In the spring of 1935, Gibson invited musician lvino Rey and designers from the Chicago Lyon & Healy Company to assist in the development of pickup prototypes. Later in the same year, the development and design process began to be carried out in-house, and Gibson employee Walter Fuller took over. The design is finalized.
Gibson introduced the unique hexagonal magnetic pickup technology in late 1935 and combined it with an arched surface design. On May 20, 1936, Gibson produced the ES at its factory in Klamatho, Michigan. -150(eSpain).
Charlie Christian, the jazz musician who established the unique tone of the electric guitar, believed that the ES150 was the best electric guitar until 1936. Sixty years later, the ES150 is still considered to be Charlie Christian's patent. Some jazz players also consider the ES150's "Charlie Christian" pickup to be the best jazz pickup ever made.
Extended information:
A brief history of development:
The success of the ES-150 is a double-edged sword, establishing Gibson's leadership in the field of electric guitar production. status, while challenging Gibson on how to surpass this milestone. Due to the suspension of production caused by World War II, Gibson's achievements at that time were just that.
In 1954, the tune-o-matic bridge was used on Les Paul guitars and is still used today as the standard bridge for Gibson electric guitars. In 1958, McCarty introduced two new concepts - the semi-hollow body electric guitar and a series of exotic, futuristic solid designs.
The ES335 was an instant success, blending a traditional arched body with modern solid-body construction. The Flying V, Explorer and Moderne models were considered ten years ahead of their time. In the 1960s, Gibson designed more bold and modern solid-body electric guitars—the double-groove SG model in 1961 and the Firebird model in 1963.
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