Yelled out: "You can't kick me out, Lu Zihao, I have your children."
When this was said, the scene was in an uproar.
Lu Zihao froze in place for a few seconds, and then he quickly pulled Tao Aiqing aside. "You made it clear to me."
While waiting for Tao's explanation, Lu Zihao reviewed the process of his understanding with Tao in his mind. It is impossible to get Tao Aiqing pregnant. Moreover, Lu Zihao's girlfriend Katrina is tall, thin and beautiful, and is recognized as a goddess. Tao Aiqing is short and ugly, and his dressing style and conversation are not "high-end". Lu Zihao thought at the moment that even if he was hungry, it was impossible to have anything to do with Tao Aiqing.
Sure enough, Tao knew that he had put my foot in my mouth and nagged for a long time without telling her why. I have to talk about the little wooden horse hanging around my neck. This small wooden horse was a handicraft that Tao Aiqing snatched from Lu Zihao when he was in Paris.
"Do you remember this little Trojan horse? You said it symbolizes our unique love. "
"Didn't you say you broke it?" Lu Zihao was absent-minded, but in front of his girlfriend Katrina, he seriously discussed this little Trojan horse with Tao Aiqing.
Katrina was very angry. She bit her lips and clenched her fists. She turned and rushed into the dressing room. At this time, Liu Zihao remembered his own clothing conference, hurriedly pushed Tao Ai Qing away and followed Katrina and went out.
Katrina, you can't leave now.
Lu Zihao yelled at Katrina, who was about to leave the backstage after changing clothes, as if Katrina was the culprit of this farce, not Lu Zihao himself.
"I just want to go!" Katrina looked at Ying Ying with an angry face. Her eyes staring at Liu Zihao were as clear as stars, desperately looking for traces that Liu Zihao still loved her.
However, as the boss of a design company, Lu Zihao has a strong self-esteem, and he is not a person who is willing to give up on his girlfriend. Suddenly, I caught Tao Aiqing, who was standing between me and Katrina. "Don't think that these clothes are only suitable for women who are taller than 170. I tell you, women under 160 can still wear it. "
In this way, Tao Aiqing was put on a skirt originally tailored for Katrina, holding the skirt over her chest, like a child stealing adult clothes, which was ridiculous. The staff on the side said worriedly, "Boss, she can't even reach the average height. Can she really replace Katrina? "
If it is not an idol drama, the answer is definitely no, but the charm of idol drama lies in making ordinary girls become the focus of attention after meeting the "prince" and have a different life.
In fact, most idol dramas 20 years ago were this model. The woman's personal design is as common as a speck of dust. No matter from height, mind or family background, the second woman can throw her out of two or eight hundred streets. However, even such an ordinary girl will be sought after by the male gods and loved by the audience.
For example, Dan Junhao in The Prince Who Becomes a Frog doesn't love Fan Yunxi, but he has a crush on Ye Tianyu, who is plain. The one in "The Kiss of Pranks" is not close to women, but she is attracted by Yuan whose head is empty. In Destiny Loves Me, Ji Cunxi will give up Anna as beautiful as a swan for ordinary Chen Xinyi.
Why is this?
This paper takes Cyndi Wang's version of The Wedding Dress in Heaven as an example to discuss this issue.
Twenty years ago, when we watched idol dramas, it was easy to substitute ourselves into the scene. At that time, the girls all liked the "magician" of the "overbearing president" type, as if they could instantly change from Cinderella to Snow White as long as he was around.
Tao Aiqing's personal design is like this. Before replacing Katrina as Lu Zihao's fitting model, Tao Aiqing was short and flat, just like a "village girl" who had just entered the city. However, when she put on the dress designed by Liu Zihao and looked at herself in the mirror, she could not help but say:
What we should pay attention to here is what Tao Aiqing said, not "I am beautiful, I am also a proper beauty with a little whitewashing." But "Lu Zihao turned me into".
That's right! For the audience 20 years ago, they preferred the "Cinderella" design, expecting a "prince" to take them out of their misery.
That is to say, a peasant girl like Tao, who has neither father nor mother, whose mother is solo 18, has never seen any big scenes or read any books. Taojiazhuang, the only residence for her and her grandfather, was sold because her brother who had lost his family.
Just when he was about to be displaced, Tao suddenly met two handsome and rich male gods. One is Lu Zihao, the boss of the design company, and the other is Cheng Hainuo, a young racing driver.
At that time, these two boys must have existed like "male gods". Everyone is surrounded by beautiful women, but they just don't love anyone except Tao Aiqing.
Under the care of Lu Zihao and Cheng Hainuo, Tao's life has undergone earth-shaking changes. The biggest change is that Tao became Lu Zihao's royal model, and her height was below 160. From a Cinderella that nobody cares about, it has become the focus of attention.
Compared with the current idol drama, this kind of plot logic is obviously offensive. It turned out that the audience no longer expected the "prince", but wanted to turn themselves into "queens".
Since she is the queen, Tao Aiqing can't be an ordinary girl. She must be a beauty and IQ online at the same time. For example, Bei Weiwei in Love O2O, do you know Sheng Minglan in Love O2O? No matter where they come from, who they meet and what they meet, their fate must be in their own hands.
In the past, the heroine of idol drama liked to entrust her life to the hands of the man, and rarely issued a cry of "My life is up to me" from them. But in the past, male viewers seemed to like to rely on their own girls, and all their strength was just to save their favorite hostess.
Just like Lu Zihao gave up his girlfriend Katrina who had been in love for many years for Tao Aiqing; For Tao Aiqing, Cheng Hainuo revised the principle of not being close to women for many years. Besides "weakness", what other highlights attract men and audiences?
sweet food
Tao chose because she valued her petite and sweet. The more petite and sweet a girl is, the easier it is to make hormones restless and arouse men's desire for protection. This is why Katrina, who is over 170 in height, is sad, and Lu Zihao regards her as melodramatic. Tao, whose height is less than 160, is sad, and Lu Zihao is utterly confused.
stubborn
"Contrast" is one of the favorite methods used in idol drama design. Tao is like this. Although she is cute, she is stubborn. There is a fighting spirit that is unwilling to give up in order to achieve the goal. But this kind of stubbornness, now, I'm afraid it's not pleasing.
For example, Taojiazhuang, where Tao and his grandfather live, is obviously sold by his brother Tao Subgroup. It is reasonable for Lu Zihao to come to collect the house as a buyer. However, Tao Aiqing asked his brother to go instead of looking for him. He insisted on pestering Liu Zihao endlessly, saying that he would not move for a while and work for his studio for a while. It's just a gesture of "I won't stop until you listen to me and don't listen to me".
Frankly speaking, I can't love this practice of "distinguishing right from wrong". But why didn't the audience resent it 20 years ago?
Probably because they think a sweet girl must have a temper to prove that she is not a doll, but a living person?
self-abased
If Tao's people set it up, which one is the most eye-catching That must be the inferiority complex in her bones. This "inferiority complex" makes all ordinary girls fall in love. Especially when Tao was rejected by Lu Zihao's father and Tao and Yaxi compared their personal conditions, it was easier to replace themselves spontaneously.
Twenty years ago, this kind of "wedding dress in heaven" was really popular. I followed it episode by episode. However, 20 years later, when I watch this play again, I really don't like Tao at all except that the youth of the actors in the play has disappeared.
Even for Lu Zihao's character, I still have doubts. After all, when he was having an affair with Tao Ai Qing, he didn't break up with Katrina.
However, the screenwriter turned Katrina, a "green" person, into a deranged and crazy bad woman because of her preference for Tao Aiqing. This logic is gone. How much hatred did she have for beautiful women before? In order to carry out the logic that beauty is bad to the end, after Katrina, there is another ash.
This Yaxi setting is even more unique. In order to be with Lu Zihao, she directly pushed Lu Zihao's mother downstairs. Is it necessary to write a beautiful woman as a demon for the plot?
It's really incomprehensible.
The drama was filmed in 2004, when Leon Jay Williams, a Singaporean actor who was not very good at Chinese, was invited, making the drama speak English for a while and Chinese for a while, but no one stayed.
The ending is even more ridiculous. At Lu Zihao's wedding, Lu Zihao's mother revealed that Yaxi was the one who pushed herself downstairs. However, Lu Zihao told his father, "Dad, if you want me to continue to marry Yaxi, this wedding will continue."
So, was this man framed by Bao Da?
Only after he finished this sentence, everyone looked at Liu Zihao's father uniformly. It was not until Lu Zihao's father let him go that he went to the church to find Tao Aiqing with everyone's blessing.
There is no one in this scene. Ash must be the murderer of "attempted murder". Can Lu Zihao still marry her?
On the other hand, Tao's wedding was also awkward. I can't see that Tao Aiqing likes Lu Zihao at all, but she is happy to marry Cheng Hainuo. It was not until Cheng Hainuo refused to marry her that Tao put on her wedding dress and ran to find it.
Then, after some searching, they finally remembered to call. This finally found each other.
From beginning to end, it seems that onlookers are more anxious than the two of them, as if no irrelevant person can stop two people from falling in love.
I really don't understand either.