In the 1960s, some filmmakers went to the south. 196 1 year, Vietnam's southern national liberation front established a liberation film studio in the southern forest. 1962, the Vietnamese People's Army established the Army Studio. In the 1960s, film production was mainly devoted to reflecting the political tasks of socialist construction in the north and the struggle for the reunification of the motherland. In addition to documentaries, the feature films Citrus Orchard (1960, directed by Fan), White Smoke (1963, directed by Ruan Shao) and Floating Village were also filmed. Movies that reflect the Vietnamese people's participation in the revolutionary struggle, such as A Fu Couple (1960, directed), Sister Sihou (1963, directed by Fan Qinan), Midline Artillery (196/kloc-0, directed by Fan), etc. The feature films reflecting the struggle to resist American aggression and save the nation include Seventeen Degrees Line (1965, directed by Li Taibao and Yi Xuan), nguy?n· Wen Tri (1966, directed by Pei Tinghe and Li Taibao) and Young Warrior (1965, Haining). 1966, Against the Wind, a feature film directed by Hui Cheng, was the first feature film to reflect the anti-American struggle of the people in southern Vietnam. During this period, the first children's feature film "Golden Boy" (1963, directed by Nong Yida) and the first cartoon "The Worthy Fox" (1960) were also filmed. The first students of the newly established Film Academy also filmed feature films such as Two Soldiers and Little Jade Bird. After the 1970s, the films include The Road to My Hometown (197 1, directed by Pei Tinghe), Day and Night on the Line 17 (1972, directed by Haining) and Warfare (1973).