The front palace of the Forbidden City. At that time, the architectural shape required grandeur and the courtyard was clear and open, symbolizing the supremacy of the feudal regime. The Hall of Supreme Harmony is located in the center of the diagonal line of the Forbidden City. There are ten auspicious beasts on each of the four corners. Vivid image, lifelike. The designers of the Forbidden City believed that this would show the majesty of the emperor and shock the world. The inner court at the rear requires deep courtyards and compact buildings, so the six east and west palaces are self-contained, each with its own gates and walls, arranged relative to each other in an orderly manner, coupled with couplets of palace lanterns and embroidered couches, all of which reflect the need for luxury. The arrangements needed for life. After the inner court is the palace garden. In the back garden, there are green pines and cypresses that have not been carved in the cold weather, and exquisite rockeries made of beautiful stones. The buildings, pavilions, pavilions and pavilions are set among them, which is beautiful and tranquil.
The Forbidden City palaces are arranged along a north-south central axis. The three main halls, the back three palaces, and the Imperial Garden are all located on this central axis. And spread out to both sides, straight from north to south, symmetrical from left to right. This central axis not only runs through the Forbidden City, but also reaches Yongding Gate in the south and Drum Tower and Bell Tower in the north. It runs through the entire city. It is magnificent, well-planned and extremely spectacular.
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What are the sentences describing the appearance of the Forbidden City?
(1) The steep stone mountain leaning against the North Palace Wall is the famous Duixiu Mountain. Climb up the mountain along the steep and winding path. There is a Yujing Pavilion on the mountain. From the pavilion, you can view the beautiful scenery all around. It is said that it was a place where emperors and concubines climbed up and played during the Double Ninth Festival. (2) The Forbidden City is located in the center of Beijing. It has rigorous structure, exquisite decoration and numerous cultural relics. It is the largest and most complete ancient palace complex in the world. The entire building is magnificent, majestic and gorgeous. (3) The Forbidden City, also known as the Forbidden City, is laid out in strict compliance with the feudal hierarchy and order. Ordinary people are not only unable to enter, but cannot even take a step closer. This reflects the supreme imperial power of the feudal era. (4) At the Meridian Gate, more than ten meters high, there is a Chonglou with double eaves and spire pavilions protruding like five phoenixes about to fly. It is majestic, so the Forbidden City is also called the Five Phoenix Tower. (5) The Forbidden City is surrounded by walls and surrounded by a moat, forming a complete defense system for the Forbidden City and embodying the wisdom of the working people of ancient my country. (6) After walking through the Neijinshui Bridge, you will see an open square in front of you, with a palace-like building in the middle, the Gate of Supreme Harmony, with a majestic bronze lion squatting on each side in front of the door. (7) The palaces in the Forbidden City are arranged along a north-south central axis. The three main halls, the three rear palaces, and the Imperial Garden are all located on this central axis. And spread out to both sides, straight from north to south, symmetrical from left to right. (8) Walking on this central axis, looking around from front to back and left to right, you will see that the entire building complex of the Forbidden City is square and square. Ancient Chinese people all knew that the sky was round and the earth was round. It is difficult to say and do something round. If you are not careful, it becomes the opposite of square. Therefore, it is still square, which makes people feel solid and stable. In fact, what can be compatible with Fangzheng is harmony. Buddhism often says that harmony has no hindrance. In the Forbidden City, these two are integrated. If Fangzheng refers to architecture, then harmony is understood as the profound cultural foundation of the Forbidden City. vicissitudes of historical background. (9) I visited Tiananmen twice and returned outside the Meridian Gate.
The appearance of the palace gate has already made me awe-inspiring, and I deeply admire the atmosphere of the palace, it is extraordinary! Before the May Day holiday, I went to the palace with my friends for a leisurely tour, and even more appreciated that the palace is, after all, a palace. This sight alone made people feel open-minded and sigh! Glazed mandarin duck tiles, vermilion lacquered doors, upright Stanley pillars, carved beams and painted pillars, sitting on a three-story marble altar with a majestic view of the south, all make people sigh, "A man should live here"! At this time, I not only thought that today's high-rise buildings are different from them: today's high-rise buildings are also in various shapes and shapes, each different, and they are meant to dazzle in front of everyone, and have a very sexy attitude. When people look at it, they will feel refreshed and confused. The grand halls of ancient palaces were solemn and magnificent, with every seat in the palace looking majestic and majestic to the world, and a manly figure. It makes people look at it with awe and no evil in their hearts! This is my experience of visiting the Forbidden City. The difference between ancient and modern pavilions is due to the changes in human temperament from ancient to modern times. (10) Zhonghe Hall is the place where the emperor rested before going to the Hall of Supreme Harmony and received worship from deacons and officials. In the middle of the hall, there are four characters "Yun Zhi Jue Zhong". There are two four-legged thrones standing on the left and right sides of the throne below. Unicorns and exotic beasts are all made of gold, glittering and majestic. (11) The front palace of the Forbidden City. At that time, the architectural style required grandeur and grandeur, and the courtyard was clear and open, symbolizing the supremacy of the feudal regime. The Hall of Supreme Harmony is located in the center of the diagonal line of the Forbidden City. There are ten auspicious beasts on each of the four corners, which are vivid and lifelike. . The designers of the Forbidden City believed that this would show the majesty of the emperor and shock the world. The inner court at the rear requires deep courtyards and compact buildings, so the six east and west palaces are self-contained, each with its own gates and walls, arranged relative to each other in an orderly manner, coupled with couplets of palace lanterns and embroidered couches, all of which reflect the need for luxury. The arrangements needed for life. After the inner court is the palace garden. In the back garden, there are green pines and cypresses that have not been carved in the cold weather, and exquisite rockeries made of beautiful stones. The buildings, pavilions, pavilions and pavilions are set among them, which is beautiful and tranquil. (12) The Forbidden City palaces are arranged along a north-south central axis. The three main halls, the back three palaces, and the Imperial Garden are all located on this central axis. And spread out to both sides, straight from north to south, symmetrical from left to right. This central axis not only runs through the Forbidden City, but also reaches Yongding Gate in the south and Drum Tower and Bell Tower in the north. It runs through the entire city. It is magnificent, well-planned and extremely spectacular. (13) A huge stone sculpture in the middle of the back steps of Baohe Hall is very eye-catching. This is the famous Yunlong stone sculpture. It is carved with clouds, blue sea water, steep cliffs, and nine vivid dragons swimming in the sea water, cliffs and Playing with pearls among the flowing clouds makes people imagine. (14) Every rainy day, the rain falls on the three-story platform above the three main halls of Taihe, Zhonghe and Baohe, and the water flows out from the mouths of the stone faucets. There are thousands of faucets, thousands of faucets. The water flow forms a spectacular scene of thousands of dragons spitting water. (15) Beijing is a national historical and cultural city with a history of three thousand years. Beijing was the capital of six dynasties in history. In the more than 2,000 years since the Yan Kingdom, many magnificent palace buildings were built, making Beijing the city with the largest number and richest content of imperial palaces, gardens, temples and mausoleums in China. . Among them, the Forbidden City in Beijing was called the Imperial Palace in the Ming Dynasty and the Forbidden City in the Qing Dynasty. It was originally the imperial palace of the Ming and Qing dynasties, where 24 emperors lived. The building is magnificent and magnificent, perfectly embodying the traditional Chinese classical style and oriental style. Style is the largest existing palace in China and even the world, and is a precious cultural heritage of the Chinese nation.
56 views 8062019-10-16
Introducing the symmetrical beauty of the Forbidden City in Beijing
Looking at the future of documentaries from the characteristics of "The Forbidden City" Keywords: Forbidden City Documentary Stunts The broadcast of the large-scale TV documentary "Forbidden City" on CCTV has attracted attention and controversy in the media, cultural, and film and television circles. It became a very important cultural phenomenon in 2005. Some people believe that "in the process of the development of Chinese documentaries, the innovation and experimentation of "Forbidden City" are undoubtedly of milestone significance." Looking at the entire film of "Forbidden City", it is not difficult to find that, as the film's chief editor Zhou Bing When talking about the creative concept of the Forbidden City, what is highlighted is: innovation. He said: "The key to whether a film is good or not lies in the number of original factors. It lies in the innovation of viewpoints and information; in the innovation of artistic creativity; in the use of new technologies." In terms of the artistic creation of this documentary, A lot of attempts have been made.
This also represents the basic characteristics and routes of future documentary creation. These characteristics can be summarized in three points: 1. The use of modern technology to continuously broaden the stage of presentation. Thomas once served as an international judge for the "Magnolia Award" of the 4th Shanghai TV Festival. Mr. Skinner said: "The reason why Chinese documentaries cannot go global is that they abandon the use of various advanced technical techniques in pursuit of the 'absolute truth' of recorded content." [1] The maturity of computer three-dimensional animation technology has given rise to the impact of video art on brought about revolutionary changes. Popular communication tools such as movies and TV series are swimming in the changes brought about by computer three-dimensional animation technology. TV documentaries, an art style born in the cracks, will certainly not fall behind such a trend. In order to make the shooting pictures more perfect and shocking, "The Forbidden City" adopts internationally advanced animation technology and borrows various shooting techniques from movies. 3D production combines real-life shooting, time-lapse photography (such as clouds over the Forbidden City), and fixed-point shooting, which lays a good foundation for improving the quality of the entire "Forbidden City". From this we can feel that three-dimensional animation has also brought many changes to the creation of documentaries. Expanding time and space. The authenticity of time and space has always been a principle that is difficult to follow in documentary creation, especially for documentaries with historical themes such as "The Forbidden City". As a building, the Forbidden City has undergone tremendous changes in both time and space during hundreds of years of historical changes. How can we show such time and space as close to reality? Computer technology can do it. In the opening credits of the Forbidden City, the camera first showed the interior of the solemn Hall of Supreme Harmony. The yellowed picture gave people a very real feeling. However, as the camera moved back and pushed out the door, the appearance of a group of tourists brought history back to the present. Time and space are spanned in one shot. At the beginning of the documentary, the first thing that shows is a bright moon hanging in the sky. Then the camera moves down and breaks through the clouds, showing the distant view of the earth. As it slowly falls, it shows in the form of animation the history of Beijing from the Zhou Dynasty to the present. of the entire transformation. The use of these technologies shortens the boundaries of time and space, and displays thousands of years of history in simple changes, making it clear to the audience. In the display of space, the use of computer technology is even more powerful. The Forbidden City is a complex and huge architectural system. Traditional aerial photography can only show its appearance. However, if real scenes are reproduced one by one, the overall impression of the palace will be shattered. But through computer animation, the two methods can be well integrated. In "The Forbidden City", computer special effects show us such a scene of the Forbidden City: from outside the front door, moving quickly north, passing Tiananmen, and passing through the entire Forbidden City along the axis of the Forbidden City. Then the camera moves up to show Get a panoramic view of the Forbidden City, or walk upside down. Such a breakthrough in the sense of space undoubtedly shows the full picture of the Forbidden City in a more three-dimensional and realistic way. The breakthrough of time and space has expanded the documentary stage, so that the time and space of documentary expression is no longer limited, but can be expanded to a greater extent, and the creation and presentation of historical and large-space themes have become easier and more vivid. Diversification of expression methods The change of expression methods is an obvious feature of "Forbidden City". In order to better explain and display content that traditional methods cannot achieve better results, the use of modern technology also plays an important role here, such as time-lapse shooting, fixed-point shooting, and time-lapse shooting. In "The Forbidden City", such techniques can be seen everywhere. In showing the changes of Beijing city over the past thousand years, the original picture descriptions and narrations can only give the audience an abstract impression. However, through the processing of computer technology, in the form of animation, The form shows Beijing’s historical changes, truly and intuitively. It left a very deep impression on the audience. When showing the structure and construction process of the Forbidden City, three-dimensional animation is used to show the structure and construction process of the main hall of the Forbidden City, which is also very intuitive and easy to understand. In the same main hall, when showing that he had experienced a fire and burned down, he did not explain it with traditional but boring commentary, nor did he use a real fire scene to increase the cost, but used a simulated scene to make it more realistic. And economical. The use of modern tools has brought long-term benefits to documentary expression techniques, and it has enriched the means of expression. The personalization of creation involves how to present a historical reality with more modern significance, how to convey more information in a limited picture, and how to incorporate more of the creator's thoughts and emotions. . The greater use of technology allows the above issues to be implicitly displayed, making the personalized style of documentaries more and more obvious. In ordinary documentaries, personal opinions always lack personalization for one reason or another.
The display of the picture also lacks personality in pursuit of authenticity. However, the use of technology not only reduces the role of commentary, but also increases the expressive language and personality characteristics of the picture. "The Forbidden City" shows exactly such a personality. The cloudy sky highlights the weight of history, and the rolling dark clouds and instantaneous changes in seasons show the changes in history. The overall tone of the picture is dark yellow and black, making it appear solemn and profound. Zhou Bing believes: "We strive for the creativity and unique perspective of the photographers during the entire shooting. I have always been eager to show extraordinary visual effects in this film. As long as it is within the scope of our control We must have creative presentations, give our creators and audiences an extraordinary visual experience, and present strong and soul-moving pictures... We have worked hard in many chapters of this set of films. Presenting extraordinary visual creation..." [2] However, in "The Forbidden City", especially the first three episodes, there are too many three-dimensional animations. As some viewers mentioned in the comments: "Too many computer stunts are used. Since it is a historical documentary, it should be based on real scenes. The pictures are too modified..." Technology can always only be a means. In documentaries, It can only serve the theme of expressing reality, so it cannot overshadow the main theme. The rendering of artistic techniques brings authenticity to the inside. The Oxford Modern Advanced English-Chinese Dictionary explains the root word document as a record of human nature (a fact or event that illustrates human nature). The Longman English Dictionary puts it more directly, "through Art Provides Facts: Documentary.” From here we can see the important role of artistic characteristics in authenticity. Therefore, the reality of documentary does not exclude artistic expression. In the investigation of artistic expression, we can also find that the appropriate use of artistic expression has a very powerful response to documentary and achieves good results at the same time. "Forbidden City" specially hired professionals with international standards in photography, music creation, animation production, etc. to join. Including Zhao Xiaoding, who was nominated for the Oscar for Best Cinematography; Hu Cheng, who won the Golden Eagle Award for Best Documentary, Director and Cinematography; Tsutomu Akahira, who has been engaged in photography for 33 years and is Japan's first-class photographer; won the Oscar for Best Music Award-winning Su Cong, Tang Jianping, director of the Composition Department of the Central Conservatory of Music, and famous composer Zhang Guangtian. This powerful lineup ensures the visual and auditory effects of the program. Increase the beauty of the picture The beauty of the picture has always been an aspect that documentary-themed programs have not paid much attention to, but in recent years, it has become very important in the production of feature films. "The Forbidden City" has almost become a model in terms of picture beauty under the concept of "we require it to present extraordinary visual creation." He made full use of the beauty of composition, color, and even technology to show the beauty of the Forbidden City. In "The Forbidden City", the creator deeply understood the symmetrical beauty of the Forbidden City and integrated it into the composition of the documentary itself. When panoramically showing the image of the Forbidden City, the camera almost always moves back and forth along the central axis. There are many corners of Daming Lake in the film, etc., which are relatively common symmetrical compositions. The other is the principle of background and background contrast commonly used in photography. It is to use a smaller, theme-related object as a foil in the foreground of the main picture. This not only enhances the beauty of the picture, but also enriches the content of the picture or adds interest. We often see shots like this. The main picture is a towering tower, and there is a clear or semi-blurred lion cub in the foreground. The picture is no longer monotonous, it enhances the aesthetic feeling and gives people ample room for imagination. In terms of the use of color, the picture uses all elements, including computer technology. The blue sky, red walls, yellow tiles, clear water and green trees all appear extremely bright and dazzling with the help of computer technology. The overall color tone almost adopts the picture rendering method used for shooting MTV, which enhances the visibility of the picture.
48 views 38252016-04-09
Two or three sentences describing the appearance of the Forbidden City
The Forbidden City, formerly known as the Forbidden City, was the administrative residence of the emperors of the Ming and Qing dynasties. The palace, with its elegant carved beams and painted buildings, and its dazzling array of antiques and curios, is a well-known tourist destination
47 Views 8012017-11-21
Why is the shape of the Forbidden City slanted?
Why is the shape of the Forbidden City slanted? If you want to buy shelves, choose Junhong shelves. According to ancient Chinese astrology theory, Ziweiyuan (the North Star) is located in the middle of the sky and is the residence of the Emperor of Heaven. Heaven and humans correspond, so the emperor's residence is also called the Forbidden City.
After the third emperor of the Ming Dynasty, Zhu Di, decided to move the capital to Beijing after seizing the throne, he began to build this palace and it was completed in the 18th year of Yongle in the Ming Dynasty (1420). In 1911, the Revolution of 1911 overthrew the Qing Dynasty, the last feudal monarchy in China. In 1924, the successor emperor Puyi was expelled from the palace. During this period of more than 500 years, 24 emperors of Japan lived here and ruled the country. The Forbidden City is surrounded by a 10m high wall and a 52m wide moat. The city is 961m long from north to south and 753m wide from east to west. It covers an area of ??780,000 square meters and has 8,700 houses. There is a gate on each side of the city wall, among which the Meridian Gate in the south and the Shenwu Gate in the north are now exclusively for visitors to visit. The layout of the palace buildings in the city spreads out to the east and west sides along the central axis. The red walls, yellow tiles, painted pillars and carved beams are magnificent. The buildings and towers of the palace are scattered in different heights and are spectacular and majestic. In the morning and evening, it is like a fairyland on earth. The southern half of the city is centered on the three main halls of Taihe, Zhonghe and Baohe, supplemented by the Wenhua and Wuying halls on both sides. It is the place where the emperor held court meetings and is called the "former dynasty". The northern half is centered on the three palaces of Qianqing, Jiaotai, Kunning, the six east-west palaces and the Imperial Garden. On the east side are the Fengxian and Huangji halls, and on the west side are the Yangxin Hall, Yuhua Pavilion and Ci Palace. Ning Palace, etc., is where the emperor and his concubines lived, held sacrifices and religious activities, and handled daily government affairs. They were called "hou sleeps". The total building area of ??the front and rear parts of the palace reaches 163,000 square meters. The layout of the entire palace building is rigorous and orderly, and every brick and tile follows the feudal hierarchy and etiquette, reflecting the emperor's supreme authority. In the era of feudal monarchy, ordinary people could not and did not dare to get close to it. The palace city where the emperors of the Ming and Qing dynasties lived was called the Forbidden City. There are two Forbidden City, one in Beijing and one in Nanjing. Why is this Forbidden City called the Forbidden City? It turns out that ancient Chinese astronomy theory, based on long-term observations of celestial bodies in space, believed that the Ziwei star cluster resides in the middle of the sky, and its position remains unchanged forever, and it is the residence of the Emperor of Heaven. Therefore, the Heavenly Palace where the Emperor of Heaven resides is called the Purple Palace, and there is a saying that "Zi Wei is in the middle". The feudal emperors claimed to be the sons of the Emperor of Heaven, the true Dragon Emperor; and the palace they lived in was likened to the Purple Palace in the sky. They also hope that if they live in the Purple Palace, they can govern with virtue, be naturalized from all directions, and come to court from all directions, so that they can be permanent in the country and maintain their long-term rule. The emperors of the Ming and Qing dynasties, in order to maintain their own authority and dignity and consider their own safety, built palaces that were both magnificent and fortified. This city not only has many palaces and pavilions, but is also surrounded by a 10-meter-high city wall and a 52-meter-wide moat. It is also heavily guarded with sentry posts. It is absolutely not allowed for ordinary people to look at the towers, palaces and pavilions, or even to look at the doors, foreheads and corners. Except for the maids, eunuchs, and guards who served them, only summoned officials and authorized personnel could enter the palace where the Ming and Qing emperors and their families lived. This is a place where outsiders cannot go beyond [filtered words]. Therefore, the imperial palaces of the Ming and Qing dynasties were both called the Purple Palace and forbidden areas, so they were formerly called the Forbidden City. The Forbidden City in Beijing covers an area of ??724,250 square meters, not counting the moat and the green belt between the moat and the city wall. The construction area of ??the palace buildings is 155,000 square meters. The Forbidden City is a rectangular city, 961 meters long from north to south and 753 meters wide from east to west. It is surrounded by a city wall more than 10 meters high. The outer perimeter of the city wall is 3428 meters (there is a 52-meter-wide moat outside the city wall, which protects the Forbidden City. important facilities). There is a gate on each side of the city wall, the Meridian Gate in the south, the Shenwu Gate in the north, the Donghua Gate in the east, and the Xihua Gate in the west. There are four exquisitely designed turrets at the four corners of the city wall. The Forbidden City in Beijing was planned to be built in the fifth year of Yongle (1404-1424 AD), the emperor of the Ming Dynasty, and was built in the 15th to 18th years of Yongle. The entire construction project was supervised by Marquis Chen Gui, and the specific responsible person was planner Wu Zhong. The Forbidden City is located in the center of the capital, and the central axis passes through the center of the imperial city, that is, through the three main halls and palaces in the Forbidden City. The main entrance of the Forbidden City is the Meridian Gate, the South Gate. The Meridian Gate is the highest gate in the palace. Major ceremonies such as amnesty and prisoner presentation are held at the Meridian Gate. Its north gate is Shenwu Gate, its east gate is Donghua Gate, and its west gate is Xihua Gate. As the palace city of the Ming and Qing dynasties, the Forbidden City was also divided into two parts: the outer court and the inner court. The outer court is where the emperor works. All major national events and various rituals are held in the outer court. The outer court consists of the central axis composed of Tiananmen - Duanmen - Meridian Gate - Taihe Hall - Zhonghe Hall - Baohe Hall and the pavilions and verandas on both sides of the central axis.
The inner court is where the emperor's concubines live, and consists of the Qianqing Palace, Jiaotai Palace, Kunning Palace, Imperial Garden on the central axis, and the six east and west palaces on both sides. The Forbidden City in Beijing was the palace of the emperors of the Ming and Qing dynasties. Starting from the fifth year of Yongle in the Ming Dynasty (AD 1407), Chengzu of the Ming Dynasty gathered craftsmen from all over the country and recruited 200,000 to 300,000 migrant workers and military workers. After 14 years, this large-scale palace complex was built. After it was used in the Qing Dynasty, it was only partially rebuilt and renovated, and the overall layout remained basically unchanged. It embodies the culmination of ancient Chinese architectural art and is a concentrated expression of the imperial power ideology of China’s autocratic society for more than 2,000 years. The perimeter of the Forbidden City wall is about 3,000 meters, covering an area of ??more than 720,000 square meters, with a construction area of ??about 150,000 square meters and more than 9,000 houses. The palace city is slightly rectangular in plan, with a tall city gate on the east, west, south and north sides. A beautiful turret stands on each corner of the palace city. The city wall is surrounded by a 52-meter-wide moat, forming a grand, spectacular and heavily fortified castle. . Like the imperial palaces of all dynasties in China, the overall planning and architectural form of the Forbidden City completely obeyed and reflected the requirements of ancient patriarchal rituals, highlighting the supreme imperial authority. The entire palace is divided into two parts: "outer dynasty" and "inner extension". The outer dynasty is dominated by the three palaces of Taihe, Zhonghe and Baohe. There is the Taihe Gate in front and two groups of palaces, Wenhua and Wuying, on both sides. Judging from the function of the building, the outer court was the place where the emperor handled government affairs and held court meetings, naturally in the front of the Forbidden City, while the inner extension was mainly Qianqing Palace, Jiaotai Palace, and Kunning Palace. In the Ming Dynasty, it was the imperial palace. The residence is located at the back of the Forbidden City. On both sides of this group of palaces are the six residential palaces, the East and West Palaces, the Ningshou Palace, the Cining Palace, etc.; and finally there is an imperial garden. There are also rooms for the imperial guards and some service buildings in the palace, as well as small houses where eunuchs and maids live. Between the Meridian Gate and Tiananmen Gate, the main entrance of the palace, there are court rooms on both sides of the imperial road. Outside the court room, there is the Imperial Ancestral Temple in the east and the Sheji Altar in the west. Jingshan in the north of the palace is another group of buildings attached to the palace. Taihe Gate was built in the 18th year of Yongle. It is the south gate of the three main halls of the outer dynasties. It was called "Fengtian Gate" in the early Ming Dynasty and "Taihe Gate" in the Qing Dynasty. It is located on a one-story stone Xumi court with a height of three meters. It is nine rooms wide, four rooms deep, and 23.8 meters high. It is the tallest and largest door among the existing ancient buildings in my country. Its roof form is double-eaves Xieshan style. There is a pair of tall bronze lions in front of the door. There are two gates on both sides of Taihe Gate: Zhaode Gate and Zhendu Gate; on the east and west sides of the courtyard, there are Xiehe Gate and Xihe Gate; there are verandas connecting each gate, and there are Chou Towers on the northeast and northwest corners. . The scale and volume of all these gates, towers and verandas are smaller than that of Taihe Gate, which makes Taihe Gate occupy a prominent position in the entire square. After entering the Gate of Supreme Harmony, there is a larger courtyard. It is still 200 meters wide from east to west and about 190 meters deep from north to south, enough to accommodate an honor guard team of ten thousand people. In the Guangting are the three main halls of the outer dynasty: Taihe Hall, Zhonghe Hall and Baohe Hall. The Hall of Supreme Harmony was the tallest building in the Beijing palace during the Ming and Qing dynasties. It includes a three-story Xumizuo with a height of 35.05 meters, and a total height of 37.44 meters including the Zhengqi. Each floor is in the form of a Xumizuo, surrounded by white jade railings with a hope. There is a chi head spitting water under the stigma, and there are decorations on the top of each pillar. Its hall is eleven rooms wide and five rooms deep, with a construction area of ??2,377 square meters. It is also the largest wooden structure palace among the existing ancient buildings in my country. The roof of the main hall is in the veranda style with double eaves, which is the "four heavy houses" of the Yin and Shang Dynasties, and is a "supreme" shape. The horned beasts and dougongs on the roof also have the largest number of jumps; the carvings on the royal road and railings, the paintings in the palace and the caisson patterns all use dragon and phoenix themes that represent imperial power; the sundial, jialiang, bronze turtle, etc. on the platform are all used. Bronze cranes, etc. can only be displayed here. The gold-lacquered dragon "throne" in the palace is a symbol of autocratic imperial power. The Hall of Supreme Harmony is the place where the emperor holds enthronement ceremonies, celebrations, and receives congratulations from civil and military officials. If a general is ordered to go on an expedition, he must also receive his seal in the Hall of Supreme Harmony. In the Ming Dynasty, palace examinations and New Year's Day banquets were also held in Taidian. The Zhonghe Hall behind the Taihe Hall is a building with a medium square plane, three deep and three wide rooms, and corridors around it, covering an area of ??580 square meters. The roof has a single eaves and pointed roof, and a gilded copper roof. It was the emperor's resting place when he went to the Hall of Supreme Harmony to attend court. The main entrance of the inner court is called Qianqing Palace. In front of it is a long and flat courtyard, commonly known as Hengjie. To the south of Hengjie is the Baohe Hall, and to the north of Houbao Hall is the three-story platform to reach Hengjie, so this is the junction between the outer court and the inner court. Qianqing Gate is located in the north of Hengjie, centered in the middle and facing south. It is a palace-style gate with five bays in width, a single-eave gable roof, and a white stone platform below. The specifications of Qianlongmen are slightly lower than the Taihe Gate, the main entrance of the three main halls. On both sides of the door, there is a screen wall decorated with colored glaze arranged in a figure of eight.
This pair of screen walls is made of bricks, with a glazed eaves on the red wall and a glazed Xumi pedestal below. The center and four corners of the wall are also decorated with glazed. Kunning Palace is located to the north of Qianqing Palace. It is also a nine-bay main hall with double eaves and verandah roof. It has been the main palace where the queen lived during the Ming Dynasty and the early Qing Dynasty. During the Shunye period of the Qing Dynasty, Kunning Palace was renovated according to Manchu customs and habits, mainly dividing the palace into east and west parts. In the west part, a ring-shaped Kang was added along the wall, and a large pot was placed indoors. The east part of Kunning Palace was built as the bridal chamber for the emperor's wedding. The entrance was changed to the east. There are double happiness palace lanterns in the palace, a red background and golden double happiness screen wall. There is a dragon and phoenix wedding bed against the north wall. In front of the bed there is an embroidered The colorful gauze curtain of Baizi Tu. After the reconstruction, the original Linghua still remains in the Kunning Palace? The sash was changed to a vertical pane hanging window. The Qianqing Palace is the main hall of the Housan Palace. During the Ming and Qing Dynasties and the early Qing Dynasty, the Qianqing Palace has been the residence of the emperor and queen. The shape of the palace is nine bays wide, with a verandah-style roof with double eaves. There are two small halls connected to the left and right, Zhaoren Hall and Hongde Hall. In addition to the emperor's residence, he often summoned court officials here, read memorials, handled government affairs, and even received foreign envoys in the palace. In the northern half of the eastern part of the Forbidden City, there is a complete group of palace buildings, which is the Ningshou Palace complex. In the Ming Dynasty, there was also a group of buildings here, but the scale was not very large. During the Kangxi period of the Qing Dynasty, Ningshou Palace was built here. This is a very complete group of buildings, which is divided into two parts: the palace in the front and the residence in the back. part. In the latter part, it can be divided into three areas. The middle road is the residential area, the east road is the entertainment area, and the west road is the garden area. The entire building complex is surrounded by high walls and becomes a fairly closed and independent area. The front entrance of the Ningshou Palace complex is Huangji Gate. There is a horizontal courtyard in front of the gate, with Qinxi Gate and Xiqing Gate on the left and right. A screen wall is laid out in the south facing Huangji Gate, forming a square in front of the gate. Huangji Gate uses colored glaze to make three doors on the outside of the wall, with three rooms on the seventh floor and hanging lotus pillars. The three door openings have glazed tiles eaves, and there are dougongs and beams under the eaves, and there are spirals made of colored glaze on the beams. There are colorful paintings, there is a stone Xumizuo on the door, and four water tanks are placed in front of the door. The whole door is gorgeous and solemn. To the south of Huangji Gate stands a glazed screen wall with nine dragons on it, commonly known as the Nine Dragon Wall. After entering Huangji Gate, you will come to the courtyard in front of Ningshou Gate. The courtyard is very wide and surrounded by pine trees to indicate its special use by the Supreme Emperor. Ningqing Gate is located in the center of the north side of the courtyard. It has five bays and a wide gabled roof. Below is a white pedestal. There are three steps in front of the pedestal. Zhongshi is the royal road. There are screen walls on the east and west sides of the gate. Opened in a figure of eight, there are two gilded bronze lions on the left and right in front of the door. The entire gate is very similar to the Qianqing Gate of the Housan Palace in shape and scale. The Forbidden City is located in the center of Beijing and is now called the Forbidden City, which means the former imperial palace. It was the royal palace of the Ming and Qing dynasties, and it is also the largest, most majestic and best-preserved ancient palace and ancient building complex in the world today. Among them, the Hall of Supreme Harmony is the tallest and most splendid, where grand ceremonies such as the emperor's enthronement, wedding, canonization, appointment of generals, and expeditions were held here. The most famous one in the inner court is the Yangxin Hall, where the Empress Dowager Cixi listened to politics behind a curtain for more than 40 years. Beijing is an international metropolis and China's transportation hub. The world's major airlines have flights to and from Beijing and other international cities and major Chinese cities.
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What are the appearance characteristics of the Hall of Supreme Harmony in the Palace Museum
The Hall of Supreme Harmony is the largest and tallest building in the Forbidden City. It is 11 rooms wide, 5 rooms deep, 64 meters long, 37 meters wide, 2377.00 square meters, 26.92 meters high and 35.05 meters high. It is the largest, highest-level and largest building in the Forbidden City. There is a wide platform in front of the palace called the Platform. There are sundial, Jialiang, Tonggui, Tonghe and 18 Tongding on the platform. Turtles and cranes are symbols of longevity. The sundial is an ancient timepiece, and Jialiang is an ancient standard ruler. Both are symbols of imperial power. The Highness of the Hall of Supreme Harmony has a three-story marble carved base, 8.13 meters high and surrounded by railings. There is a stone faucet under the railing for drainage. Every rainy season, you can see thousands of dragons spitting water.
Extended information: The decoration of the Hall of Supreme Harmony is very gorgeous. Under the eaves