China Fujian-Taiwan Border Museum is adjacent to Qingyuan Mountain, a national scenic spot in the north, the scenic West Lake in the south and Quanzhou Museum in the west. The China Fujian-Taiwan Border Museum has a magnificent appearance, which fully embodies the humanistic spirit and architectural features on both sides of the Taiwan Strait. It adopts the design concept of "circular place", which makes the whole building natural. The four semi-arc roof steps leading to the viewing rooftop symbolize the bridges and ties between the two sides of the Taiwan Strait, "Everything returns to the motherland" and China is unified. After its completion, China Fujian-Taiwan Border Museum has become a cultural tourist area integrating tourism and cultural exchange, an important window for cross-strait cultural exchange, and an excellent place for Taiwan Province compatriots and overseas Chinese to visit.

The overall layout of the garden landscape of China Fujian-Taiwan Edge Museum takes square and circular geometry as the main composition, and the design concept is completely consistent with the design concept of the main building "Heaven and Round Place".

First, design a large-scale simulated planting pattern on the back of the main building, which looks like a "proud peacock". There is a tree pond seat and a big rockery in the back square, and the square is connected with the rockery through two stone arch bridges. The rockery is designed as a suspended bank, which is combined with the rockery to form a curtain landscape. At the same time, with the building center as the center, there are four radial garden roads on the left and right sides, which are connected with the visiting passage and the historical walking path between Fujian and Taiwan respectively. The overall composition highlights the atmosphere and the theme of "fate". Second, the left side of the main building is designed as a comprehensive leisure park, with landscape points such as open-air stage, cultural square, audience and background fountain, which are connected by a historical walkway between Fujian and Taiwan to form a whole. Third, a teahouse will be built in the comprehensive service center and service area, and tea performances across the Taiwan Strait can be held in the future.

There are two groups of musical fountains on both sides of the landscape square, which are 84 meters long and 9 meters wide. With the music, the water column will form eight groups of image landscapes, such as "unity and forge ahead", "smooth sailing" and "cross-strait dancing". At the same time, there are two groups of ***48 color lamp posts next to it, and the color patterns are spliced by Dehua porcelain flowers.

The planning and design of the garden landscape in the museum uses a variety of gardening techniques to build the museum into a cultural park, so that visitors can see the long-standing cultural origins on both sides of the Taiwan Strait at a glance and feel more cordial.

The exhibition hall of China Fujian-Taiwan Border Museum is fascinating with its advanced layout, informative objects, rich contents and distinctive themes. According to the "Five Fates" of the relationship between Fujian and Taiwan, that is, geographical proximity, blood relationship, cultural relationship, business relationship and legal relationship, the comprehensive theme pavilion on the second floor of the museum is designed and arranged in seven parts, highlighting the idea that Fujian and Taiwan belong to the same China. The first part is the ancient homeland, which consists of two units: continental bridge connection and prehistoric culture; The second part is the dating of consanguinity, which consists of two units: Fujian and Vietnam moved eastward and mainlanders moved to Taiwan; The third part is subordinate to * * * and consists of three units: organizational evolution, * * * resistance to western colonists, * * * anti-Japanese army; The fourth part is the development of communication, which consists of three units: farming and water conservancy, manual manufacturing and commercial transportation; The fifth part comes down in one continuous line and consists of five units: dialect Putonghua, education imperial examination, poetry and novel, and Quyi craft. The sixth part is divided into three units: Taoist belief, Buddhist belief and folk belief. The seventh part is custom communication, which consists of three units: life customs, food, clothing, housing and transportation, and festivals.

In order to make the exhibits more attractive and friendly, the museum adopts diversified display methods such as exhibits, figures, models, scenes, audio and video, and various high-tech interventions such as sound, light and electricity. The statues in the exhibition hall are exquisitely made, which vividly reproduce the folk culture and historical events in Fujian and Taiwan.

Statues such as tea farmers making tea, sedan chairs, bearers, wedding candles, teachers reading, poetry reading in the library, exams, etc. are all vivid, making people feel as if they are in a distant era, walking in the depths of history, and deeply understanding the unique love between Fujian and Taiwan.