The common epigraph names mainly include Yi Jiangnan, Sauvignon Blanc, Yu Gezi, Su Muzhe, Yong Yule, Yu Meiren, Qingpingle, Caisang Zi, Bu Operator, Yulinling, Bodhisattva Man, Zuihuayin, Huanxisha, Linjiangxian, Shengchazi, Dingfeng, Fisherman's Pride, Butterfly Lovers and Queqiaoxian.

the source of epigraph names in song poetry:

1. epigraph names from myths and historical stories

1. History is celebrated

An important foothold in studying Chinese poetry lies in their inseparable relationship with music. Especially Song Ci, as a sung culture, the name of the epigraph itself has certain historical significance.

Qinyuanchun's epigraph is probably one of the most familiar epigraph names of Song poetry for modern readers, and Qinyuan is the private garden of Princess Qinshui in the Han Dynasty. He was coveted by Dou Xian, a powerful consort at that time, and was later forced to buy and rob it. Qinyuan was later learned by Emperor Han Zhang, which became the first step for Dou Xian to fall out of favor.

A epigraph like Qin Yuanchun implies a historical story. While praising the pleasant scenery of Princess Qinshui's garden, it seems to be a mockery and warning to the authoritarian minister.

Shuidiao is also an important epigraph of Song Ci. Its source is the first paragraph of Shuidiao, which was officially produced when Emperor Yangdi dug the canal. When will there be a bright moon in Su Shi's water tune? When is the bright moon among them? Ask the sky about the wine. I hope people will live for a long time, and they will be beautiful for thousands of miles. Attaching the poet's romantic feelings and full of revenge to the epigraph made when Emperor Yangdi was full of ambition, and consciously or unconsciously blending history and reality, loneliness and noise, it became a rare masterpiece in Song poetry.

Yulinling. Chilling and sad. Holding hands and looking at each other with tears, I was speechless. In my opinion, the sadness and sadness of the men and women who were brewed in eleven words exceeded the feelings expressed in dozens of TV series now. Reading it made people feel a pain in their hearts, and the old love that men and women encountered in the metropolis in their lives was gently provoked by exquisite words, which made people feel pain clearly and long.

The epigraph linked to Yulinling was composed by Emperor Xuanzong of Tang Dynasty who missed Yang Guifei in Shu, and the love between men and women was integrated into the thicker historical turbidity, and the expressive force was even more amazing.

2. Inheritance of fairy tales and folk memories

If historical Chinese people monopolize knowledge, so that they can enjoy complete historical interpretation and recording rights, the singing of folk fairy tales is the inheritance of national memories with the same meaning.

Ruan Langgui's epigraph is the epigraph with such a mythical story background. The ancient folk literature in China has modern and refreshing elements. It is the most romantic treatment for the lower class people in ancient times to make their lives unlikely to change when they go up the mountain to collect medicine and meet the immortal soaring. Su Shi's Ruan Langgui, early summer. After a light rain, the river turns over and the pomegranate blossoms are blooming, which is vividly close to the words and expressions of the rural working people, elegant and full of life breath, and expresses the natural and interesting side in the hearts of Song literati just right.

Linjiang Fairy is a memorial tablet for water gods. It is said that it was handed down by Yuefu in Tang Dynasty, and there are many sayings for offering sacrifices to Xiangjiang Goddess and Luohe Goddess. Linjiang Fairy shows the magnificent history of the Three Kingdoms with just a few crosses, and his artistic conception even exceeds the history itself. He is tragic, sad, inspirational and optimistic, not only the history, but also the life of most people. With Linjiang Fairy's memorial tablet,

2. Excerpts from a large number of exquisite passages of poems and the self-creation of poets in the Song Dynasty

1. Poems, poems and poems, as literary genres that are all loaded with music, are inextricably linked, and a large number of epigrams in Song Dynasty are selected from paragraphs of poems.

Memorizing Jiangnan is a masterpiece under Bai Juyi's ci-poetry. Bai Juyi's spring river is as green as blue, and Ouyang Xiu's poem flies over the east wall. Drunk spring breeze, taken from Li Bai's silk tube drunk spring breeze, watching flowers back, taken from Liu Yuxi's no one does not see flowers back. Que Qiaoxian was taken from Ouyang Xiu's Que Yingqiao Road and connected to Tianjin. These beautiful poems were intercepted as famous epigrams.

2. epigraph names closely related to personal factors

He Manzi, Bu Operator, Warrior Lanling and other epigraph names are all famous for their personal stories and experiences. He Manzi was a prisoner in the Tang Dynasty. It is said that when he died with a grievance, he sang a song, which was quite sad. Later generations took He Manzi as the epigraph, and the tune was sad and sad. The divination operator is the nickname of Luo Bingwang. This song was also the earliest epigraph to measure people's fate, and it sang tactfully and peacefully. Warrior Lanling, as a famous general in the Northern Qi Dynasty, is majestic and heroic, and Warrior Lanling's entry into the array is a masterpiece handed down from generation to generation. The music with him as the epigraph is passionate and generous, and it is unique.

3. epigraph with the name of a large number of singers

Xi Shi, Yu Meiren is a famous epigraph in the Song Dynasty, which was taken from a famous beauty in ancient times. Yu Meiren, also known as Yuhubing in the workshop music in the Tang Dynasty, asked you how much sorrow you can have, just like a river flowing eastward. Li Houzhu's extremely sad tune is not only a sacrifice to Xiang Yu's love, but also a self-pity for his own situation. The tune of Yu Meiren is sad, and it is a famous sentimental song in ancient times.

Xi Shi is one of Liu Yong's favorite epigraph names. As a well-known graceful poet in the Northern Song Dynasty, Liu Yong's unique extravagance and gorgeous style of music come to the fore under the singing of Xi Shi's epigraph name. With the eyes of ancient beauties, the poet can't sing the prosperity and arrogance of the Great Song Dynasty.

Nian Nu Jiao was a famous singer in Tianbao period of Tang Dynasty, and Nian Nu Jiao is the memory of this woman with both color and art. It is worth pointing out that Nian Nu Jiao's epigraph is one of the epigraph with the most lyrics.

By studying the origin of epigrams in the Song Dynasty, we can find that although the Song Dynasty was the dynasty of generate, a lot of materials came from the Tang Dynasty, especially the epigrams' names collected systematically by the Tang Jiaofang. The self-creation of the poets in the Song Dynasty is only a powerful supplement to the cultural flow of the previous dynasties.

Zhou Bangyan, as a poet, was deeply loved by the Emperor of the Song Dynasty, and even known as Du Pu in Ci. It can be seen that his literary attainments were profound, and his six ugliness went straight to the heaven in Liu Yin. I also achieved the position of music director in the whole Song Dynasty as an official. Liu Yong's Quyuguan, picking lotus flowers, may make the tune too special. He was the only one who filled the song in the whole Song Dynasty, which meant that the song was high and low.

3. Jiaofang Qushi in the Tang Dynasty was a treasure house of epigrams

1. Ci flourished in the Song Dynasty and grew up in the Tang Dynasty

It was a time when Chinese culture blew out of generate, which not only produced beautiful Tang poems, but also became another pillar of Chinese culture, which was an important development stage of Song Ci.

A large number of epigrams of Song Ci originated from the Jiaofang Division in the Tang Dynasty. Langtaosha, Xijiangyue, etc. are all tunes and vocals summarized by the Tang people from the culture of the former dynasty and stored in the national music library. Sauvignon Blanc and Qingping Music in twelve o'clock in Chang 'an are the ancient singing performed by modern people.

qingping music, picking mulberry seeds, and other epigrams are the epigrams of Tang Jiaofang music, which absorbed the lyrics and vocals of the Southern and Northern Dynasties and the Sui Dynasty, and summarized them. They have been praised until the Song Dynasty. The epigraph name like Litchi Xiang has a strong charm of the Tang Dynasty. Simply speaking, it is the tune that pleases Yang Guifei. When the imperial concubine was born, Xuanzong made fun of Yuefu to make a new tune to celebrate her birthday. Such epigraph contains strong characteristics of the times.

2. One of the factors contributing to the introduction of the western culture into Song Ci

Bodhisattva Man is also a epigraph handed down from the Tang Dynasty. It is said that it is the melody of the Nvman country, but it is deeply loved by Emperor Xuanzong of the Tang Dynasty. The style of Hu people's drum music in the spring warbler is different from that of Hua Xia Qing, which is a powerful supplement to the culture of ci and qu. A large number of epigrams of northern Wei and Sui style music, such as concentric knot and echo music, are the result of Hu-Han cultural exchange, and he was included in the Tang Dynasty Jiaofang music, which has been passed down to today.