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Comparing "The Son-in-Law" and "Celebrating More Than Years", which one is better?

"The Son-in-Law" starring Guo Qilin and Song Yi has been creating a lot of buzz since before it was broadcast. After all, this is the first time that the young masters of Deyun Club have played the leading role in a real sense. Before the broadcast, Guo Qilin and Song Yi had been promoting the show on social media, including many jokes about their CP on short video software.

Another major reason why "The Son-in-law" is highly anticipated is largely due to the popularity of "Qing Yu Nian". If you look closely at the cast list of "The Son-in-law", you will find many familiar faces: in addition to the original "sister and brother" becoming "husband and wife", "Wang Qinian" became the prince-in-law, "Fan Jian" became the prime minister, " "Aunt Liu" became the mother-in-law

Even "Fan Xian" Zhang Ruoyun played a cameo role in the opening of the film, but after "transforming the soul", "the image and the body were swapped". So you can say that Ning Yi is "Fan Xian" after time travel, and "Fan Xian" is "Ning Yi" before time travel.

No wonder some netizens will ask, "Is "The Son-in-Law" filmed by the crew of "Celebrating More Than Years" when they have nothing to do?" In fact, this kind of thing really happened in the past: Wong Kar-wai was filming "Eastern Evil" I encountered a creative bottleneck while working on "Western Poison". In order to appease the financial sponsor, my father, I had an idea. Since the crew was idle anyway, they might as well start filming a Lunar New Year drama at the same time.

Then a scene that has been talked about to this day appeared: the same crew filmed the absurd and funny "A Little Mermaid" in the morning, and the serious "Ashes of Time" in the afternoon. The high-intensity filming even made Tony Leung Chiu-wai Questioning "Who am I and where am I?" But in the end, both films became classics among Chinese film classics.

Although "The Son-in-Law" and "Celebrating More Than Years" have many same actors and both have stories based on the theme of "travel", the two dramas still have many differences.

In "The Son-in-law", Ning Yi, played by Guo Qilin, continues his image of being "good at calculation": before time travel, he was a financial master, and after time travel, he used knowledge to crush Zongheng every minute. Wu Dynasty business world. At least in the first half, the element of "business war" is heavier. Ning Yi used modern business theory to carry out an all-round dimensionality reduction attack in Wu Dynasty.

From big data analysis to accurately locate customer groups, to trademarks to strengthen brands and launch chain franchises, to "Suning Yigou" for online ordering and offline delivery, these new and cross-generational things are naturally included in the plot. It has no disadvantages, and the audience is very happy to watch it, and this is also the effect that this kind of farming and refreshing article pursues.

Of course, if you just pursue "coolness", it will naturally appear that the creator's status is not high. The success of "Celebrating More Than Years" is not only the pursuit of "coolness", but also the re-assuming of the proposition of "live again" with leaping thinking. Concretely reflected in the plot, it is Ye Qingmei's inspiring words that far surpass the times, "Everyone is born equal, and there is no distinction between high and low."

One of the main themes of the first half of "The Son-in-Law" seems to be to uphold justice for women's equality: Su Tan'er, played by Song Yi, has determined to be the master of Su's family since childhood. In order to obtain the qualification for the palm seal, he even made an "agreement" on his own to marry Ning Yi.

What’s interesting is that in "The Son-in-law" there are also many sons-in-laws like Ning Yi who marry the daughter-in-law, and there is even a special "Men's Virtue Academy". The strong irony does add a lot of emotions. Joke. What's puzzling is that it seems that the social status of women is not low in theory, but the resistance Su Tan'er encountered shows that the status of women in the Wu Dynasty was not high. I don't know if this is inconsistent.