From 1970s to 1980s, Han Meilin began to search for cultural relics around the world and recorded tens of thousands of symbols. By copying and creating, it completes the reconstruction and expression of beauty in an abstract form. Han Meilin's gobbledygook, like an ancient symbol coming through time and space, has broadened the modern people's horizons and perspectives on China's ancient writing and culture. Han Meilin's Book of Heaven broke the tradition of expression and emphasized the image absorption of ancient characters and symbols. Through the appreciation and understanding of contemporary aesthetic consciousness, we can see the realm of "natural creation" through the appearance of words; Han Meilin's "gobbledygook" can only be realized. He will take it back to the original state, get close to nature in the process of returning to nature, and convey his spirit in the communication between heaven and earth. Han Meilin's "The Book of Heaven" has never been exhibited alone because of its uniqueness. This is its first overall "appearance" in the Forbidden City. The exhibition will present Han Meilin's rich and varied "gobbledygook" art through five units. The 600-year-old palace exhibition complex, the Palace Museum with more than 1.86 million pieces, is itself an inexhaustible "heavenly book". The encounter and collision of two "gobbledygook", the dialogue between ancient times and modern times, and the Han Meilin "gobbledygook" art exhibition will bring the audience a powerful call from ancient art. Wang Xudong, president of the Palace Museum, said in his speech that the "Taking Heaven as a Book-The Han Meilin Palace Museum Exhibition of gobbledygook art" jointly sponsored by the Palace Museum and the Han Meilin Art Foundation was a collision and integration of traditional culture and contemporary art. The Palace Museum is the intellectual creation of the working people in ancient China and is the five thousand years of China. The exhibition "Taking Heaven as a Book" is the first time that Mr. Han Meilin has independently exhibited his series of "Heavenly Books", which not only shows the artistic spirit of the 85-year-old artist's enterprising spirit and self-breakthrough, but also reflects the open and inclusive attitude of the Palace Museum towards China's outstanding contemporary art.