A low thatched house, close to a clear stream with flowing water. The stream is covered with green grass. An old couple with white hair had just finished drinking and were chatting together affectionately and leisurely. The eldest son is hoeing the bean fields in Xidong, and the second son is weaving chicken coops in front of the house. The most interesting thing is the third son. He plays so naughtyly, lying down by the stream and peeling lotus pods to eat. Appreciation: In this poem, the author reflects his subjective feelings through the description of the rural scene, and is not just making a purely objective sketch. The author's poem is about seeing the life silhouettes of some non-working members in a non-working environment in the countryside, reflecting the vibrant and interesting side of the countryside in spring. The first and second sentences in the film are what the author sees from a slightly distant perspective. "Thatched eaves are low and small", Deng's "Notes" quoted Du Fu's "Quaeju Manxing": "It is well known that thatched houses are extremely low and small, and the swallows on the river often come and go." This describes that the living conditions in rural areas were not very good at that time in the Southern Song Dynasty. If you don't get close to the low eaves, you won't be able to see the activities of this family or hear the voices of people talking. The second sentence points out that the hut is not far from the creek, and the grass on the creek has turned green. It actually uses the semantics of "spring grass grows in the pond" in Xie Lingyun's "Climbing the Pond and Going Up the Floor" to show that spring has arrived in the countryside, with unlimited vitality and it is the busy farming season. The author was slightly drunk and walked meanderingly. When he approached the eaves of the village house, he heard a conversation in Wu accent, which made him feel friendly and sweet (the so-called "love each other"), and then he discovered that the adults of this family Everyone has gone to work in the fields. Only an old couple stayed at home and talked about their daily life. So I used a rhetorical question: "Whose old man is this?" and then turned to the description of other young people in the family. In this way, the subjective and objective levels are relatively clear, which is more reasonable than referring to Weng Lao as the subject of "drunk". The second part shows the eldest son hoeing beans and the middle son weaving chicken coops. They are all about informal labor members doing some sideline work. This shows that the vast majority of people in rural areas are not just idlers waiting for food and getting something for nothing. Even underage children have to do some work within their ability. You can imagine the hard work of adults. Only the elderly and the youngest children who have no labor force can enjoy themselves leisurely. This is actually derived from the description in "The Horse Shoe Pian" of "Zhuangzi" of "holding food while xi (playing), bulging the belly and swimming", but it is more vivid, more subtle and more visual than "Zhuangzi". Particularly The author uses a contrasting technique to reflect a quiet and leisurely aspect of rural life, but leaves a lot of room for the reader's imagination. This is consistent with the ending of the author's song "Partridge Sky", which is called "Peach and Plum in the City". "Sorrowful about wind and rain, spring is in Xitou with shepherd's purse flowers" is exactly the same idea. From the artistic effect, it also has the same purpose.

Thoughts and Emotions

The poet describes a family of five The mood of life in the countryside expresses the beauty of life and human feelings, and reflects the author's envy and yearning for the tranquility and peaceful life in the countryside. (1140-1207) A poet in the Southern Song Dynasty, whose original name was Tanfu, and his nickname was You'an. Xuan was a native of Licheng (now Jinan, Shandong). Ji, once served as the chief minister of Binzhou and joined the army. His grandfather Xin Zan was unable to go south with the Song Dynasty during the Jingkang Revolution because of his tiredness. He died young and lived with his grandfather Xin Zan since childhood. , the dragon in the poem. Liu Chenweng's Preface to Xin Jiaxuan's Poems said: "Since before Xin Jiaxuan, anyone who has used a word like this will have to keep his mouth shut. As for the Jiaxuan, there are rotten grains everywhere, just like the Zen sticks and drinks, which are everywhere; it is also like the sorrow and sorrow, and the injustice in life is accompanied by wine, but the guests and hosts feel that they are in a good mood and have no time to talk. This is enough for the words. "When he was born, the north had long fallen into the hands of the Jin people.

It gives people a poetic, fresh and pleasing feeling. This kind of concept is ingenious and novel, and the colors are harmonious and vivid, leaving an unforgettable impression on people. From the author's description of the fresh, beautiful, simple, elegant and quiet environment in the countryside, and the portrayal of the image of Weng Yu and her three sons, it shows that the poet loves the peaceful and quiet life in the countryside. This little poem was written by the author when he was rejected and attacked by the peace faction in his later years. He was unwilling to pursue his ambitions and retired to the Shangrao area to live in the countryside. The lyrics describe the peaceful, quiet, simple and comfortable life in the countryside, and it cannot be said that the author is whitewashing reality. Judging from the fact that the author has always been concerned about the restoration of the Song Dynasty throughout his life, he longed for such a rural life, which would further arouse his patriotic enthusiasm to fight against the Jin soldiers, regain the Central Plains, and unify the motherland. Judging from the situation at that time, this kind of peaceful and quiet life also existed in villages far away from the anti-golden front line. This poem is not the product of the author's subjective imagination, but a reflection of real life. It has a strong flavor of rural life, and the author's joy for rural life is everywhere in the words. It objectively reflects the author's hatred of the dark official life. .

Edit this paragraph Qing Ping Le

"Qing Ping Le", the name of the Ci Pai, also known as "Qing Ping Le Ling", "Drunken Dongfeng", "Recalling Luo Yue", is a commonly used Ci Pai in the Song Dynasty . Yan Shu, Yan Jidao, Huang Tingjian, Xin Qiji and other famous poets have all used this tune, especially Yan Jidao