violent and full of pity.

04: Vacant room

The movie "The Empty Room" is Jin Jide's pure idealism telling a "lonely man's dream".

The dream man's love, loneliness, loneliness and helplessness.

05: Bow

During the day, the bow is a sharp weapon to protect and possess girls. At night, the piano bow plays a melody to comfort the girl and eliminate her depression.

06: lament

The name of the film Mourning comes from the sculpture of the same name by Michelangelo, a European Renaissance artist.

07: Mobius

In the movie Mobius, all the characters have no lines and no names. The director Jin Jide shows us the tragedy of family ethics and the naked desire, love and evil of human nature in a violent way.

08: One to One

One to One is a new world created by director Jin Jide. The world is full of crime, violence and blood, but it magnifies people struggling for survival in all corners of society.

09: People, Space, Time and People

In Man, Space, Time and Man, Jin Jide seems to deconstruct everything in the film. People commit suicide in constant fantasies and gradually despair in pain.

Social order, humanity and morality gradually disintegrated, and they returned to the era of eating blood and drinking blood, and returned to the Garden of Eden, copying the fable that mother and child combined to reproduce human beings from generation to generation.

10: network

In the movie "The Net", Jin Jide focused his experiments on fishermen, and the tragedy of marginal figures revealed the totally irreversible periodic misfortune of the bottom people in North Korea.

"My movies are violent, but not my life. I don't want people to use movies to see my character. "