This tree satisfied the boy's childhood fun with its plump apples, dense branches and thick trunk, and then gave it all to the boy to satisfy his desire for adult life. Finally, it bears the old fatigue of the boy with the body of an old stump.
Trees are happy by giving. Therefore, the tree is widely regarded as the embodiment of maternal love: in the process of children's growth, parents have paid the most selfless and broad love, asking for nothing in return and taking satisfying our happiness as their greatest happiness. The contribution of the big tree moved us.
Extended data creation background:
The tree of love tells an intriguing story. The tree gave a boy everything he needed to grow up, gave a little boy selfless and broad love, but asked for nothing in return.
On the screen design, Schell first used ten pages to render the joy of children playing with trees. Children's smiling expressions, swaying branches, and clever designs for children to hide behind trees (or behind trees) all present a brisk and warm narrative rhythm.
However, only two or three pages are arranged in each part, and the structure of "children need-trees pay-trees are happy" is steadily advanced. The combination of the large-scale dialogue between children and the tree, the shocking change of the tree and the repeated knocking of "the tree is very happy" makes the narrative rhythm of the story slow and heavy.