Current location - Trademark Inquiry Complete Network - Tian Tian Fund - Xie Yufeng's main thesis
Xie Yufeng's main thesis
1, on two concepts of drama, Yan 1999No. 1.

2. On the Character of Ming Dynasty, Academic Monthly, No.9,1999;

3. There is no need for a "set" for Southern Opera and a "fold" for Northern Opera. The 25th Series of China Opera, Culture and Art Publishing House, 200 1 edition.

4. Interpretation of Externalization of Northern Zaju, Literature,No. 1 2000.

5. Interpretation of "Worship for Ink" in Northern Zaju, China Literature and History Series 62, Shanghai Ancient Books Publishing House, 2000.

6. Tragedy, Comedy and the Study of China Opera and Others, Drama Art, No.3, 2000, reprinted in No.6, 2000 by the Information Center of Books and Newspapers of China Renmin University;

7. On the Study of Yuanqu Opera in the 20th Century, Journal of Nanjing UniversityNo. 1, Xinhua Digest No.5, 2001;

8. Read Li Kaixian's "Southern Atlas Legend of Yuan Xian", Literature No.2, 200 1, China Renmin University's "China Ancient and Modern Literature Research" No.1 10;

9. Crossing the Brocade, The Historical Analysis of Drama, Series II, China Drama Publishing House, 200 1 edition.

10, a textual research on "Correcting the Name" of Yuan Qu Zaju (Taiwan Province Province), Folk QuyiNo. 140 (Opera Album II), Shihezheng Folk Culture Foundation, a consortium legal person, June 2003.

1 1, A Review of the Research on the Artistic Features of China's Dramas in the 20th Century, Research on Literary Theory,No. 1 2004.

12, Mr. An and the Study of China Drama in the 20th Century, Journal of Nanjing University,No. 1 2004.

13, Lost in Sorrow of Witchcraft —— Comment on Tanaka Issei's History of Chinese Drama, Drama: Journal of the Central Academy of Drama, No.3, 2004, reprinted by China Renmin University, No.6, 2004.

14, 90-year Review of China Kunqu Opera Research, Journal of Nanjing Normal University,No. 1 2005.

15, The Discovery of Chinese Opera Literature in the 20th Century and the Progress of Southern Opera Research, Literature,No. 1 issue, 2005.

16, On the Protection of China Kunqu Opera as Cultural Heritage, Drama Art,No. 1, 2005.

17, read Wang Guowei's History of Today's Song and Yuan Opera, Literary Heritage, No.2, 2005.

18, Some Problems in the Study of Modern Peking Opera, The Art of Chinese Opera,No. 1 2005.

19, On the Study of China's Drama in the Early 20th Century, Qiushi Academic Journal, No.6, 2005, Books and Newspaper Materials of China Renmin University, and Stage Art, No.3, 2006.

20. A Study of China's Drama in the Second Half of the 20th Century, Journal of Southeast University, No.3, 2005.

The production of 2 1. foot color is the fundamental significance of China's drama structure system. Literature and Art Research, No.5, 2006.

22. On the Role System, Drama: Journal of the Central Academy of Drama,No. 1, 2006;

23. My humble opinion on the study of China's drama in the past century, Literary Theory Research, No.3, 2006.

24. Study on the Wedge of Yuan Zaju, Drama Art, No.4, 2006.